Showing posts with label sharon van etten. Show all posts
Showing posts with label sharon van etten. Show all posts


buffaBLOG's Best of 2012: Staff Picks - Tom Dennis


2012 brought in a flood of diverse and superb music in the national outlook, but it was also a prolific time that gave rise to a thriving local music scene. On top of all that, Buffalo racked in some incredible live acts and has seemingly put itself back on the map as a regular tour bus trail-marker. Yes, year-end lists are indeed the vanity of vanities when it comes to music and entertainment commentary, but let's face it, they're fun as hell and fill a certain journalistic void that is pretty harmless compared to the Facebook Year in Review feature. So without further ado, here are my favorites of the year:

Favorite Albums of 2012

1. Cloud Nothings - Attack on Memory
With Dylan Baldi's newfound approach to corrosive post-hardcore rock it seems he has forever deserted the lo-fi tendencies of his previous bedroom recordings and taken up with surges of Strat, feedback, and a hair-raising belt that is intense as it is awesome. As a result, the band not only garnered a shit-ton of ink, but also expanded their touring output tenfold while more recently asserting that a new album is on it's way as early as next year (see 2013 wish list).


2. Hospitality - Hospitality 
While it didn't make many year-end lists, let alone assemble half its due esteem in record reviews, Hospitality's debut self-titled record is certainly one of the most comprehensive debut records I've heard in some time. Each track, from the 50's singsongy "Betty Wang" to the choral tranquility of "Sleepover", play off each other, and as a result the album lends itself to the stresses of the twentysomething as Amber Papini sings of all the doors and locks that seem to plague the age. I've heard from many people that there were a lot of good albums this year, but no truly great albums. Those people need to hear this drastically underrated album.

3. Porcelain Raft - Strange Weekend
I can distinctly remember listening to Strange Weekend for the first time at the beginning of February and thinking it was a special album. I knew it was going to be an aural impact to the year, as it was even further impactful as I saw mastermind Mauro Remiddi play an incredible show at The Ninth Ward during the summer. With it's delicate vocal melodies, wistful arrangements of synth and organ, and convoluted percussion, Strange Weekend masks itself as a modest album, but wields big ideas of relational wandering, beginning with practical images of heartbreak and slowly blurring the edges as it strangely grows more dreamlike and vivid.



4. The Men - Open Your Heart 
With their third record, Open Your Heart, The Men proved they can't be pigeonholed into the abrasive indie-punk box that so many had sustained them to before. Diving headfirst into an array of stylings from the abyssal yells of "Animal" to the sprawling guitar licks surrounding "Country Song" to the true country virtue of "Candy", The Men have covered all the corners, even if their tight Brooklyn quarters confines them to just four.



5. Mount Eerie - Clear Moon
As one of the many artists who decided it would be a good idea to release two albums this year, Phil Elverum dropped a couple gems with Clear Moon and Ocean Roar. With his soft-spoken lyricism and uncanny ability at delivering vocals via underlit instrumental arrangments, Elverum is a poet, seer, storyteller, and historian. The framework of his music is relative to the soul of Anacortes, WA where he resides, and from the Mountain called Eerie he extracts an abyssal sound that grows stronger with each listen.

6. Father John Misty - Fear Fun
7. Chromatics - Kill For Love
8. Dirty Projectors - Swing Lo Magellan
9. Sharon Van Etten - Tramp
10. Purity Ring - Shrines

Favorite Local Albums of 2012


Like I said, there was a stunning amount of great local music released this year. Below, I've listed my favorite five local albums of 2012. Coincidentally, I also reviewed each of these albums this year. Next to each you can click 'review' to read what I had to say about each!

1. Damian - Soul Night (Review)

2. Cemeteries - The Wilderness (Review)
3. Love Scenes - Blissed Out Youth (Review)
4. Sonny Baker - Here Are Those Freaks You've Been Asking For (Review)
5. Anthony DelPlato - 8 Old Vines (Review)

Favorite Tracks of 2012


1. Purity Ring - "Fineshrine"

Megan James' spellbinding vocals and lyricism melted with Corin Roddick's stellar hip-hop beats create a unique sort of track that is both incredible beautiful and catchy as hell. Hit the repeat button for this one.



2. Cloud Nothings - "Wasted Days"
This 8-minute epic contains a bonechilling line that will forever be etched into the brain of any listener: "I thought I would be more than this." 


3. Porcelain Raft - "The Way In"
I first heard this song via a YouTube video of Mauro Remiddi playing it on an organ in an old church. In it's purest form the song is a hymn, a prayer. The opening words contradictory to Remiddi's actual globetrotting experience: "Advising people not to travel far."


4. Grimes - "Oblivion"
Clair Boucher has spun a dark yet poppy web with this track that seems to have made a lot of year-end track lists, and with good reason. Boucher's floaty vocal approach coating textured synths are deceiving as she sings, "If someone could break your neck / Coming up behind you always coming and you'd never have a clue."


5. Japandroids - "The House That Heaven Built"
With it's anthemic guitar riffs, background chants, and tempo-setting snare Japandroids have created a rock song for the ages in "The House That Heaven Built".



6. Gambles - "Trust"
7. Grizzly Bear - "Yet Again"
8. Father John Misty - "Fun Times In Babylon"
9. Julia Holter - "In The Same Room"
10. Earl Sweatshirt - "Chum"

Favorite Music Video 

Emily Kai Boch really knows what she's doing. First she directs a truly stimulating video for Grimes' "Oblivion" and then she takes on Grizzly Bear's "Yet Again" for an invigorating narrative of a struggling figure skater as she bears the weight of adolescence.



Favorite Show of 2012

Sufjan Stevens at Asbury Hall, December 18


In one word, the show was life-changing. Every other word I have to say about it is in a review I wrote, which you can read here.


Honorable Mention: Porcelain Raft at Babeville, Cloud Nothings at Babeville, St. Vincent at Town Ballroom.

2013 Wish List

1.) I was certainly sad that one of my more favorite bands in recent years Girls had split up. In the coming year, I am hopeful for frontman Christopher Owens' new solo album Lysander and wish that his tour includes a stop in WNY or Toronto.


2.) As you read above, I named Cloud Nothing's Attack on Memory my favorite album of the year. Last week, news broke that the band had already written songs for the new album and that it basically just needed to be recorded. Here's to hoping they hit the studio hard this coming year and that we get another awesome album from the group in the fall.

3.) All these rumors about Arcade Fire working with James Murphy are exciting, and also feel a bit over-hyped. Hopefully 2013 brings another great collection of music from the Montreal band and that Murphy's input stokes his fires to release more of his own music as well.

Tom Dennis


Concert Review: Sharon Van Etten


Making her first appearance in Buffalo, Sharon Van Etten gave a brilliant performance last night at Town Ballroom. Coming off her sensational LP released in February, Tramp, the Brooklyn songstress brought along a multi-talented 3-piece band, who were more than well-equipt to lend the range of instrumentals and sweeping vocal harmonies found on the musician's acclaimed record. 


To start the night off, Damien Jurado mystified a seated Town Ballroom audience as he himself took to a wooden chair with acoustic guitar in hand (a way he says he plays best) and brought his astounding set of folk songs. One song ,"Ohio", from the 1999 record Reversals For Departure, stood out to me. It tells the story of a girl heading home to the Buckeye state to visit her mother who she hasn't seen in years. Jurado's vocals against his gentle and skilled guitar work were transcendent and without blemish as he cooed, "It's hard to see her leave / She belongs to her mother and the state of Ohio / I wish she belonged to me." It stands as one of the best solo acoustic sets I have ever seen, even without knowing much of the Seattle native's back catalog.


Next, Van Etten wasted no time coming out and went into favorites off her new record “All I Can” and “Warsaw”. Front and center, Van Etten swayed gently to the first few songs with her Jazzmaster sounding better than studio quality. Van Etten soon changed to an acoustic ax and moved onto to other tracks off Tramp with “Leonard” which she said she wrote while listening to a lot of Mr. Cohen’s work and “Give Out” both of which feature breathtaking vocal harmonies that capture Van Etten’s immense songwriting abilities.


Halfway through the show, Van Etten’s band left the stage and she played a requested track, “Consolation Prize”, solo. Van Etten has this enchanting way about her in the way she performs. She plays almost effortlessly in deep concentration and as a result every track radiates forth as she stands upright belting her tempestuous vocal arrangments which cut through a wall of intricate instrumentation. She checks on the crowd and her instrument intermittently, all the while bouncing a knee here and there. After her band came back on stage she shared a story about how she had written her first record when she moved back to her parents house in her native New Jersey. The anicdote led into the heartbreaking song “A Crime” off her 2010 effort Epic, which directly references the story in the lyrics: "Alone in this basement where I will write these songs / Of things I'll never say to you again and you know why." After sharing warm words about her first experience in Buffalo, she played her final song to a much deserved standing ovation, and then came out for a sensation encore playing “Ask” off Tramp.


Overall, it was a memorable night, and one of the best folk concerts I’ve ever seen. Sharon Van Etten and Damien Jurado brought a very strong performance that was sonically gorgeous as it was generous.

Tom Dennis
All Photos by Tom Dennis


Tonight: Sharon Van Etten


Back in February, before every music journalist started framing each new release in terms of the best of the year list they had to write (mid December, stay tuned), Sharon Van Etten put out Tramp, an album anchored by excellent songwriting and haunting vocals. Deftly alternating between introspective and cathartic, Tramp, with its staggering list of guest appearances (Zach Condon of Beirut, Juliana Barwick, Matt Barrick of the Walkmen, and Aaron Dessner of the National), was obvious standout back in February and holds up quite well through what has shaped up to be an incredibly strong year for many. Tonight, continuing what is a really wonderfully busy weekend for Buffalo music fans, Etten will be performing at Town Ballroom.

Opening for Etten will be Damien Jurado, for more on Jurado, check out Tom's "Know Your Opener" post from earlier today.

Sharon Van Etten w/Damian Jurado
Town Ballroom
Doors at 7pm
$15.00


Michael Torsell


Know Your Opener: Damien Jurado


Backing his 10th studio LP, Maraqopa, Damien Jurado will be opening at tonight’s Sharon Van Etten concert, but for some he might as well be the main event. As a consistently great singer-songwriter, Jurado's 13 year career has its roots in indie’s fertile crescent of Seattle, where after garnering somewhat of a cult following, he was first brought to the attention of Sub Pop who subsequently released his debut record Waters Ave S in 1997. Shaped by influences such as Nick Drake, Randy Newman, and Bob Dylan, Jurado specializes in urban folk songs that are fostered from stories of experience, at times of a confessional nature. Stylistically, Jurado is a folk singer at heart, but his sound has numerous veins and capillaries that deviate into indie-pop and electronic landscapes as well, and in this way he has refused to be pinned down into one specific genre. In many ways this show will be the perfect indie folk-rock bill, so do yourself a favor and pick up a few tickets ($15) here

The doors at Town Ballroom will open at 7 tonight.



Tom Dennis


Hot Times in the Tor-Buff-Chester Tomorrow Night


I totally love living in an international megalopolis like Tor-Buff-Chester because the advantages for us Buffalonians in the creamy center between Toronto and Rochester are numerous and frankly, pretty damn cool if we take advantage of them. Sure there's commercial benefits, but I'm more interested in: 1) the hockey, namely our symbiotic relationship with our farm team in Rochester and our excellent and heated division rivalry with the Toronto Maple Leafs (I despise those ____ers); 2) the cultural benefits, and 3) the music. Especially the music, with Buffalo ideally situated between the two poles of our megalopolis, the megaregion becomes our oyster. Case in point: the skull crushingly fine tri-fecta going off tomorrow night featuring Sharon Van Etten with Damien Jurado at the Town Ballroom (tickets are still available!), Yeasayer in Toronto, and Sleigh Bells and Araabmuzik at the Water Street Music Hall in Rochester.

Tomorrow night we've got ourselves a smorgasbord of shows worthy of interest, even if two of the three acts have already played Buffalo this year. I'm not going to get into the Sharon Van Etten show because that's being covered tomorrow (also, I'm not that excited about it, but that's just me), which leaves the Yeasayer and Sleigh Bells shows, which will be excellent based on what's been seen before by the Town Ballroom faithful. Even though their Fragrant World album let a lot of people down, Yeasayer's Buffalo show was exceptional... a puzzling paradox that will make their show at the Danforth Music Hall an opportunity to perhaps solve this mystery while checking out the allegedly impressive light show they're mounting on this leg of the tour, perhaps as a result of the decidedly mixed reviews Fragrant World received upon it's release in mid August. I myself would like to believe that the band thought they'd be conquering the world behind their new album and went for a light show that'd blow minds while they circled the world triumphantly, but I suspect that's naive tomfoolery. In any case, Fragrant World sounded great live alongside cuts from All Hour Cymbals and Odd Blood, so this ought to be a great show for Buffalonians eager to revisit those heady summer nights when our scene was on fire.



Indeed, one of the hottest and most explosive shows of the summer easily had to be the Sleigh Bells show in July, another Buffalo show strong enough to merit seeing them again, this time at the Water Street Music Hall. In fact I'm bummed that Yeasayer and Sleigh Bells are going off on the same night because the wall of sound laid down by Derek Miller and Alexis Krauss was delicious, utterly irresistible, and something I'd love to experience again. If there is one downside to living in a megalopolis, it'd be the fact that sometimes great shows go off on the same night, forcing hard choices on the part of discerning music fans. Hell, the night of the Yeasayer show at the Town Ballroom, Sigur Ros played Toronto. Sometimes you can't win, but boy is it nice to have options.

Now I know that Buffalonians have a complicated relationship with our neighbors to the North, and it's completely understandable considering their hockey fans mock us in our own building, their poor driving skills make them menaces on our roads and theirs, and their disdain for us does tend to strike a sour note. That said, to hell with them. Toronto is nice, and it's wasted on them... so we might as well partake in the goodness while also occasionally benefiting from our proximity when bands pass thru town on their way to or from Toronto. OK, yes, to be honest, I wish more shows visited Buffalo. Of course. More, more, more. But that's not necessarily how it goes for a struggling Rust Belt city like ours, and while progress is definitely being made cultivating a scene and an audience, this is where living in a megalopolis comes in handy. Between Toronto, Rochester, and Buffalo we get just about everybody... and it is good.




Oh yeah, by the way, Passion Pit plays the Main Street Armory in Rochester February 18. I agree that it sucks that they're not playing here, but the Armory is a fantastic venue (of a size we just don't have in Buffalo), their show at the Rapids Theatre 2 years ago was muy excellent even with light show issues, and that means road trip...


Cliff Parks













Contest: Sharon Van Etten


Next Friday on November 9th, Brooklyn singer-songwriter Sharon Van Etten will be gracing the Town Ballroom as she makes a stop in Buffalo to support her latest album Tramp.  Released back in February, the album was produced by Aaron Dessner of the National and features guest appearances by Zach Condon of Beirut and Julianna Barwick, and will surely be on many of the best of lists of the 2012.  

We here at the blog were lucky enough to get our hands on a pair of tickets to give away for next week's show.  How can you win them you ask?  Just follow us on twitter (@buffaBLOG) and look for a tweet from us sometime tomorrow(11/2) afternoon.  Good Luck!

In the mean time, check out the latest music video from Van Etten for the track "Magic Chords."


mac mcguire


Just Announced: Sharon Van Etten


Brooklyn indie songstress Sharon Van Etten will be coming through Buffalo this fall with a show at Town Ballrom on Friday, November 9th.  Since her debut album, Because I Was In Love, was released in 2009, Van Etten has frequently collaborated with fellow Brooklyn artists including the Antlers, members of the National, and Beirut.  In fact, her latest album, 2012's haunting Tramp, was produced by National band member Aaron Dessner, and features many of the said artists as guests, included an incredible tune with Zach Condon of Beirut titled "We Are Fine."   Tickets are $13 in advance, $15 day of, and go on sale Friday, July 13th.  Damien Jurado will open.




mac mcguire