Album Review: OneRepublic - Native


OneRepublic has commanded the attention of a worldwide audience through their intricate fusion of highly addicting pop beats, catchy choruses and carefully positioned instrumentals. The band has garnered international success with songs such as “Apologize”, “Secrets” and “All the Right Moves.” Their forthcoming album, titled Native, strings together much of the same meticulously crafted tunes found on the band’s previous albums while further demonstrating their ability to construct songs with emotional depth and heartfelt meanings.
      
The formation of OneRepublic began in Colorado where the group began posting covers in 2002 on the then popular social media website MySpace. After quickly being signed the band found itself working on their smash hit “Apologize” with world-renowned producer Timbaland. The lead vocalist, Ryan Tedder, has even written multiple hits such as: “Bleeding Love” for Leona Lewis and “Halo” for Beyoncé. On their album Native, Tedder has brought his award winning lyrical genius beginning with the first single “If I Lose Myself.” This song captivates the view of someone looking back at their youth with lyrics like viewing your “life out the window” and “thought of all the people, places and things I’ve loved.” Aside from the reflective lyrics, this song offers a pleasant chorus, but it doesn’t seem to carry the same gravity the band’s other hits have.
         
The uplifting track “Feel Again” released last August as a charity single has previously broken the top 20 a few months ago. It possesses heavy gospel influences and a wide percussion element that lends the track a celebratory quality. “Counting Stars” is one of the more refreshing tracks off the album with easily the catchiest hook and beat that showcases a few of Tedder’s vocal twists. His voice is also the predominant factor on the soul touching track “Burning Bridges.” These songs are the most unique on the album, but its unknown if any of them have the capability of making an impression similar to “Apologize” or “Secrets” on the general public.
         
One of the key hit or miss areas on this record was the use of synthesizers, which often dilutes the richness that Tedder’s voice naturally encompasses. Often times the songs on Native sound overly produced with electronic synths and would benefit immensely with the inclusion of more stripped down versions to highlight Tedder’s falsetto. Still the band proves that it is a cohesive unit of creative artistry ready to attempt tackling the top of the charts again.

Grade: B-





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