Album Review: Bat for Lashes - The Haunted Man


The cover art for Bat For Lashes third album The Haunted Man is sure to grab anyone’s attention.  It would be tough to talk about the record without mentioning the photograph, a stark black and white which features Natasha Khan in the nude with a man, also nude, wrapped around her shoulders.  The photo represents the general vibe on Bat For Lashes' third album, as Khan strips back much of the grandeur that adorned her previous work, and instead focuses on making stripped down pop music with a raw emotional punch.

While she may have gone for a more minimal approach on The Haunted Man, Khan has not lost her flair for the dramatic.  Often she is able to convey an incredible amount of feeling with little more than a piano and maybe some strings or electronics.  ‘Laura’ personifies this quality the best, it seems very simple, just a piano and vocals, but becomes so much more with Khan at the helm, 

For much of the album Khan channels Kate Bush and PJ Harvey, and songs like ‘Lilies’, ‘Winter Fields’ and the title track warrant this comparison.  The most successful moments of The Haunted Man come when there is a bit of the dance floor in the mix, especially the Beck featuring ‘Marilyn’, and ‘Oh Yeah.’  The best moment on the record though comes via the plunky R&B swagger of ‘All Your Gold’, a tune that deserves mention alongside other Bat For Lashes hits like ‘Daniel’ and ‘What’s a Girl to Do?’. 

The Haunted Man is easily the most transparent album Natasha Khan has made so far.  The raw reality of it will lure you in, but it’s the glut of songwriting skills on display that is going to keep you around.

Grade: B



Steve Dobek

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