Showing posts with label Bonnaroo. Show all posts
Showing posts with label Bonnaroo. Show all posts


A Guide to Totally Going to Bonnaroo This Year


It happens every year. It used to happen to me, too. Around February or March – when the Bonnaroo lineup is announced – I can count on at least one or two of my friends swearing to go. Sometimes it’s me leading the charge. I remember calling my brother one time, pleading with him to consider going, and his response was as hilarious as it was decisive: “Joe, isn’t it in Tennessee or something?”

So to help you – or to crush your hopes and dreams, I’m not really sure – I’ve come up with a guide for what you can expect to happen if you think you're totally going to Bonnaroo this year.

Stage 1: Reaction to the lineup announcement that you’ve been waiting for since December
Elton John and Kanye West are headlining this year. Sweet mother of fuck, that’s unbelievable. And how are Cake and Slightly Stoopid on the eighth line down? Is Skrillex really playing two sets? The Wild Feathers are the third to last band mentioned? Really? Did you hear their album this year? Jesus Christ, this is the best lineup I have EVER seen.

Stage 2: Send out a feeler on Facebook, letting everyone know your intentions
“Okay. For real. I’m totally going to Bonnaroo this year, and I’m not even kidding. Broken Bells and Cage the Elephant are in the MIDDLE of the lineup, which is just insane. Who’s coming?”

Stage 3: Eager research
The campgrounds look sick. Hanging out around a campfire with a beer and a joint in the middle of a farm in Tennessee at the end of the night sounds like a fucking dream. I don’t know how I feel about there being a 5k run this year at Bonnaroo, and I can all but guarantee I won’t be anywhere near it, but damn it feels good to have that as an option. Oh wow, there’s yoga too? I’m not into yoga, in the slightest, but I’m not above walking by and seeing what’s up, if you know what I’m sayin’. Oh shit, how did I miss Pusha T and ZZ Ward on the lineup? Do you think they know that they both have an album called ‘Til The Casket Drops? Are they going to be playing together on stage or something? That would be sick.

Stage 4: The first episode of having second thoughts after a lukewarm response to your Facebook post
4 likes, no comments. Okay, okay. It’s early. Also, I mean, Vampire Weekend and The Avett Brothers are good…but are they headline-good? I don’t really need to see Elton John; I can just watch Almost Famous again if I want a little taste. And where has Frank Ocean been since Channel Orange? I mean, it was released almost two years ago, and he’s one of the top acts this year? But there’s gonna be food trucks. And I’m sure the crowd and the people everywhere are gonna be awesome. I’m gonna meet so many cool people.

Stage 5: Drunk conversation a few weeks later at a bar with a friend, making tentative plans to go
“Seriously, we need to go. Like I’m not even kidding. I mean we have to. When have we ever done something like this? You still haven’t seen The Flaming Lips live, and I don’t even know how that’s possible. Do you even realize how much fun it will be? I know you said you don’t like Drive-By Truckers, or that you think they are too country or some shit, but I’m TELLING you, you need to see them live. Let’s do it. Let’s just do it. Come on! My brother’s friend has an RV that we might be able to use. Thing is sick, it’s got two beds, a full kitchen, a bathroom. I think he’s even got an old N64 in there. We’ll get someone to drive us – how hard can that be – so we can drink the whole way down. You’re in? Fuck yeah! I’ll talk to my brother tomorrow!”

Stage 6: First hitch in your plans because your brother’s friend’s RV was sold 5 years ago
“Yeah man. I guess that kid sold it a while back. That’s cool though. Isn’t there a place on Niagara Falls Boulevard that rents them? They can’t be that much, can they? You think so? You think they’re that much? I’ll check it out today, I’ll get back to you.”

Stage 7: Second episode of having second thoughts after realizing how much RV’s cost
Wow. This was unexpected. A weekly RV rental is like $1,000 and they get approximately 3 miles to the gallon. I’ll need at least 2 g’s just to get through Pennsylvania. And I’ve never really loved Lionel Richie. I mean he’s a big name and everything but…I guess I’ve just never really identified with him. And he’s one of the big names this year? Is it really that great of a year? Jack White is kind of awesome but he’s also kind of a wildcard. I guess we could fly? Then we gotta buy camping gear down there, or find a hotel and figure out a shuttle plan, and that really becomes a WHOLE thing. How much are the actual tickets anyway? $250 if we get them today? $300 if we have to wait a few weeks to get the money together? Shit, we have to decide kind of soon. Are we really going to do this?

Stage 8: Reluctantly admitting to yourself a month later that it might not happen
I have to go to this wedding in May, the Arctic Monkeys are gonna be coming to Buffalo this year anyway, and I’m sure all of my friends are gonna want to go to Morrissey which is gonna be another $50 right there. And I’m kind of done with Phoenix, in a way. They're never going to replicate Wolfgang. Are they? Maybe they will. But can I really take off that much time from work? Realistically, probably not.

Stage 9: Closure, and looking forward to something else
This is what the Palladia channel is for, right? Watching The Head and the Heart close-up on your 60’ flat screen has to be better than seeing them in person amongst thousands of stupid hippies jostling for position, right? I’m sure the crowd is going to be insufferable. And I love the Tedeschi Trucks Band, but I wouldn’t HATE flipping the channel for just for one second during one of their 20-minute jam sessions. And the Lollapalooza lineup is about to be announced. Yeah. Let’s just go to Lollapalooza this year.





Festival Bands, Man!: Wild Belle


Coachella’s this weekend (and next weekend!). I haven’t been, but I would go. I think. The most commercial (and at 400 bucks a ticket—I can only hope—the most expensive) of them all, it doesn’t even have the usual “music festival” suffix. It’s just Coachella. Like Madonna. Like Mao. Like Monsanto. Like Mom.

Much called-for attention has been paid to the corporatization of music (festivals), Coachella often the bright red cherry on top of the conversation. Isn’t that what Occupy Wall Street’s all about? But seriously, if your favorite bands play music festivals and hardly tour on their own (because they can’t afford to or are too tired to), then it makes sense to shell out a month’s rent for a ticket to see (most of) them in a single, drug-fueled, laser-produced weekend. Right?

It’s like everything else. How do we break the cycle of everything vs. nothing? How do we say yes, without saying no to our conscience. How do we tell the world we don’t want corporations to run (everything / the only) creative outlet many working class lovers have left, music? How do we convince our favorite bands (we’re so pleased they made it) they ought to tour in an out-dated fashion, like on a miserable bus, so we can see them at our favorite (God-willing they’ve survived) local  venues? How do we ask our friends to please come with us when we have to relieve ourselves in a public portable bathroom in the middle of a set, because we’re afraid we won’t find our way back to them ever again? I mean, music festivals are insanely fun, but I just don’t know if they’re worth the messy glamour, when it means giving up our precious music to corporate maniacs. "What's the definition of love if it's not material things?"

Which leads us to today’s Festival Bands, Man! feature, Wild Belle. A very fashionable band of Chicago siblings, Elliot and Natalie Bergman, usually joined by various talented instrumentalists. I’ve been following Wild Belle’s tumblr for over a year now (I believe they're currently based in L.A.); it’s a beautiful collection of images that reflects their over-all aesthetic: Afro-fuzz-60s-cool-desert-sex-love-and-light. Try ‘em on for size if you like soul singers, Lykke Li, late 60s African instrumentalists like The Movers, and tape-deck Atlantic Island music. It’s easy listening, and beautifully dispatched. Plus, who doesn’t love the bari sax?

On the track, “Happy Home,” from their debut album, Isles, Natalie sings, “I don't wanna be here,/ that's why I'm acting out,/ I wanna flee,/ but I don't know how,” then in the chorus, “Everybody in fancy clothes…But nobody really close,/ Everybody wear what family chose.” It gives the impression artists are as concerned as we are—even though they’re not afraid to bring it up to us, they don’t know how to ask the boss the big questions either. Not when they’re getting paid well enough. Are music festivals the artistic equivalent of the stable desk-job? Just comfortable enough to survive without going broke or totally mad? A cozy cubicle where—at best—we, “ain’t gonna cut [our] hair, even if you say./ I know it’s growing long, but I like it that way.” If growing our hair is still the best we can do, I’d like to insight a protest. Who’s with me?


Band: Wild Belle

Festival: Coachella, California

Venue/Stage: The Outdoor Theater

Date & Time: Sunday, April 14 12:00PM - 12:30PM 





Festival Bands, Man!: Low Litas


Today’s Festival Bands, Man! band is Low Litas, a native all-female trio playing the Easter Island Festival (April 11-13, 2013) outside Tulsa, Oklahoma. Started by Mandii Larsen—who put out the band’s only recording to date in 2008—Low Litas’ song-writing is very straight forward and based on simple observations, but the way it’s woven musically makes it less precious, like silken armor. 

In “No Good For You,” Larsen reads the phrase, “I’m no good for you,” again and again, and we start to think it’s her. But by the end of the song (and the album), we learn the reason she’s no good for you is because she’s “too good for you.”

In a world where girls and women are not treated equal to boys and men—where many girls are raised by a reward system that skews their self-worth (sometimes irreparably so)—the phrase “I’m too good for you” is practically a warrior truth or stotra. Something every girl should utter at least once in her life (not that she'll want to). 

On the track “You Want Me,” Larse tells a friend who can’t let go of “him,” “Girl, you’re a sucker now…you’ll give up everything, you know you’ll miss out.” This comes in the middle of a nearly entirely instrumental track that begins with the kind of grounded musical excitement many songs can only close with. Throughout the whole EP, the samples are interesting, the composition is very pretty (but dark and heavy in a basement-princess way), and the lyrics are pencil poems.

Low Litas sounds like Warpaint, Metric, the Yeah Yeah Yeahs, and other great, psychedelic “girl bands.” Bitchin'.

DETAILS

Band: Low Litas

Festival: Easter Island Festival, Oklahoma

Venue/Stage: The Clubhouse

Date & Time: Sunday, April 13 2:30PM - 3:15PM







Festival Bands, Man!: Wet Hair


After last week's Festival Bands, Man! feature, I got a friendly email from Mike Siemens of Psychic Rites, thank you. Good luck with your music video! 

This week's feature is an Iowa City experimental band, off the Iowa City Mission Creek Music & Literature Festival going on April 2-7, called Wet Hair—the best best band name I've seen in a while. I love the whole tight-shorts-on-percussion-organ getup: a Night-People record label guy and his friend, both from Racoo-oo-oon (a quieter, more atmospheric, psychedelic quartet that broke up in 2007), plus another friend from Goldendust (a fancier, bleeped-out, shoegazey group). 

So what does Wet Hair sound like? A bit like Atlas Sound, Crystal Antlers, Indian Jewelry, and The Doors. But more importantly, their sound is unique even while calling up vibrations of the collective universe. It reminds me of a French New Wave film score, but it also breaks open with alms of bouncy bass guitar and dial-twisting—as if music itself could become unconscious and dream. It's ethereal yet rooted, sad yet raucous. It's Wet Hair. 

Their latest album, Spill Into Atmosphere, came out in 2012. They have several LPs, each one quite different. (I recommend In Vogue Spirit, 2011) They're opening, along with Love Songs for Lonely Monsters, for Deerhoof at Mission Creek Festival. 


Band: Wet Hair

Festival: Mission Creek Festival, Iowa City

Venue/Stage: The Mill

Date & Time: Sunday, April 7 9:00PM






Festival Bands, Man!: Psychic Rites



Psychic Rites, founded in Moscow, Idaho, is today’s FestivalBands, Man! feature. I found the self-described “aimless filters of sentience” cruising the Boise, ID Treefort Music Festival lineup. Moscow (Josh Ritter’s hometown) is a small hilltop university town where of a dear friend of mine grew up. An intense girl with a squeaky clean face and a piercing mind, I often wondered where a rebellious spirit like hers goes to play in a place like that: the woods, mostly; but there’s a hardness in her musings that seems cozier in concrete. Which is probably one of the reasons she’s a scientist. She’s a barefoot Idaho hippie, comfortable walking on cool moss or cold stone.

Psychic Rites has a similar expression—hell, the first single from their self-titled EP is “Concrete.” Another track, “Whispering of Eternal Things,” actually samples the pew-pew of a crowded city crosswalk. Cold, dark, wooded, wild, smooth, fresh: their music captures a European seriousness as well as a sprightly butterfly in its intricate electro-net. It’s sexy, forlorn, and folkloric, but totally Northwest American. Perfect for a chilly springtime night. This is Psychic Rites second year at Treefort. Full album due out this fall.


Band: Psychic Rites

Festival: Treefort Music Festival

Venue/Stage: The Crux

Date & Time: Thursday, March 21 12:30AM -1:30AM






Festival Bands, Man!: Daedelus


Considering thousands of arts lovers are trying to figure out their SXSW schedules and the website doesn’t have the bandwidth for it, I’m moving onto the March 8 & 9 festival, the New Orleans Buku Music + Art Project. I’m a sucker for anything with the word project in it: equal parts academic and workhorse. Which is exactly why prolific L.A. producer, Daedelus (Alfred Darlington), is the Festival Bands, Man! feature of the week. Also, because I’m reading Ulysses for the first time.

I went to a small Daedelus show a couple years ago, and his set up is unbelievable. A labyrinth of soft bright buttons EVERYWHERE! It’s hard to imagine each one is actually responsible for a new collection of sound. I found myself mesmerized by his speed—like a snake charmer—and could visualize the inside of his brain, each fold a cushion of light and music.

Just as James Joyce’s work is filled with abstract diversions, beautiful descriptions of intellectual goings on that make way, ever so subtly, to the daily transcript of what was going on all the while—the reader gets to day dreaming with the narrator—Daedelus (spelled differently than the Greek artisan and Stephen)’s gorgeous outpourings are fucking hard to understand.

I don’t even like it that much. It’s a bit much! (Like your really smarty pants friend who sometimes gets on a roll talking about a topic of Passion and you just have to bail until he catches on with a joke to break it up). And that’s what Daedelus is known for: throwing in a couple pop songs that are instantly transformed into a better quality leather, and in turn, make the rest of his furious ramblings seem much less eager.

He’s a genius producer and deserves a lot of respect and for us to lend our ear, because if he were a scientist, he would get a ton of funding, and if he were an author, we would read between the lines with painstaking gaiety. 

DETAILS 

Band: Daedelus (producer)

Festival: Buku Music + Art Project

Venue/Stage: Float Den

Date & Time: Saturday, March 9 11:00PM -11:45PM






Festival Bands, Man!: Equals


The second band in our Festival Bands, Man! series (in which I compare a band playing in a festival lineup to other, more familiar bands, and give you some details about their live show), is Equals. An experimental band from Austin, Texas, playing The Hideout at SXSW this year, Equals is like your friends’ bands, those that play art houses and tour locally, and sometimes get in a mini-van and play a few hours away. That’s not to say they’re not extremely talented musicians, but ambient, jazzy post-rock is a challenging genre to garner public interest, because it’s more personal reflection than musical expression. You have to be exceptional in some way; for Equals, it’s in the musical composition. 

With the release of their first (self-titled) LP, engineered by Alan Douches (who’s worked with Animal Collective and Sufjan Stevens), Equals quickly (though not with certainty) sweeps up a little jam-band debris into a heavy can of silvery snare reps, scraps of guitar madness, and electrified, lolling melodies. It’s spell-casting music that will get festival goers in the mood for something rougher and weirder as the days tick by at SXSW; Equals, upbeat and impatient, like a séance calling up someone newly buried. 


Band: Equals

Festival: South By South West (SXSW)

Venue/Stage: The Hideout

Date & Time: Tuesday, March 12 9:00PM -9:40PM






Festival Bands, Man!: Suuns


Today’s the first post in a series I'm calling, "Festival Bands, Man!"

The idea is I pick a band I like that’s playing on the U.S. festival lineup, compare it to stuff, and give you the info on their show. I’ll go through music festivals (chronologically) like SXSW, Coachella, Austin Psych, McDowell Mountain, Electric Forest, Bonnaroo, Camp Bisco, Pitchfork, Newport Folk, and Lollapalooza (to name a few!), and hopefully locate some hidden gems.

Today’s Festival Bands, Man! band is...Suuns!

Suuns, one of the many, many rock bands playing at SXSW this year, is a quartet from Montreal whose next album, Images Du Futur, comes out March 5, 2013. So they're touring with new material, but kind of like Tokyo Police Club (after their first LP), they don’t need it. Their 2010 debut, Zeros QC, is very complete. The white-light, pretty rock reminds me of fellow Canadian pop artists, Caribou (who, btw, played one of the best live shows I've seen), but with way more electric guitar (to a classic rock degree) and not quite as much synthetic jingle bell. It also sounds like post-punk band Clinic, splashy electronic duo Fuck Buttons, and like me, when I sit down with a chaos pad and vocoder on my mouth (which means -loosely- it’s got a psytrance, home-sound vibe). The bass these guys supply can be powerful, so their live set could be nice and sweat-heavy.


Band: Suuns

Festival: South By South West (SXSW)

Venue/Stage: Red 7

Date & Time: Thursday, March 14 9:45PM -10:20PM

Venue/Stage 2: Swan Dive

Date & Time 2: Thursday, March 14 1:00AM - 1:50AM