Jack Tatum’s work as Wild Nothing is often grouped in with
the countless other indie pop acts that make music in the new
wave/shoegaze/dream pop vein. Tagging
his music in such a way isn’t unwarranted, it does sound like it’s coming
straight from a UK studio in the 80’s, but whereas many other similar artists
make songs that are easy to forget, Tatum’s compositions are deeply personal and
deliver a lasting emotional punch. This
is pop music as he sees it. His combination
of ethereal vocals, woozy instrumentation and pop melodies isn’t anything new,
but Wild Nothing’s 2010 debut Gemini
was and still is eminently pleasing to listen to.
Following up such a great first step is a tall order to say
the least, but Tatum proves he’s up to the task with Nocturne. The idea is the
same this time around; take all the best parts of 80’s British pop music and
remake them in the image and likeness of the 2010’s.
Lead single and opening track ‘Shadow’ kicks things off with
a bang, putting Tatum’s melodic skills on full display. It features an uber catchy guitar riff and
some of the finest vocal work he’s done yet, and fans of Gemini will quickly warm to nostalgic pop gems like ‘Paradise’ and
the title track as well. A more upbeat
and as yet unseen side of Wild Nothing comes through beautifully on ‘Only
Heather’, ‘Counting Days’ and ‘This Chain Won’t Break’; three tracks that were
certainly featured in a John Hughes film weren’t they?
The missteps thankfully are few and far in between. ‘Through the Grass’ and ‘Rheya’ are fine on
their own, but when compared to the rest of the album they’re a bit mundane and
don’t seem to show off the ambition and skill of the rest of Nocturne.
In terms of 80’s adoration, perhaps Wild Nothing’s only
contemporary is Twin Shadow, and just like George Lewis, Jr., Jack Tatum’s work
stands head and shoulders above almost every other indie pop band that aims for
a nostalgic sound. With just two albums
under his belt, Tatum has quickly proven himself a force to be reckoned with and
here he’s made one of the most easily satisfying records of the year.
Grade: A-

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