Showing posts with label frightened rabbit. Show all posts
Showing posts with label frightened rabbit. Show all posts


Album Review: Frightened Rabbit - Pedestrian Verse


Frightened Rabbit’s album Pedestrian Verse was released worldwide, Monday, February 4, 2013. Scott Hutchinson, singer and darling, says the band was able to settle into the songs they wrote on the road by the time they got into the studio, and (in part, because of that) it’s the best album they've put out. After a good listen, I can understand why he feels that way: it’s a very solid collection of music and lyrics. The band plays with their muscles, the rhythms are extremely well-built, and the words tell a meaningful story: love and country; disenchantment and secrets; happiness and hope.

I’m also not surprised Hutchinson said (in the three part video on their website documenting Hutchinson’s take on the album) that he’s influenced by artists like Jeff Tweedy, Ryan Adams, and Laura Cantrell—not only for their talent as independent song writers, but because they’re contemporaries. This music may be Frightened Rabbit’s best, but it’s not exactly new; the guitar sound is deeper and Hutchinson’s voice is heavier ("Acts of Man" reminds me of the lush music Peter Gabriel made early in his solo career), but it sounds like other currently lovable, layered music. Maybe the tension has shifted: the album is far more relaxed than the previous three. 

Pedestrian Verse, which follows the 2012 State Hospital EP, is well-produced and will sound beautiful pumping out of a nice stereo, but I get the impression the collective audience might get a little bored at the collective live performance (too much smiley head banging for one night). It’s a feel-good album, with enough Scottish wetness to keep me interested, but I doubt—especially if what Hutchinson likes best about it is that there were fewer sleepless nights making it—that it can be topped. I doubt it will even hold the public’s interest very long, even though we’ll sincerely appreciate the effort the band put into writing, recording, and remixing each song, together.

Frightened Rabbit is a good, harmonious band (it appears to be completely in tune); unfortunately, when a band’s in tune, it sometimes loses its discord—literally, figuratively.

Grade:  B+






Top Ten February Album Releases


As you've been hibernating the past few weeks, staying cozy inside while windchill levels approached sub-zero, the music world has kept warm too, grilling up an entire month's worth of awesome new releases. Check out what February has in store for your ears!


10. Frightened Rabbit - Pedestrian Verse
When Scottish indie rock outfit Frightened Rabbit released their track and subsequent video for "State Hospital" last year I was pretty blown away. The song has the stamina and intensity of a stadium rock anthem, but wields weighty lyricism that cuts to images of suffering and hope. Overall, their EP release last year wasn't great, but just good enough to stir up a longing for their fourth studio full-length which is out today.


9. Nick Cave and the Bad Seeds - Push the Sky Away 
The legendary Nick Cave has stayed prolific as ever in the past few years with his Grinderman efforts and reissues with his band, and will be releasing his fifteenth studio record with The Bad Seeds on 2/18 via the band’s own label, Bad Seed Ltd. The debut single off the new record is called “Jubilee Street”. Check it out below:


8. Pissed Jeans - Honeys
Pissed Jeans are back with more of their corrosive, ear-punishing punk on their third full-length, Honeys. As Sub Pop points out:Honeys stews on the kind of mundane, niggling things that keep you up late at night. It’s an ode to the misery and shackles of being a responsible adult, and the shame of one’s own narcissism.” That description, along with the buzzing guitar riffs of album cut “Cathouse” already have me sold. 


7. Unknown Mortal Orchestra - II 
Unknown Mortal Orchestra had a pretty fast climb to prominence as their debut self-titled LP found itself at the center of a critical love fest two years ago. Reaping instant acclaim, the Portland-via-New Zealand transplants toured their asses off, and the relentlessness of that experience has been the slow-burning fuel for their latest record, II, which is out today via Jagjaguwar. With frontman Ruban Nielson’s unique lyricism and seamless guitar-playing to boot, it is interesting to see where this next record will take us, as it is almost always the case that a sophomore LP will up the ante on production value. Listen to “So Good At Being In Trouble” below:


6. Autre Ne Veut - Anxiety 
Known by friends as Arthur Ashin, this Brooklynite is fresh on the scene with his latest album Anxiety due out 2/26 via Mexican Summer. The newest single off the record is “Play By Play” and highlight’s Ashin’s dynamic renewal of 80s pop and R&B that raises eyebrows with its spellbinding percussion and Prince-like vocals. Listen below:

5. Doldrums - Lesser Evil
Canadian beat-smith Doldrums aka Airick Woodhead will release his debut record Lesser Evil on 2/25 via Arbutus. The Toronto DIY-er has released a few small EPs in the past and relies heavily on brief loops of samples and tortuous percussion. Woodhead’s high pitched hum is unmistakable, as his vocal tracks are often cut and warped to match the psychadelic vibe of his music. Listen to "Egypt" below:


4. Beach Fossils - Clash The Truth
Back with their follow-up to 2010’s underrated surf-rock self-titled effort, Beach Fossils will release Clash The Truth on 2/19 via Captured Tracks. While the band has expanded with various members coming and going, it all started with mastermind Dustin Payseur, who recorded everything on the first record by himself, playing every instrument. As the musician received continued acclaim in the indie community, Captured Tracks took notice and brought Payseur on to record a sophomore LP. Payseur brought on some core band members for recording in a proper studio, including a feature from Blonde Redhead’s Kazu Makino on their track “In Vertigo”. Listen to their latest track "Generational Synthetic" below:


3. My Bloody Valentine -mbv
Remember My Blood Valentine? I don’t. Because I was two years old when their last studio record was released back in 1991. it’s been a long time coming, but in the last 22 years, after many rumors of a new material, lead singer Kevin Shields going crazy, and countless throw-outs, My Blood Valentine has finally released their follow-up to Loveless with mbv, which was released on February 2, subsequently crashing the online server that was facilitating the release. So far the album has gotten favorable reviews with The Guardian giving it a perfect 5/5 rating. Listen to the opening track below and stream the rest via YouTube.


2. Iceage - You're Nothing
Strait-up, Iceage is putting out some awesome music right now. Still riding off the coattails of 2011’s 24-minute hell-raiser, New Brigade, they’ve just released the video for the new single “Ecstacy” about a week ago. Picking up where they left off, the Danish teens let out a surge of dark energy on the track with chunky guitar riffs coating hair-raising shouts of “Pressure!” While it seems the trend has been for many current indie-punk bands to shift toward more refined, poppier territory, Iceage have committed themselves to louder and gnarlier thread of punk, one that requires cheap beer and trashed speakers. You’re Nothing is out 2/19 via Matador.


1. Atoms for Peace - Amok - 2/25
Perhaps the most anticipated album of 2013, Atoms For Peace’s Amok, is something like four years in the making. The supergroup was first concieved when Thom Yorke called Flea (bassist for Red Hot Chili Peppers), Joey Waronker (drummer for R.E.M.), Mauro Refosco, and Nigel Godrich (Radiohead producer) together to play the entirety of Yorke’s solo record The Eraser in LA in 2009. Playing at Coachella in 2010 they were simply known as “??????” Since, they've slowly come into form, officially giving the band its name, releasing their first official single “Default” last year, and another “Judge, Jury, and Executioner” last month while detailing the release of their debut album. The tracks sound quite reminiscent of Yorke’s solo record Eraser, but there is definitely a stronger reliance on drum and vocal loops giving way to nuanced and textured sound that we’ve really yet to fully experience from Yorke. Amok is out 2/26 in the US. Listen to "Judge, Jury, and Executioner" below:



Tom Dennis



Picking Up The Slack For MTV: Frightened Rabbit



Since Scott Hutchinson formed Frightened Rabbit back in 2003, he has gradually progressed from mumbling 4-track solo recordings, adding various pieces to the puzzle as he saw fit--4 band members, 3 quality albums and an EP later, the Scottish indie-rock outfit has developed an esteemed, almost cult following. Now, in the midst of releasing a new EP, State Hospital, and rumors of an album in the works, the quintet are at the top of their game as they've just released an enthralling music video for the title-track. 

The video for “State Hospital” is a somber vignette depicting the struggles of a life-long victim of physical and emotional abuse, which closely mirrors the overall theme of the song. On their website, the group agrees the video needs little interpretation saying, “It's a stark affair at points, but we reckon it fits the song really beautifully.” With such brilliantly poetic and captivating lyricism along-side slow motion footage of a young woman weathering the violent surroundings she was seemingly born into, the video gives off downcast cinematic hues of, what looks to be, life in London's social housing. The setting is baleful and reminds me of the mood cast in the 2009 British drama Fish Tank

Hutchinson belts a harrowing chorus: “Her heart beats like a breeze block thrown down the stairs / Her blood is thicker than concrete forced to be brave she was born into a grave.” Toward the end of the video you're glued to the screen, waiting for some sort of justice to be served, and just as you become emotionally invested in the protagonist of the video, the redemptive qualities of the track are realized in the last 20 seconds as Hutchinson repeats, “All is not lost.” 



Tom Dennis