Showing posts with label nada surf. Show all posts
Showing posts with label nada surf. Show all posts


Songs I Wish I Could Hear for The First Time Again


In just a few weeks, I'll finally be done with college, which, naturally, has got me thinking about the past five years of my life (yes, I'm a super senior). Actually, make that the past nine, since high school and college are inextricably linked together. The beginning of my freshman year of high school just happened to coincide with the time my musical tastes began to broaden - I feel like 90% of the world could probably say that - and now, one of the longer eras of my life is coming to a close. With that in mind, I decided to think about some songs that have helped me get through these 9 years that i wish i could hear again for the first time.

The Replacements - "Here Comes A Regular"

At 14, I probably shouldn't have related to this song as much as I did, since it's about a bunch of pathetic drunks slowly wasting their lives away in the same bar every day, but somehow, the dreary tavern that Paul Westerberg was describing didn't seem too different my high school cafeteria. "Everybody wants to be special here," Westerberg sang. few lyrics describe the high school experience so succinctly. The fear of being average haunts you at that point. Whether you play football, aim for a 100 average every semester, or try to dress as flashy as possible, there's a good chance you're doing it because you desperately want to differentiate yourself from everyone else. That wasn't exactly what Westerberg was saying (he mined that territory more on "Sixteen Blue"), but it was what I took from it, and I'll never hear this song without being reminded of those first few months of high school.




Modest Mouse - "Lives"


In 2004, I was the scourge of many die-hard Modest Mouse fans because like many, many others, I discovered the band when they had a sudden mainstream hit with "Float On." The song seemed so refreshing compared to every piece of post-grunge sludge on the radio, but the old school fans never were fond of band-wagoners like me. Still, I eventually got into their earlier stuff, and no song shook me quite as much as "Lives" off 2000's The Moon And Antarctica. The idea that "everyone is afraid of their on lives" always stuck with me. it's a song about the parts of life we avoid - risk, confrontation, ambition. In order to maintain contentedness, we avoid aiming for the things that might make us truly happy, because failure scares us more than mediocrity. As an awkward 14-year-old, who was deathly afraid of talking to girls, that message really stuck with me.



Elvis Costello - "I Want You"


Of course, when I finally did start talking to girls, I dealt with (and still deal with), my fair share of rejection, and that's where Elvis Costello came in. He's a therapist for the lovelorn, and while some have claimed that his lyrics are misogynist, I tend to think anyone who's unlucky in love can relate to his message. He doesn't hate women, so much as he hates love and lust, the things that create rejection in the first place. This song was the most vitriolic screed he ever wrote on the subject, and as a 16-year-old who was no one's "type," this song hit me like a ton of bricks. Of course, now that I've gotten older and discovered feminism, I now think 16-year-old me was a prick with a huge sense of entitlement who thought every girl who smiled at him in the hallway was supposed to be his girlfriend. Still, no one likes to be rejected, even in retrospect, they might have deserved it. When Costello sings "I want to know he pleases he you more than I do....I might as well as be useless for all it means to you" with all the bile in his system being put to work, you can't help but feel something.  Anyone who ever loved (or at least really really liked) someone who viewed them as a mere afterthought can understand what EC is talking about.



Nada Surf - "Always Love"


This list is looking a bit gloomy, isn't it? How about a message of hope? Of course, this song is still pretty sad in its own right, but offers a way out of the darkness. We've all reached points in our life where we run out of positivity, and anger and frustration get the better of it, and Nada Surf frontman Matthew Caws understands that. While he preaches a message of "always love," he acknowledges that he himself often fails to live up to that standard ("but I never learned enough to listen to the voice that told me....). The lesson is that while you may screw up, lose your temper, and do or say something you don't regret, you can still redeem yourself. the idea isn't to be perfect, but simply to try to be a better person every day. As someone who often lets stress over school and looking for a career take over the part of my brain that tries to be a good person, that message never stops being important.



Yes - "The Revealing Science Of God (Dance of the Dawn)"


I decided to end this list with something completely out of left field - a 20-minute-long song from an album that most sensible people can't stand. Tales From Topographic Oceans was one of the albums that introduced me to progressive rock, and while it might have been unwelcoming for some, I embraced this album's ambition right away. The opening track stood out to me as easily being the best. I fell in love with it's constant tempo changes and weird chants that I tried in vain to decipher the meaning of. This song still doesn't completely make sense to me, it's beautifully strange, and pretentious in the best way, showcasing a band that was willing to do anything just to be a bit weirder than everyone else.



  John Hugar


Underrated Vs. Underappreciated


At various points in the past year, I've taken to the Internet to proclaim the underrated-ness of whatever band I just got into. In March, it was Nada Surf, then when summer hit, I was all about The English Beat, and lately I've been on a huge Black Crowes kick. Each time, I've gotten a handful of responses of people agreeing with me. After all, I'm certainly not the only one who likes these bands.

   
But lately, I've been thinking a lot about what makes a band underrated. Oh, don't get me wrong, I still would rate all the bands I just mentioned as "awesome to very awesome," but the more I look at it the more I realized, all those bands have gotten plenty of respect. The English Beat, for instance, are acclaimed by just about anyone who's ever heard them. Their debut has a 5-star review on Allmusic, and when their career-spanning box set The Complete Beat came out in July, just about every critic was drooling over it. That was when I realized, the Beat weren't necessarily underrated, but they were crucially underappreciated. Nearly everyone who has actually listened to their music agrees that it's awesome. the problem is, they've gone crucially underappreciated. For the longest time, their music slipped through the cracks of history. The Specials and Madness became the important ska bands of the era, and while The beat would pop in our collective conscious once in awhile, they never got the same reputation.
   
But of the other bands I mentioned, how do they fit into this. Well, Nada Surf in a pretty similar spot. Every time they put out a new album, the reviews are uniformly positive, with the reviewer using noting how unfortunate is that the band doesn't get more credit. Once again it's hard to call them underrated, because the people who actually listen to them rate them quite high. It's just that there aren't enough people listening for the band to get all the credit they deserve. Plus, once they signed to Barsuk Records, people started treating them like Death Cab For Cutie's triple-A affiliate. Which makes no sense, because Nada Surf were around first, but hey, what are you going to do. As for the Black Crowes, they might be the only one of the three bands I mentioned that is truly underrated. They're certainly appreciated well-enough, as they've sold a ton of albums, and they were one of the biggest bands of the 90s. However, the critical respect has never truly been there. Maybe because they got pigeonholed as "the guys who did 'She Talks To Angels'," or maybe because critics were too busy calling them derivative to realize how good they were at it. Whatever the case is, despite legions of fans, they never got proper respect for their output, which is too bad, because between Chris Robinson's powerful bluesy vocals, and brother Rich Robinson's groovy guitar licks, they rocked like a few other bands of their time.
   

Knowing what we know now, let's see if we can mark a firm difference between underrated and underappreciated. If critics rave about a band, but they still aren't regarded by the rest of the public, they're underappreciated. If a band scores hits and goes platinum, but gets inexplicably overlooked, they'd be truly underrated. For the record, some bands can get stuck in both categories. Like The Beatles! When are they gonna get their due?!

  John Hugar