Showing posts with label cults. Show all posts
Showing posts with label cults. Show all posts


Concert Review: Cults


Calling the Cults fourth Buffalo show in 34 months a "reunion" would be a bit of a stretch and somewhat weird, but periodically charting the San Diego via NYC band's growth and progress from their early shows at Soundlab (which I wasn't at) and Ninth Ward (my first Cults show) in 2011 through their Town Ballroom blowout 2 years ago has been immensely satisfying. I'm not sure what keeps bringing them back to Buffalo, or if there's a two way connection going on here, but Monday's show at the Tralf with Mood Rings and their first since the release of their sophomore album Static felt a litle belt special, and they didn't disappoint.

Mood Rings did not mess around with their enthusiastically received opening set of straight up 80's New Wave romantic jams. Featuring a Spectoresque Wall of Sound also favored by Cults' Brian Oblivion, the Atlanta band played a number of exquisitely lush and reverb drenched songs off their new album VPI Harmony, gathering power and mojo as their set progressed until their positively Goth tinged climax that indulged the darkness that lurked sweetly under the surface of the entire performance. My only regret of the night was that they sold out of their debut CD before I could hit up the merch table at the end of the night. For their Buffalo debut, Mood Rings were bold, captivating, and like many in the appreciative crowd, I definitely wouldn't mind seeing them again.

Starting with the fiercely uptempo "High Road" off of Static, this Cults show was absolutely potent as the band used the Tralf's excellent acoustics to their fullest. The Brian Oblivion/Cults Wall of Sound was in full effect with each instrument contributing to a sweetly all enveloping caress of sound that was especially nice in the ears thanks to the denser, beat heavy, and more guitar driven songs from Static. Favorites from their instant classic eponymous debut also seemed beefier than usual, but I could be wrong about that because Cults definitely rocked the Town Ballroom in 2012. And there can be no doubt that Madeline Follin is realer than real, a very human voice at the heart of Cults sonic storm to focus the heart and mind while vocally shredding jams like "You Know What I Mean" and "Rave On" and a cover of The Motels' "Total Control."

By the time they finished off the night with heavy duty run-throughs of classics "Go Outside" and "Oh My God," it was clear that Cults had fully delivered the goods once again. What fully sold me on Cults was their wonderful June 2011 show in that acoustically wonderful brick basement at the Ninth Ward, a magical night that was very much on my mind as I and the (decent) crowd grooved to a band clearly growing in power and sonic gorgeousness, having successfully vanquished the sophomore slump. When Brian Oblivion and Madeline Follin bring Cults back for fifth WNY show, I will be there.






~ Video courtesy of Erica Morano

Cliff Parks

                                                                                 


Tonight: Cults


Tonight, NYC dream pop group Cults make a welcome return to Buffalo at the Tralf with Mood Rings. Arriving a few years back as if out of a dream, Cults seduced audiences with a timeless 60's girl group sound exquisitely curated and updated by Brian Oblivion, the ethereal vocals of Madeline Follin, and a sweet air of darkness to balance it all out. Touring behind their excellent 2013 sophomore effort Static, Cults are back in Buffalo after memorable shows at Soundlab, The Ninth Ward, and Town Ballroom, and I for one am somewhat gratified that they've made a point of stopping here because not a lot of national acts do. Openers Mood Rings, from Atlanta will be kicking things off and setting the stage perfectly for Cults with their reverb drenched and deeply resonant brand of dream pop showcased on their 2011 ep Sweater Weather Forever. Tickets are $17 (and amazingly/laughably still available), doors open at 7 with the show at 8. See you there.



Cliff Parks


Just Announced: Cults


Looks like Cults will continue on their journey to play every venue in Buffalo as they return to our snowy city on Monday, Feb 17th. This time around, the NYC retro, wall-of-sound pop act will be hitting up the Tralf, after playing the Town Ballroom and the now defunct Soundlab a couple years back. Thankfully, for their third forth trip to Buffalo, the band will have a much needed set of new material as their sophomore release, Static, dropped last fall.

Tickets go on sale this Friday, Jan 10th, at noon for $15 in advance/$17 day of.





Album Review: Cults - Static


Cults uncommon approach to pop music has not only become a staple on national TV commercials, but had also garnered them quite the following. This NYC duo went to the drawing board for their sophomore album Static and decided their efforts would be best spent creating the perfect break-up record. Something about their distinctive, lo-fi haze sound coupled with their authentic lyricism proves their "grown-up" album is out to carve its own groove in contemporary indie-pop music. 

Members Brian Oblivion and Madeline Follin again co-produced the album with Shane Stoneback, except this time around, they jointly decided to add a different flare to their music by bringing in the help of Youth Lagoon and Animal Collective's musical engineer Ben Allen. However, they didn't go out looking to switch up their musical style completely, but merely chose to enhance what they are now: a moody, unorthodox, and admirably confident duo. They achieve this with their first single "I Can Hardly Make You Mine," a more pop-influenced, yet heart-on-the-sleeve type track soaked in romantic innuendos. Follin's croon on "Always and Forever" conjures up images from some generic and retro love story while the timeless lyrics give the song present day versatility. 

What's great about Cults is that they show how humbling chord progression, simple guitar strokes, and emotional vocals can be plenty, especially on "High Road." Even more striking in this song is how they never give too much, but instead just enough and this is seen throughout the instrumentals and the basic lyrics of "Should have took the high road. Now my days have all turned black." Other album highlight "So Far" showcases Follin roaring about her ex slipping through her fingers while also adding to the album's focus on break-up songs. 

In a day where new American indie pop-rock acts come forth every day, any well-educated bookie or music aficionado would be sure to place a bet that Cults sophomore album Static proves the duo has created a niche in the music landscape for the long run.

Grade: B






Listener's Digest: Cults - "I Can Hardly Make You Mine"


If there is one act that desperately needed to release new music, it's Cults. The Brooklyn band's 2011 self titled debut felt like it came out ages ago, and those songs feel worn out at this point. Luckily, a new album, Static, is on the way this fall, and NPR's All Songs Considered just debuted the first single. On the rather exhilarating "I Can Hardly Make You Mine," the band moves away from the sunny, retro pop stylings of "Go Outside" and "Oh My God" to a more swirling, psych garage sound. The booming, angelic vocals of Madeline Follin continue to shine. You can listen to the song exclusively on NPR right here. Static will be released on October 15th.




Pitchfork Music Festival 2012: Day 2 Photos


Day two of Pitchfork Music Festival started off with torrential thunderstorms, but as the day went on the sun eventually worked it’s way out from behind the clouds and it turned out to be another exciting day of great music from 18 different artists including Atlas Sound, Cults, Youth Lagoon, Wild Flag, Sleigh Bells, Chromatics, and Grimes. Check out all the photos from Saturday below.

Atlas Sound



Cults























Youth Lagoon













Wild Flag



















Sleigh Bells























Chromatics









Grimes







All Photos by Tom Dennis



Tom Dennis