Showing posts with label sxsw. Show all posts
Showing posts with label sxsw. Show all posts


One Month To Joy


Another year... another SXSW to endure via social media. I used to be jealous of SXSW attendees but that was before SXSW went ultra corporate and Austin, TX became old hat (except for the BBQ, which I need to get with, I admit) and Buffalo now hot shit, so now really it's just a question of weathering the tsunami of SXSW Tweets now clogging up my Twitter feed (@BfloDude - feel free to follow) from all of the music writer types I follow as an amateur music writer type. If I have to read one more Tweet about how much of a slog SXSW has become, or how much hard work it is to take in so much live music... so help me God, I might chuck it all in and listen to mainstream country music. And worse, we're getting nailed by our second blizzard in three months, and that's not helping at all... but wait, it's not all bad because we're one month away from one of the best weekends of live music Buffalo might ever see.

Yes, exactly one month from today, Buffalo music fans (and music writers) will be putting themselves back together after St. Vincent plays Asbury Hall so they can hit up the Town Ballroom for The War on Drugs, in town to flog their hotly anticipated third album Lost In The Dream. How the stars aligned so perfectly I cannot say, but having two of the most incandescent indie rock acts IN THE WORLD playing our city back to back is serious business, and maybe even proof that Buffalo might well be hot shit. If nothing else, thinking about the awesomeness lurking around the corner a month from now is enough to warm me up and be a light at the end of this dark tunnel stretching ever longer. In the meantime, however, there's St. Vincent's excellent eponymous fourth album to savor, the new War on Drugs album out next week, and their pleasantly wry yet joyful video for "Red Eyes" that's clearly influenced by the videography and filmography of Talking Heads.


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See, didn't that make you feel all warm and fuzzy inside?* Indeed, SXSW will be over soon, our never ending winter will finally end, and an incredible spring of live music will be here before you know it. One month to go.

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* If that little kid in the plaid shirt jamming on air guitar with the band didn't make you smile, you are dead inside. Dead, dead, dead inside. Good luck with that, hater.

Cliff Parks 


buffaBLOG's Best of 2013: Staff Picks - Favorite Shows Part 2


Editor's Note: As part of our best of 2013 coverage, we asked our writers to break down their favorite live shows of 2013. Shows did not have to take place in Buffalo to be included on this list. Part 1 of this list can be found here.

Joe Speranza
Grace Potter & The Nocturnals @ Town Ballroom in Buffalo, NY, September 11th

Circumstances, execution and expectations. Those are key aspects of a show; I won't say they are the key aspects of a show, but if circumstances are favorable, execution is solid and expectations are exceeded, the result is a fucking blast. Take the first Tragically Hip concert this summer: my expectations were outrageously high, the circumstances (summer, water, friends, beer tents) were just about perfect, and everything was going well until that deluge of rain almost washed us all into Lake Erie. The execution – while nobody's fault – really sucked; what could have been Woodstock '13 turned out to be a long, wet walk to our cars. But during that failed show, a new set of expectations arrived as they announced an upcoming show: Grace Potter & The Nocturnals at Town Ballroom.

I've attended some gems this year. The Black Keys. Limp Bizkit (I know). Sleigh Bells. But Grace Potter at Town Ballroom could not have been improved upon. I was with some of my favorite people in the world. They played awesome music for almost two and a half hours. They exceeded my soaring expectations. It's a great feeling to blindly attend a show and walk away amazed (I see you, Portugal. The Man), but when you want so badly for a show to be great and then it goes and becomes legendary, well, that's what keeps us coming back. We all like going to see shows. But we go for more than the music; we go to feel a connection. Sometimes, it happens.


Michael Torsell
My Bloody Valentine @ Kool Haus in Toronto, ON, November 5th

Buffalo saw a lot of great shows this year and winnowing it down have proven to be a difficult task. The Mallwalkers' album release party at the Polish Library was epic and a real reminder, along with The Vault’s final night, of the awesome community we have in Western New York. In terms of national acts, getting to see DIIV, Wild Nothing, Beach Fossils, and Melt Banana was great and a nice reminder that one can see great live music in Buffalo throughout the year. 

Personally however, my favorite show was My Bloody Valentine in Toronto. This was a band I never expected to see live, but then again, I never expected a follow up to Loveless to be released this year, and I certainly would have never thought it would have been so good. Loveless has been constant presence on stereo for the last 12 years, so the opportunity to see them felt almost sacred. The group did not disappoint, quickly establishing that they were tighter than ever and my hair stood on end for most of the show, even during the seemingly eternal barrage of noise at the end. It was a great reminder that noise and feedback can become beautiful in the right hands and it brought me to all of the private moments I had enjoying their music. I really cannot ask for much more from a live performance.


Jon Krol
FLAG @ Town Ballroom in Buffalo, NY, June 13th

I grew up listening to Black Flag and my favorite incarnation by far was the pre-Rollins, pre-Reyes, pre-Cadena (on vocals) era; the Keith Morris era. Morris, before leaving to form the Circle Jerks, was angry, passionate, and arguably their best singer, although I’m sure many will disagree with that statement. Tracks like “Fix Me” and “Nervous Breakdown” are as much a part of my youth as any other band. Hell, my favorite skateboard section of all time is Jim Greco’s part in Misled Youth and he skated to “Fix Me.”

Until a few years ago, the idea of a Black Flag reunion was preposterous, let alone that the band would re-form as two separate entities; the Ginn-Reyes collaboration which took on the Black Flag name and the FLAG collaborative featuring Keith Morris, Dez Cadena and Chuck Dukowski. While I did not get to see Black Flag, I was able to see FLAG, in all their primordial glory.

My expectations were high and I kind of approached the show with nervous trepidation. I didn’t really expect them to deliver to be honest. What I got was more than I could have ever asked for. Morris was fierce and played with his heart on fire, as did the other members of the band. Their energy and excitement was palpable and spread like a wild, contagious fire. They didn’t play the tracks of yesteryear. They blitzed them. They destroyed them. They HURT those songs.

And Dez even got to sing! And they even played some of the Rollins and Reyes tracks! And it was one of the best shows I’ve ever seen! Simply put, it was a special night to be a fan of punk rock and a special night for those of us who finally got to see a band that defined our youth and inspired us all. They secured their place in the punk pantheon of greats. They lived up to the hype.


Mac McGuire
Mohawk Place's Last Waltz: Night 2 @ Mohawk Place in Buffalo, NY, January 12th

Any other year, seeing Spiritualized, a bucket list band of mine every since hearing "Ladies and Getlemen...," would have topped my list. They were devastatingly good at the Waiting Room. But Mohawk Place doesn't close every year. I won't rehash my memories of the place (its been done enough), but the venue's final night was a special experience like nothing I will ever be a part of again. All of my Buffalo music heroes were in one room, drinking every last drop of booze that old bar had, shedding tears that I didn't know were in a few of them, and recalling years of memories that could never be replicated. 

And the music just never ended. I stepped foot in Mohawk around 7pm to the sounds of disbanded Buffalo greats the Thermidors and left just after 5am with my ears ringing from the Mark Norris led power pop heroes Girlpope. Between an Old Sweethearts reunion I never thought I would get, my first experience with Semi-Tough(!), and sets from Chylde, Failures' Union and other relics of Mohawk's past, the night was as close to perfect as you can get in Buffalo. 


Tom Dennis

Captured Tracks Showcase @ The Parish(SXSW) in Austin, TX, March 16th

On the last night of SXSW, I saw a tour de force showcase put on by Captured Tracks at The Parish in Austin. With sets from Naomi Punk, The Soft Moon, Chris Cohen, Mac DeMarco, Widowspeak, DIIV, and Beach Fossils, the show was the ideal finale to an exhausting week of music. Chris Cohen brought each track from Overgrown Path into its cool blue light, Mac DeMarco was slightly less of a knucklehead than I’d imaged he would be live, and Beach Fossils sparked a hiccuping dance-pit, which they kept stoked ’til 2am. Extracted from the rock club, I hummed "Home" by DIIV in an attempt to drown out the waning madness of Sixth Street as I navigated my way to the nearest bus stop. 



Scott Mancuso
Okkervil River @ The Haunt in Ithaca, NY, September 27th We rode our bikes from the motel on the edge of town to the middle of Ithaca. There were no "sharrows." We went to a bar and ordered beers and then we went to another bar and ordered more beers. It was a Friday night and there were a lot of professors and a lot of students. We went to a dive bar with a rooster logo where a middle-aged ex-military bartender appeared ten minutes after we walked in. She served us more beers. We rode our bikes over the train tracks to the Haunt and drank more beers. Okkervil River played their instruments very well and Will Sheff sang very well. It made me happy. It made a man in front of us with a green shirt that said "Paddy's" on it even happier. "Paddy" drank a lot of beers. Sometimes he drank half-empty beers that were just sitting on the edge of the stage. Sometimes he put his arm around girls that he didn't know, and they didn't like it at all, but that didn't slow Paddy down. I went to the bathroom after the show and Paddy was there and he asked me, "so what's your deal." I think he meant it to be friendly but I didn't know what to say, and I didn't have a deal, so I just shrugged and left. We rode our bikes back into town and I realized that my back tire was flat. We stopped. We drank whiskey in a bar in a basement and then we tried to go back to the rooster bar and then we learned that, in Ithaca, bars close at 1 in the morning. That's why they all had to drink so fast and so early and ask what the deal was because they were running out of time.


Tom Etu
buffaBLOG Summer Party @ Duke's in Buffalo, NY, August 10th

Some people remembered bits and pieces the next day. Others needed verbal cues and a bit of shoving before it all came swimming back into their recollection. Jack Topht enraged, elated, irritated and enlightened us. A beach ball and other inflatables were passed around in a massive game of "keep it up!" Some in attendance probably played their own version of 'keep it up' that night, but that's irrelevant. The Malones killed it, and bass player Elliot Douglas was feeling it so hard that he jumped offstage. A fellow blogger guarded one of the band's lead singers (name undisclosed) while he urinated into a garbage can outside DBGB's. Shit got weird at the buffaBLOG Summer Party.



Festival Bands, Man!: Psychic Rites



Psychic Rites, founded in Moscow, Idaho, is today’s FestivalBands, Man! feature. I found the self-described “aimless filters of sentience” cruising the Boise, ID Treefort Music Festival lineup. Moscow (Josh Ritter’s hometown) is a small hilltop university town where of a dear friend of mine grew up. An intense girl with a squeaky clean face and a piercing mind, I often wondered where a rebellious spirit like hers goes to play in a place like that: the woods, mostly; but there’s a hardness in her musings that seems cozier in concrete. Which is probably one of the reasons she’s a scientist. She’s a barefoot Idaho hippie, comfortable walking on cool moss or cold stone.

Psychic Rites has a similar expression—hell, the first single from their self-titled EP is “Concrete.” Another track, “Whispering of Eternal Things,” actually samples the pew-pew of a crowded city crosswalk. Cold, dark, wooded, wild, smooth, fresh: their music captures a European seriousness as well as a sprightly butterfly in its intricate electro-net. It’s sexy, forlorn, and folkloric, but totally Northwest American. Perfect for a chilly springtime night. This is Psychic Rites second year at Treefort. Full album due out this fall.


Band: Psychic Rites

Festival: Treefort Music Festival

Venue/Stage: The Crux

Date & Time: Thursday, March 21 12:30AM -1:30AM






Bill Times A Billion takes Couch By Couch West


While all the cool kids are down in Austin this week taking in the overwhelming amount of music at the annual South By South West Festival, the rest of us are stuck here, at our desks, just killing some time.  Luckily for us, Couch by Couch West is back for another year. CXCW gives bands from all over the world to post a short video performance to be shared while everyone in Austin gets to sweat it out in line to catch some buzz band. I have always wanted to go to SXSW, and maybe one year I will, but my wallet could use a break, so CXCW will have to do. Some Buffalo bands have taken advantage of the CXCW over the the last couple years.  Roger Bryan got in on the action last year and indie garage pop duo Bill Times A Billion returned to this year with a charming, ukulele led submission of "Taking With the Sky," which can be found on their recently released Say It Nicer album.  





Festival Bands, Man!: Daedelus


Considering thousands of arts lovers are trying to figure out their SXSW schedules and the website doesn’t have the bandwidth for it, I’m moving onto the March 8 & 9 festival, the New Orleans Buku Music + Art Project. I’m a sucker for anything with the word project in it: equal parts academic and workhorse. Which is exactly why prolific L.A. producer, Daedelus (Alfred Darlington), is the Festival Bands, Man! feature of the week. Also, because I’m reading Ulysses for the first time.

I went to a small Daedelus show a couple years ago, and his set up is unbelievable. A labyrinth of soft bright buttons EVERYWHERE! It’s hard to imagine each one is actually responsible for a new collection of sound. I found myself mesmerized by his speed—like a snake charmer—and could visualize the inside of his brain, each fold a cushion of light and music.

Just as James Joyce’s work is filled with abstract diversions, beautiful descriptions of intellectual goings on that make way, ever so subtly, to the daily transcript of what was going on all the while—the reader gets to day dreaming with the narrator—Daedelus (spelled differently than the Greek artisan and Stephen)’s gorgeous outpourings are fucking hard to understand.

I don’t even like it that much. It’s a bit much! (Like your really smarty pants friend who sometimes gets on a roll talking about a topic of Passion and you just have to bail until he catches on with a joke to break it up). And that’s what Daedelus is known for: throwing in a couple pop songs that are instantly transformed into a better quality leather, and in turn, make the rest of his furious ramblings seem much less eager.

He’s a genius producer and deserves a lot of respect and for us to lend our ear, because if he were a scientist, he would get a ton of funding, and if he were an author, we would read between the lines with painstaking gaiety. 

DETAILS 

Band: Daedelus (producer)

Festival: Buku Music + Art Project

Venue/Stage: Float Den

Date & Time: Saturday, March 9 11:00PM -11:45PM






Tonight: Imposition Tour


For many bands, SXSW is a cross country excursion. The annual indie-thon takes over Austin every year, soaking up bands across the country like a sponge. The destination is a perfect excuse to tour, with acts making stops in cities along the way to drum up support. Impose Magazine, based out of Brooklyn, put together the "Imposition Tour" to do just that, with stops along the rust belt taking them through Buffalo, then on to Chicago and Memphis. Buffalo is rarely considered "on the way" to anywhere (especially a sports championship), so it's a testament to the reach of SXSW that it's ripples can be felt this far north. The Funeral Home has long been a staple of Buffalo's underground scene. With Mohawk Place biting the dust, venues like this become a necessary refuge for our music scene to hang it's hat. Tonight's show is a collaborative effort, with Brooklyn bands So So Glows, Big Ups and Flagland being joined by Buffalo bands  Space Wolves and Sonorous Gale. The show has an earlier start, with doors at 6:30 and a $7 cover.



Brian Gorman


Festival Bands, Man!: Equals


The second band in our Festival Bands, Man! series (in which I compare a band playing in a festival lineup to other, more familiar bands, and give you some details about their live show), is Equals. An experimental band from Austin, Texas, playing The Hideout at SXSW this year, Equals is like your friends’ bands, those that play art houses and tour locally, and sometimes get in a mini-van and play a few hours away. That’s not to say they’re not extremely talented musicians, but ambient, jazzy post-rock is a challenging genre to garner public interest, because it’s more personal reflection than musical expression. You have to be exceptional in some way; for Equals, it’s in the musical composition. 

With the release of their first (self-titled) LP, engineered by Alan Douches (who’s worked with Animal Collective and Sufjan Stevens), Equals quickly (though not with certainty) sweeps up a little jam-band debris into a heavy can of silvery snare reps, scraps of guitar madness, and electrified, lolling melodies. It’s spell-casting music that will get festival goers in the mood for something rougher and weirder as the days tick by at SXSW; Equals, upbeat and impatient, like a séance calling up someone newly buried. 


Band: Equals

Festival: South By South West (SXSW)

Venue/Stage: The Hideout

Date & Time: Tuesday, March 12 9:00PM -9:40PM






Festival Bands, Man!: Suuns


Today’s the first post in a series I'm calling, "Festival Bands, Man!"

The idea is I pick a band I like that’s playing on the U.S. festival lineup, compare it to stuff, and give you the info on their show. I’ll go through music festivals (chronologically) like SXSW, Coachella, Austin Psych, McDowell Mountain, Electric Forest, Bonnaroo, Camp Bisco, Pitchfork, Newport Folk, and Lollapalooza (to name a few!), and hopefully locate some hidden gems.

Today’s Festival Bands, Man! band is...Suuns!

Suuns, one of the many, many rock bands playing at SXSW this year, is a quartet from Montreal whose next album, Images Du Futur, comes out March 5, 2013. So they're touring with new material, but kind of like Tokyo Police Club (after their first LP), they don’t need it. Their 2010 debut, Zeros QC, is very complete. The white-light, pretty rock reminds me of fellow Canadian pop artists, Caribou (who, btw, played one of the best live shows I've seen), but with way more electric guitar (to a classic rock degree) and not quite as much synthetic jingle bell. It also sounds like post-punk band Clinic, splashy electronic duo Fuck Buttons, and like me, when I sit down with a chaos pad and vocoder on my mouth (which means -loosely- it’s got a psytrance, home-sound vibe). The bass these guys supply can be powerful, so their live set could be nice and sweat-heavy.


Band: Suuns

Festival: South By South West (SXSW)

Venue/Stage: Red 7

Date & Time: Thursday, March 14 9:45PM -10:20PM

Venue/Stage 2: Swan Dive

Date & Time 2: Thursday, March 14 1:00AM - 1:50AM







A Cause For Concern: Homeless Hotspots at SXSW


If you haven’t already heard, there is some controversy being stirred up about an organization at SXSW (but unaffiliated with the festival) called “Homeless Hotspots” were 13 homeless individuals have been given 4G hotspots and placed throughout Austin where festival-goers can pay them in order to use their mobile devices. The organization claims it is trying to revitalize the model of selling street newspapers with something more relevant and likely to actually help homeless persons make more of a profit, while also upholding the street newspaper goal of building confidence and self-worth. To be clear, each manager is paid in full whatever they earn, which has been projected to be at least $50 a day for 6 hours of work. The charity has estimated that they “are not selling anything” and that “there is no commercial benefit whatsoever.”


Most of the scrutiny of the project points toward the notion that by becoming hotspots these individuals have been dehumanized and placed in the peripheral vision of the privileged. Even the program’s organizer, Saneel Radia, has identified with this criticism stating, “The worry is that these people are suddenly just hardware, but frankly, I wouldn't have done this if I didn't believe otherwise.” 


While many have villainized the organization for it’s use of hiring humans to become hotspots, the individuals themselves, who can be read about in their profiles on the charity’s website, seem somewhat positive about their participation in the charity. A Buzzfeed interview with one worker, Melvin, shed some positive light on the program and what it’s trying to accomplish. The Ohio native said, "I would say that these people are trying to help the homeless, and increase awareness. They're trying not to put us in a situation where we're stereotyped. That's a good side of it, too — we get to talk to people. Maybe give them a different perception of what homeless is like." 


After hearing both sides of the argument it is hard to decide what is so unsettling about this story. Yes, it seems that it has already positively affected and engaged a few homeless individuals and even created awareness that homelessness is not always a matter of making the wrong choices. It’s also obvious that this organization’s hearts are totally in the right place; hey, at least they are out there giving hope and empowerment to some individuals. At the same time, I could never see myself walking up to a homeless person and paying them for wi-fi for an iPod that cost $300 to send out a self-absorbed tweet about what trendy band I’m seeing next. There is just something instinctual odd about it that doesn’t sit right. 


Still, we do it everyday, even if this charity has reminded us. Our generation especially has tried to put these very real problems out of our minds, and while the internet has fueled awareness, it has also concurrently caused us to buy into all the myths of rugged individualism and as a result we have become overtly self-consumed. The proof is on any given social media news feed 24/7. Obviously building our infrastructure is vital to the repair of our economy, but mixing it with charity has somehow manipulated it and stripped it of it’s virtue. So much to the point where homeless individuals are being asked to become infrastructure because of their plight.

Isn't charity doing something for someone and not expecting anything in return? What is the obsession with always needing a t-shirt or something in return to raise "awareness?"

I realize this article has little to do with music, but I'd appreciate any input on the matter. Leave a comment if you agree or disagree or just have something to add.



Tom Dennis


Top 5 Songs for Undefeated Feline Videogame Champion


So I just finished reading an article detailing how Friskies (yes, the cat food manufacturers) debuted an inter-species iPad game at SXSW which pits you against your feline friend (foe?).  Furthermore,  "Buddy", the official spokescat at SXSW has, as of this writing, gone undefeated.

This got me thinking: what if Buddy had entrance music à la mode de professional wrestling/UFC/boxing?  Naturally, I combined a decidedly feline approach with energetic/rockin'/heavy songs and came up with my choices for entrance music that would get Buddy pumped up before the fur flies.

Be sure to submit your picks for frenzied feline jams down below in the comments section!


Honorable Mentions:
Bob Marley - "Iron Lion Zion"
Henry Mancini - "The Pink Panther Theme"
Pink Floyd - "Lucifer Sam" (about Syd Barrett's cat)


5)  Ted Nugent - "Cat Scratch Fever" (1977)

I mean, I don't know how this wouldn't be the first song that comes to everyone's mind.  Terrible Ted would make great entrance music and I'm sure the undefeated Buddy is making all the pussies purr down in Austin right now.





4)  Funkadelic - "I Call My Baby Pussycat" (1972)

Ahh, George Clinton.  This Funkadelic jam is a slowed down/groovier/spacier version of the same song he recorded with Parliament two years earlier (and goodness me, making thinly veiled allusions to sex five years before Ted Nugent, how scandalous!).




3)  Pantera - "The Underground In America" (1996) 


Pan-ther-a  [pan-ther-uh]
noun
1. A genus of chiefly large cats that includes the snow leopard, tiger, leopard, jaguar, and lion, most having the ability to roar.
2. The kings of metal.


I bet Buddy had posters of all those big cats (and band) on his wall growing up as a kitten.




2)   The Aristocats - "Everybody Wants To Be A Cat" (1970)

Well, maybe not the whole song, more like the last minute of the song.  That way you have the hard-driving, house-destroying refrain while saving yourself from the terrible singing of the kittens (rinky-tinky-tinky?) and atrocious Asian stereotypes.




1)  Primus - "Tommy The Cat" (1991)

Les Claypool's description of "Tommy The Cat" is how I imagine Buddy views himself after he pounces on the competition:

"Many a fat alley rat had met its demise while staring point blank down the cavernous barrel of this awesome prowling machine.  Truly a wonder of nature, this urban predator"

Also of note, the song is written about Thomas O'Malley, the alley cat from The Aristocats and is voiced by Tom Waits in the song.



"Buddy the cat is my name and I say unto thee, say baby do you wanna lay down with me?  Say baby do you want to lay down by my side?  Say baby, say baby?"

Drew Kline


Album of the Week: SXSW



My choice for album of the week isn't really an album. Sorry to disappoint but I am going to tell you where you can get 101 FREE SONGS!!! yayyyy! One of my favorite music blogs to read everyday is Pretty Much Amazing and they recently published a post that includes download links to 101 songs of bands at South By Southwest. If you are unfamiliar, South by Southwest is a music, film and interactive festival in Austin, Texas this week. All the newest bands including a few of our very own local bands travel to Austin to perform for some of the biggest music lovers and supporters around.  So instead of an album this week, I'll be listening to all the free tracks that PMA is providing (click here to download). Its a giant mix tape of the whos who in the indie music world including great bands like White Rabbits, Alabama Shakes, The Shins, and Purity Ring. It really doesn't get any better than free music. 




Katie Africano