Showing posts with label Dismemberment Plan. Show all posts
Showing posts with label Dismemberment Plan. Show all posts


Listener's Digest Presents - New Albums to Watch for in October


The fall is a big times for new releases. This summer seemed like very little happened after Yeezus in terms of big exciting releases, even sleeper albums seemed kind of scant for a few weeks there. Coming off of that, the sudden onslaught of new music can be overwhelming. No worries, because your friendly bloggers here at buffaBlog are providing you with some quick recommendations to help organize your month of music listening and purchases. By bloggers, I mean me, so a friendly blogger at buffaBlog is here to help. October has a little bit of everything, culminating in the much hyped release from Arcade Fire. But until then, there are exciting new releases from Danny Brown, Glasser, Cass McCombs, The Dismemberment Plan, and many more.

October 1

Oneohtrix Point NeverR Plus Seven: Oneohtrix Point Never will release another collection of his rather hard to pin down work tomorrow, his first album on the legendarily innovative Warp Records. Mixing the ambient and the upsetting, Daniel Lopatin's ongoing electronic project is sure to be one of October's most interesting and engaging releases.
October 8

Danny BrownOld: You can already stream this record but it officially comes out on October 8. Danny Brown finally makes his long awaited follow up to XXX. Earlier released tracks off this record suggest this record will be ridiculous, adding to an exciting year for hip hop  (Drake, Kanye West, A$AP Ferg, Earl Sweatshirt etc. etc.). Brown seems to be pushing himself further, taking his music in dizzyingly and delightfully weird directions.



Glasser - Interiors:  Following up her well received debut, Cameron Mesirow aka Glasser, returns with  Interiors. Another record you can stream before it's official debut, Glasser writes spacey/spookey electronic songs that straddle the border between catchy and haunting, which leaves you with the same end result I suppose.

Summer CampSummer Camp: Summer Camp’s new record appears to be a nice burst of synth pop in a year filled with such bursts. “Fresh” is definitely a sleeper jam for 2013 with a clean rhythm and a almost disco feel. Definitely an easy dancer should you need something for your upcoming costume party. The album will be a great mix of new wave and disco and a definite crowd pleaser. Hard to tell if this will get a lot of attention when it comes out, but  it should.



October 15

Cass McCombs Big Wheel and Others: It’s been a while since McCombs released Humor Risk, 2011’s nearly flawless collection of folk rock. Early singles have been exceptional so expect this record to be more of the same, which will go nicely with the changing leaves and oncoming chill.

The Dismemberment PlanUncanny Valley: This is more personal for me than anything else coming out in October. I first discovered the Dismemberment Plan in high school and they shaped my music taste in a number of ways. Their work has stood the test of time in such a way that I grew into instead of grown out of their music. After an immensely successful reunion tour, the group recorded their first new album in over 12 years. I am certainly apprehensive to see if their return matches up to their past accomplishment but I also have to keep reminding myself that I could never repeat the connection I made to their music at 16. So, we will see if they hit me in a different but equally impactful way as I approach 30. Early indicators point to this being a possible yes.



Heavenly BeatProminence: Heavenly Beat, formerly of Beach Fossils, follows up their 2012 debut, underrated in its own right, with another collection of hazed over wistful pop songs. The first single was a solid note of growth for John Peña, and I am confident the album will contain more of the same. 

October 22 

DucktailsWish Hotel EP: Matthew Mondanile’s side project has proven to be one favorite records of 2013 (it is true, just ask Mac) so it is exciting to see him releasing another album, albeit an EP in the same year. A decidedly lower key affair than The Flower Lane,  Mondanile returns to recording alone. However, the first single, “Honey Tiger Eyees,” was as blissed out and grandiose as anything Ducktails has done previously.



Omar SouleymanWenu Wenu: A star in the Middle East, Souleyman has slowly been gaining recognition in the West for his ecstatic and poppy take on traditional music. For his wider US debut, Souleyman enlisted the production of Four Tet, whose own musical style seems a perfect match. The first single, “Wenu Wenu,” a joyous and epic party stomper, should give you a good idea of what to expect from the album. Certainly something I am anxious to hear.

October 29 

Sky FerreiraNight Time, My Time: Sky Ferreira was recently in the news for  being caught with massive quantities of heroin(along with the lead singer of DIIV, oh the scandal!!). Ok, maybe it was not massive, but it was a bit of heroin, certainly more than average…I think. Anyway, Ferreira is set to finally release her debut full length after a year of smaller releases. The first single  featured Ferraira doing what she does best and that is performing infinitely catchy low-key pop.

Arcade FireReflekor: Hey, did you hear Arcade Fire are releasing a new album? Do you have the internet? Ok, then I don’t have to do much for this one. James Murphy produced their 4th record which promises to be more heavily influenced by Haitian music and features a more groove centric sound. “Reflecktor,” the first single, might be one of my favorite songs of theirs to date.
 

Album to Avoid

Sleigh Bells Bitter Rivals: It’s been a longtime since I had second hand embarrassment from someone else'smusic but that is how I feel when I hear new music from Sleigh Bells. I really liked them in the beginning but their music has worn thin about as quickly as their first show in Buffalo a few years ago (they played for 20 minutes if you were curious). Every time I hear something from this album, I wince involuntarily. At this point, Sleigh Bells has pretty much exhausted their schtick and I am certain I heard one of their riffs on a Kid Rock song back in high school.

Michael Torsell


Exile on Mohawk Street: The City's Been Down

 
It was either May or June, I am not entirely sure, but I remember that it was warm enough to hop on my bike and ride with some friends downtown. We were not really sure what we were going to do that night but we figured there was enough going on that we could figure something out and put together an evening. They were having a dance party at Mohawk so we stopped there but did not want to pay the cover. We rode a little ways and bought 40's. Riding back, we went up to the top of the parking garage and watched the people mill in and out of the dance party, goofing off with some street chalk one of us had come across that day. The sky was clear that night. My friend and I raced down the ramp and I remember that as being some of the most fun I had ever had up until that point. I couldn't tell you why.

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In 2001 or 2002, having just started college or my senior year of high school, I went to see The Dismemberment Plan in a small bar downtown, Mohawk Place. I had never been to such a small venue or even a bar(this was before they added the bigger stage) but I was excited to see my favorite band. Looking back, I couldn't tell you much about the show (it was 11 years ago) but I can tell you that I stood there in awe, becoming aware of the fact that I may only be able to find transcendence at a concert.
 
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The next year, after they remodeled the venue, I saw Burning Brides open for My Morning Jacket. This was before My Morning Jacket starting selling out venues. I had no clue who they were though, they just had really long hair and beards, which I thought was kind of odd. In fact, I only wanted to see Burning Brides, so my friends and I left to go to a party about 1/4 into My Morning Jacket's set. Looking back, that might have been a mistake. However, I remember the party being pretty cool so who is to say in the end.
 
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I went to the first Smiths v. Cure dance party with some friends in 2004. I somehow thought a sweater vest and ill tailored corduroy blazer from Amvets was a good idea...that it would attract girls...obviously this was not the case. I stood in a corner feeling really out of place, like a wayward high school teacher, the whole night. Music was good though. I had a way better time when I went five years later, dressed pretty plainly. I have since bought a better fitting corduroy blazer as well. 

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It was always nice to see The Fucking Hotlights and be around friends.
 
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There are some places you just assume will be around as long as you are, or at least until you stop paying attention to them. You assume this because you sometimes forget that time is actually passing and that things are always going to be in a state of flux. So, when those places disappear, you are suddenly confronted with the fact that a considerable amount of time (11 years) has passed since you began going there. As I think about the fact that Mohawk Place is closing, I think about all of the things that have happened during the last 11 years and how many amazing shows I saw there and how those shows shaped me as a person and as a music fan. Then I think about the friends, new and old, who I have shared those experiences with and where they are and how they too have changed. And, at that point, you realize that a lot can happen in one place and that it is a real shame to see it go, but that time passes and things change regardless.


Michael Torsell