Showing posts with label maybird. Show all posts
Showing posts with label maybird. Show all posts


Rochester's Maybird Releases Double Feature Video



When it comes to an artistic form, any form that is, in my definition it's an attempt to understand our interactions and experiences from our individual perspectives. If someone connects with this interpretation, it's a win. Some days I wonder if we really communicate with each other at all. Rochester's Maybird recently sent over a double feature music video that touches on this exact sentiment. How can we find the right words to say? What comes of this experimentation? Through a trajectory of carefully crafted imagery using a Go-Pro to follow the band, this video weaves a story that I find philosophically transcendental and musically a golden nugget to my ears.

The initial visual image is a flock of birds dividing the sky as the band strolls into a green pasture, and just as quickly we're placed into their studio environment. Ethereal, mesmerizing throngs from the pedal steel and a surf-rock edge to the guitar harmonies creates a full, rich sound. As soon as the words "I'll be flying next time you see me/ I'll be alive and well" are sung, a mysterious tea concoction is set to boil in a fireplace. Sitar-distortion settles in as they sit in a circle and toast with sage to their assigned mugs. Once "Maybird" fades out, the screen is black, perhaps a signal they've gone into an alternate consciousness to answer the question of "Oh what am I trying to say?" 

Out of the chaos comes the calm, as "Beautiful World" sets the second half of the video into motion. Driving through a car wash brings a unique watermelon coloring projected onto their faces. An aching, fuzzy quality to the vocals relates that reality settled in. The music feels more serious, there is a learnedness to the tone. Their faces appear exhausted, strung out, yet the words speak, maybe a little ironically, of the beauty found in the world. Dressed in finery, the story leads them into the woods, a communion with nature. I think of poet Matsuo Basho, who out of great despair decided to go on many "wanderings" and discovered a simple appreciation for his often ordinary discoveries. Birds in flight compose the ending visual for the video that is seen in the beginning. Maybird certainly delivers a clear message--engage in a higher perspective and you'll discover that there's beauty in everything. 






Introducing Rochester's Genesee Live


We are quite fond of recording studio Quiet Country Audio and their live session series here at the blog. In Rochester, our sister city to the east, there is a similar type of series that you should be checking out. Genesee Live, a music webseries founded in September of 2012, has been releasing interviews, full-length performances, and other videos from Rochester acts all year long. The web series recorded and released their first live show back in February, featuring a performance from Maybird's lead singer Josh Netsky at the Bug Jar. Past installments have included showcases from some Rochester's best acts, including Mikaela Davis, holiday party artist SPORTS, and our personal favorite in the series so far, Harmonica Lewinski. All past features can be viewed here.

Yesterday, Genesee Live released their 10th installment in their performance series, a December taping from Cottage Jefferson, who placed at #8 in our favorite Rochester songs of 2013, at the Lovin' Cup. You may watch the full clip below.





Album Of The Week: Maybird - Down & Under


This week's Album of the Week comes from Maybird, a psych-folk act from Rochester... It almost pains me to describe music with such obscure terms, but even a cursory listen to any of their songs could tell you that these musicians specialize in spaced-out, woozy soundscapes. Think equal parts Flaming Lips, Fleet Foxes, The Beatles, MGMT, and Band of Horses. Despite being a highly synthesized, well-polished album, Maybird's music has a very "vintage" feel. Their new album, Down & Under, is nine songs worth of spacey folk-rock chock full of unique instrumental flourishes. 

One of the standout tracks is album opener "Nocturne," mixing Beatles-eque vocals with psychedelic indie-rock riffs. I can't always tell if Maybird owes more to synth-pop contemporaries or to bands like The Beatles. It is pretty obvious that many of the songs on Down & Under were inspired by bands from the 60s/70s - even without the vintage organs and jangly guitars, the melodies and instrumentation (like those found all throughout "Nocturne") are simple and pop-inspired like something you'd expect from a British Invasion band. 

Even the slightly-reggae tinged "Maybird" is full of wah-wah bliss...  This was my personal favorite track on Down & Under - "Maybird" perfectly capsulizes everything important about the band, making it the perfect namesake. Behind the laid-back, vintage veneer, beautiful orchestral pads, oceans of delay, and fuzzy synth lines fill out the background. As it progresses, the song continues to add layer after layer of noise until it starts to twist upon itself. It eventually becomes a wall of noise, far different from its fairly calm origins. This is the true genius of Maybird - something initially so soothing becomes something cacophonous without losing its identity.

I may have already implied this, but the aspect I enjoyed most about Down & Under is Maybird's talent for blending unrelated genres and technologies. Many of these songs are packed with traditionally acoustic instruments, but songs like "Two Horizons" are predominantly composed of layers of lush synth pads. There is a strange symbiosis on Down & Under that exists between the chill synth-y electronica and the down-home, South Carolina flavor of sleepy slide guitar riffs and twangy electric guitar solos. Take the end of "Beautiful World" - the song devolves beautifully into a twangy dirge, but it owes just as much of its beauty to a layer of synthesized ambience that never really fades.

Somehow songs like "Call You Mine" mix club-inspired beats with more traditional sounding instruments - in this case, a sitar. I don't usually do well with long songs, but I made a promise to myself to listen all the way through the eleven minute title-track and album ender. I was treated to a beautiful accordion-laced song that demonstrated Maybird's talent for dynamics. The song ebbed and flowed, and I have to say, I'm not sure I have ever once felt confident enough to say that an accordion was my favorite part of a song before.

Check out the music video for "Call You Mine" below.