Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts


Tonight: Igloo Presents Reanimate


2014 is just 12 hours away. With or without resolutions, 2014 signifies a new calender year. A fresh page to begin life a little bit different, to make some major changes, or perhaps you're one of those people that is headstrong to stay exactly the same. A new year is what you make of it.

Champagne is flowing all over the world today. And in the words of Francis Bacon, these words I say nearly every time I have a flute in hand or am slugging from the bottle:

"Champagne for my real friends, 
real pain for my sham friends."

Tonight, the Igloo crew is presenting a New Year's Eve party: Reanimate. If you caught the previous post, I had the pleasure of interviewing Toronto DJ Mix Chopin, in addition to Buffalo-native gone West Coast, Neil Kryszak. Local favorites will fill the themed rooms of an undisclosed warehouse from 10 p.m. - 7 a.m. (Call the info-number to find out the location: 716-217-1752).

Click the following link for more information and to see the truly remarkable avatar artwork of all the DJs performing during the event, done by local artist Mickey Harmon.


This event is BYOB.

Cheers!

Alicia Greco


MellowHigh: Conversations About The Wolf Gang, Friendship And The Grind


Odd Future Wolf Gang Kill Them All is a Los Angeles based collective of 20-somethings who have made music their hustle with a focus on friendship, many of them often with a blunt in hand. Crafted by rapper and multi-talented artist Tyler, The Creator, Odd Future is a growing organism; there is no definitive line for the crew's success and exploration. "It's been alive for like, 17 years," said OF member Hodgy Beats. "Tyler made it up when he was five, and it became official around high school." MellowHype is a duo project started by members Left Brain and Hodgy Beats. Domo Genesis joined the mix, and on Oct. 31, they released their debut album as MellowHigh.

Domo Genesis

"We made a couple songs, just me, Hodgy and Left on them. We were like, yo these are sick ... everybody else agreed," Domo said. "We had a little home studio so we started hanging out more, said you know what, we should just do a project, and started fucking with it." The self-titled album MellowHigh was supposed to be released as a mixtape, but turned album after receiving positive feedback, according to Domo.

The beats were produced by Left Brain, except for "Cigarillo" which was produced by Hodgy. The instrumentals are leaning and deliciously dark; the vocals are heavy, cathartic and rhythmically hypnotizing.

After hearing Domo's verse in the song "Troublesome," I had to ask him about the inspiration behind it. 

"Well, I got trouble on my mind but no emotions on my sleeve,  
I heard that love'll get you killed, so who gone show some love for me?
Fucking never need it, push against the grain until my fingers bleeding. 
Smoking weed and tweaking trying to figure out a deeper meaning." 

He said the song is nearly two years old, the second oldest track on the album, next to "Nobody." He said this was a track to show the complexity of their writing. "It's something that we made, and we liked. We gotta put this on something and we finally had an album to drop it."

Mixing personal and business has every potential to backfire, but the crew seems to have it figured out. "These are just my friends. These really are my friends, you know what I'm saying?" Domo said. "Before we did music or anything we were all just hanging out, so it didn't really mean much more than just a normal friendship. These are the things we do. When it comes to money and distribution and stuff like that, we're gonna do it all fair and easy because these are my homies." When tensity comes in, they remember their bond. "We have stuff," he said. "But we all come together. And be like, 'yo, you guys are tripping.' We're homies and we're gonna stay that way."

The interview with Domo, Hodgy Beats and Left Brain clearly shows they take their business serious, but with trolls, jokes and sincere conversation, it's undeniable these guys know how to be good friends and live lightly. The phone was then passed to Hodgy, who proceeded to tell me I sounded like I like Sour Patch Kids. "I love Sour Patch Kids," I said. "You must be cool," he responded. After he asked me about which was my favorite color (I said green) he said "Aight, yeah the green and red are the best kind."

Hodgy Beats

One of the first members, from Trenton, N.J. and only 23 years old, I asked Hodgy if he ever saw himself getting to this level of fame. "Shit, I don't know what level of fame or anything I'm on. I try to keep it as normal as possible."

"There's like a chemistry or something in the air, and it just worked out. We all know each other," Hodgy said, and that he's excited to see what comes next for MellowHigh and the rest of the Wolf Gang. "I think me and Tyler are gonna work together a little bit more ... see what comes from that. Everybody works together, it's just hard to find time nowadays because people are busy."

As I heard him tell someone passing out food on the bus "the no tomato's is mine," I asked him what it's like being on tour. "It's awesome. There's not that many people at all. All the attention is on MellowHigh." For this tour, the select city's promoters arrange for the show openers. "Mhm, we have them niggas do it," Hodgy said. For future record tours, they plan on picking their own.

"Why do you love music?"
"I think it's because I've been around it for so long. My dad used to make music, some members in my family used to sing. So it's what I've gravitated towards," Hodgy said.

Odd Future has become much more than just music. In addition to record releases, cities have been hit with Odd Future Sweatshop pop-up stores, the crew gets weird in their show Loiter Squad on Adult Swim, has been featured at The Berrics for the entertaining Text Yoself Beefo Yo Wreck Yoself, ghost ride the whip for the Bay Area influenced "Hyphy" video, and apparently has an upcoming film release in the works, and that's just scratching the surface of their grind.


With a voice deeper than hell, Left Brain spoke to me last. He was playing Call of Duty: Ghosts as we talked about how he came into OF.

"Well, I had no friends," he said, as either Domo or Hodgy laughed in the background. "And we just became friends, since like, 2006."

Since the album dropped, he said he's not sure how the sales are but that the tour is doing pretty well. The best show, in his opinion, was the first show in Dallas, Texas. "There was a lot of people, it was a sold out show. It was turnt up, I was really surprised because the album wasn't out when we went and did that show ... and people still came out."

Left Brain

I asked him if he ever saw himself getting to their current level.
"Yeah, I did. Yeah I did. I know who I am. I know, who I am. People know who I am. We were on this level at first, then we bumped up to the next level. Now we've got our album. It's just levels. You can't really go down in the levels. You go down, you're moving backwards."

Left Brain had an unmovable certainty with his words. "We just wanted to know, to be out here in the industry a little bit. We got our own label, we our own bosses, so tryna get out in the industry, and just fucking take over. There's a lot of names that's hot right now, they're not bosses though. They're just working under people and shit. We doing our own thing, working your own business, tryna establish our own business, make our own money."

"Slow motion's better than no motion," he said.

"Why do you love music?"
"Because, it makes me move, my body. I want to move my body. I don't know anything else, I want to move my body. It's a source of energy. When music turns on, people start moving. When you turn the light on, the fucking room is bright. It's like a source of energy. And I like it."

I heard one of the guys yell in the background "I'm going in on this burrito" and Left Brain abruptly hung up after trolling that they were headed to Nevada and said "What is there to do out there in Reno, Nevada. I hope something out here is fun, we've never been out here. Pretty random."

MellowHigh will make a tour stop in Buffalo at The Waiting Room on Saturday, Dec. 7 presented by After Dark Entertainment. Odd Future was here last September and Tyler, The Creator soon followed in March. "Buffalo, N.Y.? Yeah I was there, it was so cold," Hodgy said. "As long as I'm not freezing my ass off, we're gonna have a great show."

Domo, Hodgy and Left Brain: if you thought that was cold, get ready for a December night in Buffalo.

Tickets and more information for the show can be found here.


 

Alicia Greco


Sleigh Bells, A Little Less Tortured: Inside The Mind Of Derek Miller

Sleigh Bells - Rochester - Nov. 2012 - Photo by Alicia Greco

To see inside the mind of Sleigh Bells, is to see a beacon in the dark. Guitarist and lyricist Derek Miller was working as a waiter seeking a new music venture after he left hardcore group Poison the Well. While waiting on a table he was introduced to Alexis Krauss by Krauss' mother. What could be considered fate, or the perfect story of an artistic relationship stemmed from boy-meets-girl, was not considered so through the eyes of Miller.

"I don't necessarily believe in fate," he said. He was working hard at the time to find a female vocalist and as he said, "created conditions to make it more likely."

Krauss was an experienced vocalist from an early age after performing in RubyBlue, a teen pop girl band. After developing their sound, the revolutionary M.I.A. sought them out to be signed to her record label N.E.E.T. Recordings. She contacted a "Derek," who although was the wrong person with the same name coincidentally knew Sleigh Bells' Miller. Already critically acclaimed and unsigned by only releasing singles, Krauss and Miller signed to M.I.A.'s label in 2010 and released their debut album, Treats.

Sleigh Bells ascended to worldwide tours and went on to be covered by highly-esteemed publications and productions ranging from the cover of SPIN Magazine to an encounter with cultured explorer Anthony Bourdain on his show "No Reservations."

"I don't consider touring strenuous," Miller said. "I like it, it's great. It's a privilege. You get to play shows every night, just going out for blocks at a time ... it's a great experience."


Rather than being singled out by a floodlight spot, Sleigh Bells performs with staggered strobes and while Krauss wails sweet and sexy croons through the microphone, Miller is found by her side hammering riffs through the stacked speakers that are powerfully lined behind them. He steps closer to the gate blockade separating the stage platform from the group of aggressive dancers, and becomes enraptured.

"On a great night, everybody's on the same page. You approach being in the moment, and you're not thinking about anything else. Not thinking about before or after, you just sort of disappear. I don't want to romanticize it but ... when that happens, it's pretty special," Miller reminisced. "You can't pay to have that experience. You can't pay to have people show up in a room for a record you made. It has to just happen."

It is clear that almost each musician has some type of expiration date; a time when their music is irrelevant and they can't keep up, or when life plans veer away from record releases and tours with sleep-deprived international flights through changing time zones. "You don't make records forever," he said. "You can make music forever."

Although some fame tends to radiate an untouchable hue, we are all human. This is a characteristic Sleigh Bells embodies. Miller relates to those who have hit rock bottom, those who have been left helpless from the uncontrollable tribulations. These moments left him deeply inspired, especially for their 2012 album Reign of Terror.

"Life happened to me. I've just had my fair share of horrible things happen to me throughout my life," he said. "A lot of things come close to killing you and you quickly lapse into cliché ... 'what doesn't kill you makes you stronger' ... and those clichés happen for a reason."

"I have an internal dialogue that never really shuts off, and I'm really hard on myself. Truth be told, I could probably use a little more ego. It'd probably be healthy," he said and then swiftly reconsiders. "I don't think I'd have a career if it wasn't for that side of me."

Miller is the sole-lyricist for Sleigh Bells, although he said he will alter and won't write anything that Krauss would be uncomfortable singing. He said their newest album release, Bitter Rivals, is unlike past productions. "Bitter Rivals comes from a different place, a much less depressed place. It just feels different to me, it feels that it's coming from somewhere a little less tortured."

The official video of the title track was released in the beginning of September; the album dropped a month later in early October. I asked Miller to delve into the meaning of one of the tracks, "Young Legends." As expected, he said he prefers people interpret among themselves. The raw inspiration behind the tune, however, was about the people who have tremendous amount of talent, that "never get a chance to develop it, for whatever reason."

"I knew that I had all of these ideas, I knew what I could accomplish," he said. The odds seemed so against him, he said. There are so many people "who never find the 'x' factor, that other component." This is a mindset not limited to just music. Krauss sings "Young legends die, all the time, but I don't mind."

"The chorus is sort of sarcastic ... it's a lie," Miller said. He told a story about a time in his life when he felt lost, and was searching for his footing; this is an experience familiar to anyone aspiring for true greatness. His mother would ask him where his life was going. "I was like 'I'll fucking figure it out,'" he said.

He did indeed.

Since, he has been pouring his creativity into Sleigh Bells, even down to the merchandise. Veering away from the technological sprawl of today's world and appealing to the vinyl diggers, Miller developed and designed the record artistry for each Sleigh Bells album. The package is comprised by pull-outs of photos taken by Miller himself, each one complimenting to the theme and vibe of the album's sound. "I know what I like," he said. "I like to think there's some kids out there that have them pinned to their wall."

"Reign of Terror" Photo by Alicia Greco

I asked him, why does he love music?

"I couldn't possibly sum that up in a sentence. For as long as I can remember it has been the most important thing in my life. I loved music since the age of 5 or 6, it's just been the center of my life. I love it to death, I don't know why. It's like trying to explain why you like a certain flavor or certain color; you're just drawn to it."


Sleigh Bells will be performing Thursday, Nov. 14 at Town Ballroom. Tickets can be purchased here.

Alicia Greco


Potty Mouth...On The Boyfriend Couch

Editors note: Every month, we will be sharing posts from local zine 'Buffalo's Okay,' a monthly publication from Black Dots Record Store owner Josh Smith. This interview with Potty Mouth originally appeared in the zine's first issue in October of 2013. New issues may be picked up, free of charge, at Black Dots (223 Lafayette Avenue).

Fast-rising poster children for the Western Mass lady-punk scene, POTTY MOUTH graced Buffalo with a special live performance last August alongside locals SPACE WOLVES and CROSS STITCH at the Glitterbox.  If you’ve yet to hear their signature style of dark-yet-peppy, saccharine-sweet indie pop, take a moment and track down the records.  Their new LP, titled Hell Bent, just dropped on Ye Olde Flame Records.

Buffalo everyman and local idiot Sketchy Nick invited the girls to join him for a brief, sit-down interview for the inaugural edition of "On the boyfriend couch. . . "  I was there, too.

Sketchy Nick 
First of all, what’s everyone name and what do you play in your band? 

Ally
I’m Ally, I play bass.
Victoria
I’m Victoria, I play drums.
Phoebe
I’m Phoebe, I play lead guitar
Abby
I’m Abby, I play rhythm guitar and lead vocals.

Sketchy Nick
I assume you've made a ton of friends on the road, but I don't even want to hear about that. What people or entities are at the top of your “Enemies List?”

Abby
Our enemies list? But what if they read this and they come after us? Is this collectively?
Ally
Like half the people in Ann Arbor last night... No, all the bands we played with were great. It wasn't the bands. It was a guy who snuck a picture of us when we were sitting on the couch and didn't tell us. 

Sketchy Nick 
So some creepster from Ann Arbor...

Phoebe  
There’s this one guy in my town that I don't like.  He wont leave me alone.  He's really scary. His name's Jimmy, and he's notorious around there.

Sketchy Nick
He's on your enemies list, so what are you doing to get him?

Phoebe
I'm running away very fast in the other direction. 

Sketchy Nick
So if you end up on Potty Mouth's enemies list, you don't really have anything to worry about. Does anyone else have a very personal enemy? You guys are just very lovable and loving?

Ally
No! 

Sketchy Nick
Then how do you not have enemies?!

Ally
We've had a lot of fun on this tour, but there are aspects about people that really annoy me.
Abby
Maybe anyone who comments on Brooklyn Vegan. Not the website, just the people who comment on the website.
Ally:
The ones that say they hope we get into a car accident and die.
Abby
Or rate how they would have sex with us based on the alcohol that they would need to consume beforehand.
Phoebe
Yeah, I require a bottle of Jack, by the way.

Sketchy Nick
Wow!  You require a lethal amount of alcohol? That's horrible! So moving on from enemies, your new record is delayed. Who is to blame?

Ally
None of us. I think it was ultimately probably a marketing decision. The labels decided that a lot of people release records in August, and then you have Labor Day weekend when no one's doing anything. I think early Fall, September seemed like the prime time because...
Josh
Back to school!
Ally
Exactly, back to school. It’s allowing them to send in promo CDs to radio stations and whatever. I think if we had done it this week in August, it would have been more of a rush. The UK label hasn't even put the record into production yet. Phoebe is sill doing the art. 

Sketchy Nick
So the European label is partially to blame?

Ally
No, no don't twist that!

Sketchy Nick
Okay.  You want an untwistable question? What physical ailments or mental disorders do you possess, collectively or individually?

Abby
I'm allergic to a lot of things.  Peanuts, nuts, coconut, lentils, feathers, cats...

Sketchy Nick
Do you hate and resent the things that you're allergic to?

Abby
No. I mean, I've always lived without them so I don't care.

Sketchy Nick
That's it, just a few allergies?  Potty Mouth is a very healthy band.  You mentioned Ann Arbor as being your least favorite city to play in...

Ally
No.

Sketchy Nick
No?  What is your least favorite city to play in?

Phoebe
I think we just had weird shows. I don't know, I think the Ann Arbor show was good last night.  Oh, I know!  What's that city...
Ally
Tuscaloosa, Alabama. 
Phoebe
Tuscaloosa, Alabama. Sorry!

Sketchy NickBecause the bands were bad?

Ally
All of them were sick.
Victoria
No, that was Tennessee. 
Phoebe
Also, we played on a stage, and I don't like playing on stages, that always makes the shows bad.

Sketchy Nick
Okay, so what is your least favorite band that you've played with.  Who's really terrible performance-wise or just writes crap or really couldn't handle their liquor or couldn't play their instruments?  Who's garbage?

Ally
That band from Detroit. 
Abby
I like their music, though.
Phoebe
Yeah, but they were like puking on stage on purpose... The Sunbirds.

Sketchy Nick 
Potty Mouth hates the Sunbirds!  Not to put you on the spot or anything, but isn't Buffalo great?

Phoebe
Well, yeah, the last time we played Buffalo, it was awesome. 
*Potty Mouth laughs*
Josh
What the fuck?!

Sketchy Nick 
Potty Mouth hates us!  Do all of the members of Potty Mouth hate Buffalo?

Ally
No, we love Buffalo. My aunt lived here her whole life. She's dead now, but I have very fond memories of coming to Buffalo, such as the time my dad walked around my aunt's neighborhood wearing a Giants windbreaker, and he got rocks thrown at him by people who said, “Fuck off.  The Bills rule!” People literally threw fucking rocks at him.

Sketchy Nick
And you're telling this story because it’s an example of fond memories of Buffalo.

Ally
I just couldn’t believe it. It was like Christmas time, and my dad came back to my aunt's house and was like, “I just got rocks thrown at me.”

Sketchy Nick
Seriously, fuck the Giants. Your last record was put out by three different labels. Can you rank them in order of competence and prestige? 

Phoebe
Pass!
Ally
Yeah, pass.

Sketchy Nick
Potty Mouth, why aren't you more hateful, or at least more willing to express your hatred? 

Abby
All of our hate comes out in the van, and then we're good to go.
Josh
In the van, that's the only place where it's safe. 
Phoebe
I don't know, I think sometimes we're hateful.
Ally
I don't know, I think being negative in general just brings us down.  I mean, if we spent all of our time saying everything we hated, I don't think we would have as much fun.  We turn everything into a big joke if we can.

Sketchy Nick
So Potty Mouth is a novelty band.

Phoebe
It's a novelty. We love novelties.
Ally 
Yeah, like Spenser’s Gifts and Sam Goody. 

Sketchy Nick
So, you talk a little bit about hate in the van.  Top five ways to murder someone, least to most satisfying?  

Abby
How about you answer that one?  Because that seems to be kind of like your thing. 

Sketchy Nick

Murder?

Phoebe
You're the one with that knife tied to your belt.
Abby
Yeah, and you were all like, “no body, no murder” in the basement.

Sketchy Nick

Oh, those are the rules of murder! No body, no murder. Don't have any accomplices.  Never tell anyone.  Don't try to eliminate the evidence;  add more evidence.  Those are just good, solid rules for getting away with murder.  So you find murder very unsatisfying, alright. [Editor's Note: Jesus fucking christ Nick]

Abby
Is this, like, some Nardwuar shit right now? That's what I want to know.
Phoebe
What does that mean, Abby?
Abby
Do none of you know who Nardwuar is?  You're actually like a recreation of him. [Editor's Note: She's got you there]
Josh 
He doesn't ask about murder!
Abby 
Where are my Green Day records? 

Sketchy Nick 

Nardwuar is overwhelmingly positive and I'm full of nothing but malice.  You guys all learned your instruments together, right?

Phoebe
No.
Abby
Lies. Who told you that?

Sketchy Nick 

The Internet.

Abby
Oh, well you were misinformed.
Phoebe
You tell him Abby!
Ally
Basically, Victoria has been playing drums for a really long time, since she was a baby. I was in two bands before Potty Mouth, so I had been playing for a couple years. Phoebe and Abby kind of started playing guitar around Potty Mouth but what you probably read on the Internet was that we all felt really encouraged and supported when we got together. 
Josh
Is that the last question? 

Sketchy Nick

That's all I necessarily want to ask if you're not going to answer the tough questions. 

Ally
We're good girls...  




~ Post by Josh Smith


Interview: Consider The Source


Consisting of Gabriel Marin on guitars, John Ferrera on bass, and Jeff Mann on drums, Consider The Source's work is a dynamic and mesmerizing experience. Over the weekend, they graciously lent me their conversation in the Nietzsche's green room to discuss their new live album, influences, and inspiration.

A: As far as composition process goes, how do you go into the studio? Is there a specific motive, intention?

John: It never really happens in the studio, the studio is when we're finished writing, we go in there and it's already on paper. Gabe and I have the initial ideas, sometimes we'll have a whole piece or a part of a piece--and also because we write together a lot we'll just write pieces that work well together. Independently, we'll both write something and it's a match made in heaven. Over time, songs come together really quick, sometimes it takes years. There's no formula, it's not always a song is going to be a certain way. Ideas come, an inspiration comes, we write a song based on that inspiration.

Gabriel: If we bring something in it always turns into something else. That's just better. If this is going to be a short song, then it'll turn into a ten minute song. 

A: You were talking about inspiration, where do you draw inspiration from, not just in music but anywhere, any form? What influences you, lately?

Jeff: Traveling for sure. We get to see a lot of different cities and go to new places, especially when we went to Germany and Israel. Being really far from home makes you feel like you have to represent. Know what I mean? It's different than driving a couple hours. Getting on a plane where everyone's talking in a different language, then you're gonna get up and play your music, being in that different place is really inspiring. A lot of movies and books, all those things.

A: Anything specific?

John: There was one tour--well, we all read a lot. We get made fun of for totally not being rockstars. We don't do drugs, drink really, very little bit. What we do is we read, a lot. There was one tour where  I was reading a bunch of dystopian novels, 1984. So all the shows that we played during that time period were very colored by that, solo sections, and any writing that happened during the time. That's kind of for all of us.

Gabriel: It's different now that we're a little bit older--I'll say we can all be very dramatically emotional people, especially when you're younger. Oh, I'm so depressed, and then write this epic thing. And now, songs just happen. I'll be sitting there and I'll start writing something, and it's good that I can get that across without being like, sigh. It's a good part of aging.

John: For a while you don't want to lose that depressed edge because you write some cool stuff from it, but you want to be happy too.

Gabriel: Being happy is far more badass. Anyone can be depressed all the time. It takes effort and skill to rise above that.

A: Can you elaborate a little bit more when you were saying how traveling brings inspiration? Where are some of your favorite places to travel to and how do you think the place affects the kind of performance you put on, as in venue, or ambience? Does it affect your setlist at all?

Jeff: Well, sound is a huge thing.

Gabriel: And the green room, if there's no place for us to do this before, it affects us. If not, you're distracted and everything, here it's calm, your stuff is set up downstairs.

Jeff: A lot of times our sound is good and the content is especially good if you hear every detail of the band that you usually don't hear and that's definitely really inspiring. Audience wise, we like playing a packed room, big rooms and what not. If the crowd is really into it, that inspires us in that moment to try and have fun and be awesome.

John: We went to Germany last year and we played, decent crowds there. Very different energy. Say there's a hundred and twenty something people--here it's like jumping around screaming things, getting drunk off the wall and that's cool, it's a cool energy. That'll probably happen tonight. In Germany they are very different, respectful, and quiet while you play, and then they'll applaud in between sets. When we first did it it was very off-putting. Ultimately, it was good.

Jeff: Yeah, during the song we weren't sure if they liked it.

Gabriel: The second you're playing it's dead quiet. When you were able to get quiet, you couldn't hear people talking. Sometimes you get quiet and someone's like "Oh my god!" and you're like "shutup!" and it messes your concentration up.

John: It allows us to access a whole different part of what we can do. Certain places, like we did festivals all summer, you can't do that at a festival. You cater to that differently, on a subconscious level.

A: What was it like playing at CosM?

John: Amazing. One of the best things that ever happened.

Gabriel: We play with painters all the time and it's something very special, looking over there, seeing Alex grey dancing. 

Jeff: We got to spend the night there, and it was a full day and night, the full taste of that whole environment. 

Gabriel: We had a talk with him and his wife, there's a video of that online.

A: It's definitely an amazing house, you take your shoes off and you're like, okay, here I am!

Gabriel: We did a class that day and a lot of people showed up. We started off the day and taught a class, had a break and had a conversation with the Greys, then we played, pretty fun.

A: Wonderful. Can you guys talk a little bit about the Source Academy and how that came about? Anything special that has really come from it? 

John: It came about organically. We were submerged in the music thing, especially in a touring band you have to teach to make a living. Besides that, we love teaching. We started doing master classes years ago and now we're getting asked to do more and more of them. We get asked a lot of times for private lessons and decided to make it more of an official thing.

Gabriel: We play shows now where student's bands have opened for us and that's always really fun. We've done master classes as John said and it seemed to be a good thing. They'd ask me or him or all of us to do a master class, like, does anyone teach? Yeah. Then it's gone. At any show five people want lessons, and out of every ten people who want lessons you'll get a student. Then we would put this online, so when they're not drunk, or not at the place anymore.

John: You still want lessons? Haha.

Jeff: We're doing the music school, and a festival, we have one coming up at the School of Rock, that'll be fun for the kids. We enjoy doing it, and try to do a lot more of it.

A: That's great. As far as tips for new musicians starting out in the studio? You guys are gaining a steady following, how did you keep your positivity? Moments of doubt? How do you deal with that?

Gabriel: About a year ago I had this big realization what we're doing is crazy, we were so single-minded, we're going to play this music and do our own thing, that's it. So, we decided to be in an instrumental group that plays crazy long songs that at odd times doing crazy stuff...well, that's nuts from an outside perspective. We did it, we love this music. We realized it's going to take us longer, we don't fit into a scene. The music has always been fun, even if you play a show for no one, it's still so fun to play, I'd much rather play this music for no one than thousands.

John: That's something we have in common, we want what we want out of playing and we bonded over that from day one. So yeah, for people who are starting out and doing whatever be happy with what you sound like. Strive, of course! You'll get better and better, but your voice is your voice, don't try to be something else.

Gabriel: Practical advice--always practice with a metronome. And if you're starting off, there's no money about the fifth fret.

Jeff: Add to that, play as much as you can with as many people as you can. That was always it, before I joined with these guys I never said no to anyone. If I had time, it was never I'd rather stay at home, I said, yeah what's up, I'll be there soon. Go for it.

A: You just dropped a new live album. Tell me about the idea behind that and why you're releasing it tonight.

John: We wanted to put out a live album. This is volume two so it's a series.

Jeff: Last one came out in 2012, this one 2013, so every year a live album.

John: It's called Fuck It We'll Do It Live, Volume 2.

Gabriel: Each position is a new position, we just have a picture of people engaging in sexual activities.
John: For a long time, people would like our live stuff, when we do live it's something cool, I'm going to use the SAT word of the year, symbiotic, with the audience. A live show is very powerful, putting out live albums is close to that experience. Our studio is a different approach, the live is it's own thing . We like to put out albums where people can get a sense of that. 

Gabriel: Only one of the songs did we know we were recording. The last track of the album is from that show, the rest is from shows we had no idea we were recording. If you know you're being recorded you play a little safer and certain parts could be tighter. Some of these songs have a lot of energy and some we listened to, and said that song has this intensity.

John: They have that abandonment you can't have if you know you're being recorded. 

Jeff: We decided to release it here because we got back from a two and half week tour out in Tennessee, Ohio, Chicago, and these are our first shows back in the North East, so we're happy to be home.

A: Well, we're glad to have you here. Thank you guys for your time, this answered all my questions really well.





Interview: Eliot Lipp



So, electronic solo-beat-machine Eliot Lipp is coming to Buffalo this week (Nietzsche's, Tue 9/10). The guy, who grew up on rap and electro and jazz, is a mastermind of thoughtful bump beats, loaded with kraut motorik and swirling synth, like Detroit '88-meets-Compton '93-meets-Brooklyn in the zeroes. Any decent hip-hop artist could pick up one of his tracks and rap over it, but they'd almost invariably end up disservicing the material. Lipp's kept himself pretty busy over the last few years, releasing records, starting up a label, and moving and touring endlessly. He's on the road right now with El Ten Eleven, and was a consummate enough gentleman to answer a couple e-mail questions we sent, which are as follows:


buffaBLOG: You've cited a number of hip-hop artists as influences for your music - what other genres or styles are in the back of your head when you mix?

Eliot Lipp: Mostly Jazz, House and Techno. I really like playing club music and getting people dancing. A lot of my own tracks are somewhere between Funk and Electro. I'm trying to make an organic, human sounding version of electronic music.

bB: You've been super busy playing all over the place for years - have there been any highlights from this trip out on the road/things you hadn't experienced before?

EL: There are certain cities that stand out a lot and amaze me every time I visit them. New York was one of those till I moved there. I also love New Orleans, I've had quite a few adventures there.

bB: If you could eat only one food for every meal, every day when you tour, what would it be?

EL: Avocado.

bB: When was the last time you cried?

EL: Probably during a shitty movie.

bB: What is the worst part about touring with El Ten Eleven? You can tell us the truth, we won't judge.

EL: Their guitarist has about 100 stomp boxes up on stage, I gotta try not to trip when I'm going up there to play. But seriously though I really love the music they do and I'm stoked to be on the road with them.

Alright, don't be a bump on a log, be sure to check out the Lipp/El Ten Eleven sound machine at Nietzsche's on the 10th!




steve gordon


buffaBLOG Video: Lesionread


Lesionread, the manic alter ego of art school student Shawn Lewis, has been very loudly taking Buffalo by storm over the last few months. The electronic producer has been honing his skills in his basement and Monday after Monday at Inventory Night at Hardware, including one such night where he screamed at the crowd until someone found his middle name written on notes all over the Allen Street Bar (this was much more fun that my writing indicates, just ask winner Bryan Johnson). Last month, Lewis and crew opened for Wild Nothing at the Tralf in what was one of those "you had to be there" kind of sets. Weird, shocking, hilarious, and down right fun, the musician turned the packed house into his very own circus, something the people at the Tralf had to just love, that is until they started to clean up the silly string that became one with the floor later that night. Word is they are still scrubbing.... 

Anyways, we took a little time to talk to Lewis, who will soon take off on a tour with fellow electronic music Kristachuwan (formally of Cinnamon Aluminum) following his opening set with Darwin Deez early next month at the Waiting Room. With some recent new music and an upcoming collaboration with Malt Disney on the way, look for Lesionread to continue his wild takeover of the Buffalo. 


~ Interviews by Carly Cassano
~ Photo by Jeanette Chwan
~ Video by Chris Osterhoudt




Interview: Mikaela Davis


Rochester-based singer-songwriter (and top-notch harpist) Mikaela Davis recently played a gig at the Tralf Music Hall before embarking on a cross-country tour. She also recently released the new single "feels Like Forever," which will likely appear on the follow up to her self-titled 2012 album. buffaBLOG spoke with Mikaela to discuss her upcoming tour, as well as her biggest inspirations.

What piqued your interest in the harp?
My school district offers harp as a stringed instrument to start on in 3rd grade, so I chose it and took lessons through my school! I got a private teacher in 4th grade.

What's your favorite album of 2013 so far?
Wakin' On A Pretty Daze by Kurt Vile for sure!!

Is this your first time going on such a large tour, and how does it feel?
It is! Last year we toured around the east coast near New York and this year is the total opposite... Cruising around the south all the way to Phoenix. We are supporting Filligar, an awesome band from Chicago. If you haven't checked them out, their newest album Hexagon just dropped and it sounds great.

When can we expect your next album?.
We just released a single, "Feels Like Forever," but expect more this winter.


What artists and albums provided your biggest inspiration?
Elliott Smith and Sufjan Stevens were definitely my biggest influences for the album that was released in 2012. I wrote most of those songs in high school and those artists are all I listened to!

Are there any songs you wish you had written?
Any songs meaning anything someone else has written? Definitely not, I love listening to songs by artists I love. I don't usually listen to my own music haha except for when I'm listening to mixes, or when a song is finished. After recording...you get sick of your songs pretty fast.

What will you be doing after your current tour ends?
Going back to school! We all have one more year left of college.

How do you think you've grown as musician since you've begun playing?
I would like to hope I've matured musically over the past 3 years of college. The band has been adding a lot of new sounds that you can only hear live until we release more. The sound of my next album will be very different than the first.

How ya gonna do it if you really don't wanna dance, by standing on the wall?
Get my back up off the wall!


John Hugar


Interview: Craig Goldy (Dio Disciples)


In 1987, Craig Goldy faced a terrifying challenge for any young rock guitarist: Filling the shoes of the guitar gods he had idolized. Ronnie James Dio was known as the trusted frontman for elite metal guitarists, and 24-year-old Goldy was being recruited into the eponymous Dio band.

Goldy, who had been playing in pop-oriented rock act, Giuffria, would follow Ritchie Blackmore and Tommy Iommi -- Mount Rushmore of metal guitar-type characters, in a Dio-fronted band. Blackmore's neo-classical hijinks and Iommi's doomy churning established the playbook of heavy guitar, and Goldy was under pressure to play Blackmore and Iommi’s guitar parts live -- Dio made a point to play favorites from his previous iconic bands, Rainbow and Black Sabbath, while touring.

The task was made even more daunting by the exit of guitar whiz kid Vivian Campbell from Dio.
“There was a lot of times when I would first start the concert and (members of the crowd) would be flipping me off,” Goldy said.

Despite the initial hostility, it wasn’t long before Dio fans realized that Goldy could stand with the established pedigree of lead axe-men.

“I started playing guitar because of Ritchie Blackmore, my favorite band was Deep Purple. My favorite record was Rainbow's Rising. My favorite era of Black Sabbath was Ronnie with Black Sabbath,” he said. “I tried to play the albums almost live, not a lot of people would do that. I tried to be one of those guys that would do the album solo live and try to implement (the original guitarist’s) way of playing rather than my way of playing, while placing my stamp on it as well.”

Goldy credits Ronnie James Dio for rescuing him from sleeping in cars in San Diego and Los Angeles. After taking Goldy under his wing, the two musicians connected further through their around-the-clock work ethic, first collaborating on a full length album as bandmates on 1987’s Dream Evil album.

“You just have to love it, that's the one thing about Ronnie and why we got along so good,” he said.”
“We'd start at 11 o'clock in the morning, only because we stayed up until 3 or 4 o'clock in the morning the night before,” Goldy said. “We'd do 12 and 18 and 20 hour days and not even notice because we loved it.”

Ronnie James Dio, who was born in Cortland and attended the University of Buffalo, died of stomach cancer in 2010 at the age of 67.

He was 37 when he debuted with Black Sabbath in 1980, but he had begun his musical career long before that in 1957. There was no heavy metal then -- Dio played in doo-wop and early rock bands like The Vegas Kings and later the Prophets, who would morph into bluesy rockers Elf by 1972.

Since Elf was absorbed by Ritchie Blackmore to become Rainbow in 1975, Dio was unabashedly metal. Despite his dynamic voice and diverse musical background, Dio rarely strayed from the dark and the heavy, especially in his later years with his solo band and his reunions with Black Sabbath (on 1992's overlooked crusher Dehumanizer and as Heaven & Hell on The Devil You Know in 2009).

"(Dio) had mentioned that one of these days he'd like to get together and start writing songs for other bands and other projects just because he has so many other ideas that would never fit well with the Dio sound," he said.

Goldy said Dio's dedication to whatever band he was fronting at the time was so strong that he didn't have much time or energy for other projects, although he would have found them creatively satisfying. "He would branch out into a different look or a different stage prop because it was cool at the time, but as far as his music was concerned it had to be real," Goldy said. "If it was going to have his name on it, it had to be something where people didn't get the impression that he was selling out."

Goldy now plays in Dio Disciples, the official Dio tribute act. The band, which is managed by Ronnie James Dio’s widow, Wendy, consists of musicians who have either previously played in the Dio band; including Goldy, drummer Vinny Appice, and keyboardist Scott Warren, and others who were friends with Dio; like bassist Bjorn Englen and singers Oni Logan and Tim “Ripper” Owens.

Appice, a former member of Black Sabbath, Heaven and Hell and Dio, joined Dio Disciples for the first time during the band's current string of concerts. Owens, a former Judas Priest cover band singer, came to fame in 1996 when he took over Rob Halford’s singing duties admirably in the actual Judas Priest.

Dio Disciples have been criticized for cashing in on Ronnie James Dio’s work shortly after the singer’s death, but members have gone on record stating that Dio Disciples is hardly a lucrative venture. The band also contributes to and endorses the Ronnie James Dio Stand Up and Shout Cancer Fund.

Although acts like Dio Disciples and others from heavy metal's biggest era can still draw crowds, the formula of heavy, yet melodic songs with flashy riffs and solos hasn't come back into style with younger generations of musicians. Today’s guitar heroes are more known for extreme heaviness and breakneck speed rather than soulful precision.

Popular forms of modern metal are practically void of the bluesy underpinnings of hard rock and the first waves of heavy metal. This leaves a void that Goldy would like to see filled soon.

“The Ritchie Blackmore's, the Jimmy Page's and the Jeff Becks are missing from the new (guitar players),” Goldy said.

“(As a child) I couldn’t wait to get home from school and listen to Deep Purple. It's like how some people would say they can't wait to go home and play basketball or football with their friends. It was that kind of a thing, it was that kind of excitement, and that is missing now,” he said.

Goldy, who also works within the music industry, has found it challenging to discover newer bands that capture the exciting sights and sounds of classic metal, although working with established musicians in the genre can also be difficult.

Many of Goldy’s peers who became well known in the 70’s and 80’s have huge egos and are unwilling to put in the effort to find success at this point, he said.

“A lot of guys who do original material who are from the 80’s do a regurgitation of the same thing, so it becomes the same old same old,” He said. “It lets down the fans and waters down the whole principle.”

Goldy’s career has brought him to a lot of interesting places, but he has never played at a winery. He’ll get his chance when Dio Disciples perform at the Willow Creek Winery in Silver Creek July 20.
Willow Creek Winery are hosting “Rockin The Grapes IIII” as part of a series of summer concerts. Country stars Mark Wills and Marty Stewart played the winery last weekend.

Regardless of the type of venue or size of the crowd, Dio Disciples always work to live up to Ronnie James Dio’s reputation for stage presence and dedication at every show.

“You know how people say it doesn't matter if there is one person or 1,000 or 10,000? People usually say that but they hardly ever mean it,” Goldy said. “(Dio) played some pretty small places and he just put out 100 percent effort no matter where we were, and I really loved that about him.”

“Rockin The Grapes IIII” with Dio Disciples takes place July 20 at the Willow Creek Winery, 2627 Chapin Road, Silver Creek. Tickets are $15 pre-sale and $20 at the door. Pre-sale tickets can be purchased at the venue or through Tickets.com.

~Kip Doyle