Showing posts with label earl sweatshirt. Show all posts
Showing posts with label earl sweatshirt. Show all posts


Straight Dope: October 7th


If you needed further encouragement to stay the hell away from whatever Nelly is doing, check out this sweet ass Good Morning America video from their Fall Concert Series presented by Advil. I wasn't able to glean a ton of new information re: his ability to suck all the joy from a room because I spent the majority of its duration absolutely kicking ass at the version of Snake embedded in the video. I will say that getting Advil to sponsor this nonsense was a masterstroke. I can only speculate how many tens of thousands of 54-65 year olds were sent stumbling hysterically to the medicine cabinet. Way to go, ABC. Mom-mom and pop-pop will never understand us.

Lauryn Hill - "Consumerism"

Guess who's out of prison! Best hip hop track you'll hear all year with an ethereal flute on the beat. Did anyone know Ms. Lauryn knew so many words that ended with -ism? I think she might even drop priapism in there. If anyone can artistically layer in a reference to the erect penis refusing to return to its flaccid state it's gotta be her, right?

Anyhow, consumerism. Totes not cool. I hope she pays her taxes this time.



Tyler, The Creator, Hodgy Beats, Domo Genesis & Earl Sweatshirt - "Look"

I'll stop writing about them when they stop rapping like this. On three, everyone say who they think has the best verse.

Act like you ain't know it's Earl.




Schoolboy Q - "Banger (MOSHPIT)"

I wish Sample Clearance Issues was an actual person so someone could run a drive-by on this dude. He'd be smugly strolling out of some rich asshole restaurant with a three million dollar wine cellar like he owned the whole block. And you just know he ordered his steak well-done. The valet would be all, "Here's your Maybach, Mr. Issues," and then Q (or Q's homie, more likely) would roll up in a late-model Cadillac (like they did Pac) and just light that whole shit up.

Confident the job was done, Schoolboy would come over to my house with a factory sealed copy of Oxymoron and we would take drugs and stay up all night listening to it while he slept with my girlfriend and I listened to it alone with no drugs at all.

Oxymoron still has no release date. Have this instead.




Pusha T ft. Kendrick Lamar - "Nosetalgia"

Apt title for a track by a dude who absolutely can't stop talking about selling that powder. But here we have entered the dangerous waters of Best New Music territory. We've got two emcees on top of their shit reminiscing about the way their lives were touched by drugs in extremely different ways. It's just goddamn fantastic to see Pusha's glamorization of the life juxtaposed with Kendrick watching his family members sink into addiction.

The music video itself is a hell of a thing, a minimalist evening stroll through a black and white Compton. If you pick one track to put on your playlist today, this is the one.

And, hey, Kendrick Lamar! Every song he's featured on since "Control" has felt like the next leg of his victory parade which I expect to continue all the way up until Thanksgiving Day when he hijacks the Sesame Street float and goes in on Big Bird for being soft as hell.






Straight Dope: August 19th


Big Sean ft. Kendrick Lamar & Jay Electronica - "Control"

I'm usually homeboys with the same niggas I'm rhymin' with/But this is hip-hop and them niggas should know what time it is/And that goes for Jermaine Cole, Big KRIT, Wale/Pusha T, Meak Millz, A$AP Rocky, Drake/Big Sean, Jay Electron', Tyler, Mac Miller/I got love for you all but I'm tryna murder you niggas

Kendrick Lamar basically shit on everyone last week and took over the world with his extended verse on a Big Sean track that won't even make it to his album Hall of Fame. The official story is that clearance issues with the sample forced them to cut it, but if I were Big Sean and Kendrick Lamar put me on blast on my own song, I'd keep that shit as far away from my record as possible. The only reason he released it at all probably has as much to do with typical hip-hop hubris as it does with the dread hanging over him while considering what K-Dot might do if he threw it out.

Threatening to murder his peers (in a non-violent rap way) is just the tip of the iceberg, so terrible is Kendrick's fury. The entire song is a critique of modern hip-hop culture. Offer Kendrick pills and he'll pop you. No more designer clothes. No clubs. No pictures. No Instagram. We're not listening to a diss track, this is coliseum music. The emcees that should take the greatest offense to this song are the ones he didn't mention. Everyone else should step their game up.

Having his verse book-ended by Big Sean and Jay Electronica is a perfect illustration of that notion. Big Sean's bars are like the unskippable FBI warning on a DVD. Then you finally get Actual Rap Music and have to sit through the credits as read by Jay Electronica hoping your favorite character will pop up again at the end. When he doesn't you've officially listened to "Control" from start to finish for the last time. Jay Electronica's career might already be over. At this point, he doesn't even get a syllable out before I hit stop.

To date, a handful of emcees have released response tracks dissing Kendrick. They are mostly terrible but indicative of the current level of competition in hip-hop. Call yourself the King of New York when you're from Compton and people are going to get upset.

All the rappers mentioned by name in "Control" have remained silent.



Eminem ft. Liz Rodrigues - "Survival"

Eminem is back with a new anthem to listen to while kicking open your ex-wife's front door. This is not the best song you'll hear all year, but believe me when I say that you will hear it. This has sporting event playoff banger written all over it. Even when Em is dropping irrelevant "ain't never gonna' stop me" radio hits, the man still has flow. Give it a listen but skip the hook.



Danny Brown - "Hand Stand"

New Danny Brown is new Danny Brown, even if it's a relatively low quality radio-rip of a song that would comfortably fit into a genre of music we can safely refer to as twerk rap. That is, music to twerk to.

We are still waiting for an official release date on Old, Brown's follow-up to the masterful XXX, but all signs indicate it happening in the future. Like all things do.


Earl Sweatshirt ft. Frank Ocean - "Sunday"

Young rap prodigy Earl Sweatshirt will at last debut Doris, his first album after returning from the foreign shores of Samoa, on August 20th. That's tomorrow. If the anticipation is corroding your flesh as though a delicate acidic mist is drifting through the corridors of your ancient castle by the sea, you can stream the entire thing over at the Odd Future Tumblr. And you should.

"Sunday" is a straight up relationship song and features fellow Odd Future world-beater Frank Ocean actually rapping, a secret talent he's been suppressing since he last spit on OF track "Oldie" a hundred years ago.



The next time you think about putting off writing the next great American novel or finally learning how to play the guitar, recall that Earl Sweatshirt is only 19 years old.

And Kendrick Lamar is watching you.





Tonight: Mac Miller & Odd Future


Pittsburgh born rapper Mac Miller has certainly come a long way since releasing his K.I.D.S mixtape on Rostrum Records back in 2010. The last few years have seen the 21 year old MC take a turn stylistically towards a more west coast, eclectic sound working with respected artists like Schoolboy Q, Ab-soul, Jay Electronica, Earl Sweatshirt, and Tyler, The Creator. His latest album, Watching Movies With the Sound Off, features the Flying Lotus produced single "S.D.S.," which has the rapper sounding comfortable delivering lines over the dizzying experimental beat.

Tonight, Los Angeles hip hop collective Odd Future will join Mac headlining an absolutely packed bill of emerging talent at Buffalo's Outer Harbor Concert site with support from Earl Sweatshirt, Vince Staples, Chance The Rapper, and The Internet.

After returning from boarding school in Samoa last year, Earl Sweatshirt picked up right where he left off, making an appearance on "Super Rich Kids" from Frank Ocean's sublime Channel Orange and dropping a characteristically poetic verse on Captain Murphy's "Between Friends." His debut LP, Doris, is expected out August 20th on Columbia and features collaborations with RZA, BadBadNotGood, and Pharrell.

Chicago MC Chance The Rapper has been riding a wave of much deserved success after self releasing the year's most vibrant hip hop album, Acid rap, which effortlessly combined soulful hip hop and R&B to serve as the 20 year old's opening statement to the rap world. Along with Earl and Brooklyn's Joey Bada$$, Chance is part of the next wave of young rappers that are beginning to redefine the genre with their strong cultural identity that radiates from their tracks.

Gates for tonight's show open at 6pm, tickets are $40 and can be purchased at the gate or online at Ticketmaster.com.





Listener's Digest : October 26th - November 2nd


Well friends, it appears that the cold weather is quickly descending and everything released this week seems to be a response to that. All 5 songs are  downtempo, introspective, spooky, or some mix of all three. Needless to say, I have begun preparations to deal with the 6 month dark night of the soul we call Winter. I have  bought enough canned food to sustain myself until April, wrapped my naked body in aluminum foil and turned my heat up to 82 degrees. Until Spring, I will sit in this well insulated room and absorb new music, as well as various canned vegetables. I am completely certain that I will emerge sane and rested by April and perhaps more capable of creative jokes.

Earl Sweatshirt - "Chum:" Reappearing earlier this year, the much discussed missing member of the Odd Future camp released a new song on Thursday. "Chum" is lyrically introspective and features  basic  snare and piano loop. Earl appears to have moved beyond the violent adolescent posturing of his early work, which pretty much had him sent away in the first place. An interesting, albeit low key, track.


Broadcast - "The Equestrian Vortex:"  While Broadcast works on a new album, which will posthumously feature Trish Keenan's vocals (recorded just before she suddenly died last year), they will be releasing the soundtrack  for Warp's pastiche of Italian horror movies, Berberian Sound Studio. "The Equestrian Vortex is the title track to the movie's film within a film. On it, Broadcast recreates 70's style movie music to tense effect through crashing minor key heavy pianos and percussion.

Atoms for Peace - "What the Eyeballs Did:" Earlier this Fall, Mac posted the haunting "Default," the new single from Thom Yorke and Nigel Godrich's supergroup side project. "What the Eyeballs Did," is the b-side to that single and has a similar haunting groove to "Default." However, this song is structurally tighter and quicker paced, suggesting that the tension building in "Default"  bled over onto the b-side. A great song, just don't mind the excited DJ talking over it at the end.


Crystal Castles - "Affection:" Crystal Castles have come a long way from their abrasive chip tunes. On "Affection," Alice Glass's icy vocals  float over the melancholy/gothy synth and drums. This is the third song released off the long teased upcoming full length, set to be released later this month.


Prince Rama - "Welcome to the Now Age:" Another track from Prince Rama's upcoming exploration of persona, Top 10 Hits of the End of the World. This time, the band "channels" Hyparxia (a fictitious popular band from the apocalypse) to create a downtempo sex anthem for any upcoming party you have in a space station.


What, were you not invited to the last space station party? It was great! Still not sure how I got back. Oh wait, now I remember.


Michael Torsell







Listener's Digest: July 19 - 26



There is just too much new music to digest and present to you all. I am sorry, it has been a busy week, and I just don’t know if I can handle all this new music. In fact, I am just going to give you 5 different versions of Men Without Hats’ seminal song, “Safety Dance.” If you don’t like it then you ain’t no friend of mine. I am sorry, that was a really bad joke referencing “Safety Dance,” by Men Without Hats. Have you heard of them? Fine, I will give you actual new music, if that is what you want. Are you sure I cannot convince you to take the “Safety Dance?” It’s by Men Without Hats. Why don’t they have any hats? Someone give those men some hats.

Tame Impala – “Elephant:” When I covered Tame Impala last for their song, "Apocalypse Dreams," I had mentioned that the first single off of their forthcoming album, Lonerism, would be released soon (it wasn’t the earlier released track, which was still pretty cool). Yesterday, the psychedelic Australians released their single, “Elephant.” It is a driving rock song complete with quick tempo changes, and which opens up in the middle with a spacey guitar solo.




Captain Murphy – “Mighty Morphin Foreskin:” Who is this mysterious Captain Murphy? Whoever he is, he appears on two tracks this week. Little is known about the enigmatic newcomer (it’s probably Tyler the Creator),” but he has arrived with a great new song reminiscent of Madvillan. “Mighty Morphin Foreskin” is a slow sample heavy track featuring the Captain’s trippy and adept rhyming. Let’s hope we hear more from the Captain (I mean, it’s got to be Tyler right?) soon.



Flying Lotus featuring Earl Sweatshirt and Captain Murphy – “Between Friends:” The Odd Future camp is quickly showing how great they can be when paired with unexpected collaborators. Earlier this month, we had Tyler’s smooth work with Toro Y Moi, and now, Earl Sweatshirt has teamed with Flying Lotus and my new favorite man of mystery, Captain Murphy (who we all think is Tyler the Creator), for this new single. Here, the two rappers trade lyrics over a tight future-past beat in keeping with Flying Lotus’ other work. It would be awesome if Flying Lotus did more with these artists as the resulting project could be fantastic. Here is to wishful thinking.



Crystal Castles – “Plague:” Finishing up their upcoming album, the duo has released a moody new song that signals a continued move away from chiptunes and towards a fuller electronic palate. Beginning eerily, with Alice Glass signing over white noise, the song comes into cathartic focus with a midtempo beat over the same throbbing white noise, and then oscillates between ambient openness and the dense nightmarish chorus.



Sean Kader – “Improve:” This is the first time I have featured a local artist on Listener’s Digest and it is none other than Sean Kader. Sean is a great songwriter who has been too quietly releasing EPs on bandcamp for about 2 years now. Off of his latest EP, Et cetera, “Improve” is boozey rocker featuring Kader’s amiable voice and a catchy guitar line. Be sure to check out the whole EP, it is great stuff. 





Michael Torsell