Showing posts with label How To Dress Well. Show all posts
Showing posts with label How To Dress Well. Show all posts


The Weekly Remix: How to Dress Well's "& It Was U" (Remixed by Elite Gymnastics)


How is everyone's Tuesday? Is it smooth? Are you having a smooth Tuesday? My guess is probably not. Let's face it, it is rainy and dreary and you are probably at work. Well, we here at buffaBLOG have a way to make your Tuesday 50% more smooth (we cannot really do anything above 50%, sorry) and that is Elite Gymnastics' remix of How to Dress Well's "& It Was You." The remix takes How to Dress Well's slinky and minimal original and fills it out with strings and piano. The result is a lusher version that maintains the mood and tone of the original.


Michael Torsell


Picking up the Slack for MTV: How To Dress Well


Last week How To Dress Well released the music video for "& It Was U" via facebook alongside the status update "share w your people worldwide the boy want a billion views." The thing that stands out about the song long after you've finished hearing it is the gospel-choir joy it exudes- and the video complements this element appropriately. When asked, Krell (the man behind the moniker) reveals "The video, to my mind, is about the insatiable need to believe. It captures a group of people in a very personal and very eccentric spiritual ritual, and showcases all the different ways these different people experience something magical." And as you'll see, the music video does indeed translate a sense of timeless festivity by depicting celebration in it's most pure form; prayer, dance, camaraderie and let's not forget, gold caped man riding a gold-plated segway.


 Jeannette Chin


Album Review: How to Dress Well - Total Loss


Starting in 2009, a musician working under the name How ToDress Well began releasing music through his website.  Little was known about this guy at the time other than the fact that he had a knack for Quiet Storm-type R&B jams, a general disinterest in recording fidelity and a pretty bleak world view.  He’s now a known quantity, a gent by the name of Tom Krell who resides in Chicago or Brooklyn or Cologne depending on what you read, and his second LP Total Loss feels like a coming out party.  His 2010 debut Love Remains hid behind a layer of sonic muck, and while much of that has been cleaned up here, you’ll find that Krell is no less damaged and his outlook is filled with just as much despair.

Total Loss starts with the hammer blow of ‘When I Was In Trouble,’ addressed to Krell’s mom and a song that powerfully transcends the simple ambient flow that accompanies Krell’s voice.  The dark R&B that became HTDW’s M.O. returns on the second track ‘Cold Nites,’ which sounds like an outtake from Justin Timberlake’s FutureSex/LoveSounds.

Proving that he’s not going to be labeled a one trick pony Krell displays an impressive range of sounds, going beyond the distorted R&B palette that brought him critical acclaim.  Whether it’s the piano-fueled dream pop of ‘Say My Name Or Say Whatever,’ the orchestral sway of ‘World I Need You, Won’t Be Without You (Proem)’ (which recalls last year’s Just Once EP), or the plink-plink of a harp on ‘Talking To You’ the HTDW aesthetic has been expanded to excellent effect. 

Never fear though, there’s a good deal of deep jams to be had as well.  ‘Running Back,’ ‘& It Was U,’ ‘How Many,’ and ‘Ocean Floor For Everything’ are sure to take the listener back to a time when R. Kelly was just beginning his rise to the top.

On ‘Say My Name Or Say Whatever’ Krell uses the words of a homeless teen from the 1984 documentary Streetwise, in which the kid, speaking of flight, opines, ‘The only bad part about flying is having to come back down to the fucking world’.  Krell has crashed back down to Earth with spectacular beauty on Total Loss, one of the most emotionally powerful records you’re likely to come across this year.

Grade: A-


Steve Dobek


Label Rising: Tri▼Angle Records



Similarly to artists themselves, from the perspective of a record label, the choice to sign an artist can side with the artists rising popularity- their potential to bring in the money, or, side with a belief in the style of music that the artist is channeling. And when it comes to Tri Angle Records, the latter is true (though the former has been a perk).

"I think I had a relatively clear vision for the label pretty early on and that definitely helped me wrap my head around everything." reveals Robin Carolan, the label's founder, in one interview. And this is all the more apparent when browsing through the family of artists signed to it- a list which includes names like How To Dress Well, Holy Other, Balam Acab, and perhaps most notably, Clams Casino.

In addition to the fact that their music has generated a lot buzz, the element these artists have in common is their inclination toward a pulsing, intricately controlled use of reverb.  A technique which has come about from the rise in digital software and hardware for making music and a technique that allows for the effect of stacked, yet indistinguishable layers hammered in with heavy rhythms. Atmospheric layers that sort of melt right into one another. That faith in the powers of almighty reverb  maybe best describes why these artists fall under the same family. Put that reverb together with a preference for making music under 100 BPM and you have the two ingredients that make up the recipe for the Tri Angle sound. That slow drone with the deep beat.

But as the artists under Tri Angle prove, this formula leaves a lot of room for variation. How To Dress well puts the reverb emphasis on his r&b vocal melodies while Clams Casino samples vocals in a way somehow indicative of the second-coming Christ. Aside from their similarities regarding the technical side of song construction, all these artists under Tri Angle evoke that indescribable something in a song that gets us feeling. Instead of seeking artists that make tracks which get us grooving, Carolin has opted to seek out artists who are fueled by highly personal emotions derived from the condition of permanent isolation.

I first took notice upon the label after the startling realization that it was the name behind many, it seemed all, of the new artists that I was listening to. And as I found upon further investigation, this pattern was too much of a coincidence to be an actual coincidence- if I have it right, it was actually something that had been calculated by one man, Robin Carolan, who detected the ingenuity of these artists before the rest of us did- "I was always a fan of labels that seemed to exist within their own world. The ones that appeared to know what they were about, like 4AD in the 80s, Warp, Ghost Box, Rephlex, etc. I think very carefully about everything I release, almost as if I’m trying to create a narrative for the label with each release."

To hear more of what Carolan has been after and learn more about the inventory of the artists under Tri Angle Records, check out their website and/or soundcloud. And for a taste, here's a song from Holy Other.




Jeannette Chin