Showing posts with label xiu xiu. Show all posts
Showing posts with label xiu xiu. Show all posts


Uncovered Covers: The Flaming Lips and New Fumes Cover King Crimson


The Flaming Lips have reemerged in recent years as a denser and somewhat weirder band, and this transformation has been consistently great. On this week's edition of "Uncovered Covers," I wish to cover (sorry, I really could not resist) their most recent cover of King Crimson's 1969 song, "Moonchild," done as a collaboration with New Fumes. The cover is a 12 minute track opening with a melancholic dirge which transforms into ten minutes of an ominous and ambient mix of feedback and synths. The overall effect is slowly building tension without any sort of a release. Great stuff! 

Also, while I am on the subject of covers done by the Flaming Lips, their special reimagining of Pink Floyd's Dark Side of the Moon, released especially for Record Store Day a few years ago, is another great listen. 




Finally, while I am here, I dug through the crates to leave you with a bonus cover, this one a little older (2009, which is maybe 10 in blog years). Off a 7" split with Xiu Xiu, Parenthetical Girls' cover of The Smiths' "Handsome Devil" is a great cover that elevates the twitchy neurosis of the song, originally hidden under Johnny Marr's pop rock sensibilities. 

Michael Torsell


Album Review: Xiu Xiu - Always


Since forming in 2002, Xiu Xiu have carved out a niche for themselves in the avant pop community by making music that’s in your face.  While this doesn’t necessarily mean it’s abrasive or violent it would be hard to imagine listening to a Xiu Xiu record and not remembering the lyrics.  Bandleader Jamie Stewart has a knack for using his words to make the listener unsettled, routinely taking on subject matter like the presidency of George W. Bush or the suicide of his own father with a level of brutal honesty that not many people would be comfortable with on their own.  This means that Xiu Xiu probably isn’t the happiest band you’ll ever hear, in fact, for much of the band’s existence Stewart has made art out of the gutter of our society.  But nonetheless he’s proven over and over that from some of the darker corners of the world comes great beauty.

Always is no exception to this rule. The 9th studio LP from the San Jose natives is music for the downtrodden, the bitter, and the alienated.  It would be easy for this stuff to be downright depressing and unlistenable when considering the subject matter, but luckily Stewart’s backing ensemble, including producer Angela Seo, provide a buoyant counterpunch to even the darkest moments of the record.  The best example of this comes on "I Luv Abortion", a song Stewart wrote about his friends decision to have an abortion.  Whilst he sing/screams lines like, "When I look at my thighs I see death, it is great, I love abortion, you are too good for this life", Seo’s dark chirping synths keep everything purely centered in the world of pop.


The variety of sounds on Always is a lot to deal with.  It all starts on the upbeat, new wavey "Hi", as accessible a song as one will find in Xiu Xiu’s catalog.  It’s a little off putting to hear Stewart come over the top with, "If you have a hole in your head, say hi.  If you have a stitch in your wrist, say hi".  This is followed by "Joey’s Song" which would be a real downer if not for the glistening shoegaze that backs up the lyrics, and further towards the end of the record ‘Smear the Queen’ is a beautiful slice of 60’s tinged psych rock that is pulled off with an expert’s touch.  The highlight is "Beauty Towne" a sort of postscript for the band’s "Clowne Towne", which appeared on 2004’s Fabulous Muscles, the jangly synthesizers are enough to make one believe that Xiu Xiu could make it strictly as a pop band. 


Thankfully though Stewart allows himself to be laid bare on a few separate occasions.  "The Oldness" features little else than his downcast crackling vocals and a wandering piano while "Factory Girls", a track about Chinese migrant workers, is equally as sparse and troubling.  "Born to Suffer" and "Gul Mundin" are reminiscent of the hard-hitting IDM that worked so well on previous releases like 2003’s A Promise, and the aforementioned Fabulous Muscles, the gloomy undertones of the accompaniment sync up perfectly with Stewart’s lyrics.


The broad range displayed on Always is nothing new for Xiu Xiu.  Having proven themselves to be competent in many different disciplines and genres over the years this album could come off as a bit tired and safe.  Happily though I don’t think that anything Jamie Stewart touches will ever be considered tired and safe.  


Grade: B





Steve Dobek


Tonight: Xiu Xiu



Tonight Mohawk Place plays host to experimental noise pop ensemble Xiu Xiu. The brainchild of frontman Jamie Stewart, the band takes its name from a Chinese film (of the same name) about a wealthy girl that travels to the country as part of China's Down to the Countryside Movement and became part of China's "lost generation". During the band's 9 near tenure as a touring and recording act (and several lineup changes) the have blended indie style acoustics, noise rock, and electro-pop along with Stewart's morose and relatively depressing lyics. Drawing heavily on the songwriting styles of acts like the Smiths and Joy Division (both of which the band has covered on numerous occasions), the balance of noise and pop the band strikes allows Stewart to express his vulnerabilities alongside the frustration, angst, and aggression that go with them. Opening for them will be Hedgehog, a Chinese post-alternative act that blends the styles of bands like the Smiths with a taste of dub music, and New Orleans based electro-pop ensemble Kindest Lines. Tickets will cost you $12, and the show gets started around 8pm.

Xiu Xiu - Ceremony by nànhàizi

sean mcgill