Showing posts with label local artist spotlight. Show all posts
Showing posts with label local artist spotlight. Show all posts


Buffalo's Newest Export: American Low


There's something about Buffalo music that seems to be catching fire lately. With several of our "local" bands now approaching national status, American Low is poised to be Buffalo's newest export. Recorded at our very own Quiet Country Audio, the band brings to mind an American version of the Arctic Monkeys with just the right touch of Everclear, Eve 6, or *insert your favorite 1990s pop rock band here.*

The four-piece recently gave us a sneak peek of their upcoming material with "Back Door," a throwback to the underrated simplicity of nineties alternative rock... That is, of course, mixed with all the glorious, gritty guitar tones of a modern-era buzz band, a sharp black wardrobe, and an impressive pedigree of Buffalo-based musicians. Check out the video below.

 



Jealous Girls Emerge From The Recesses Of ReverbNation


Usually jealous girls are a bad thing, but Buffalo's Jealous Girls are actually good. The female fronted four piece sounds like a more subtle version of Warpaint or a polished Rainer Maria, with some Eisley-esque vocals for good measure. The band appears to be in the process of recording their debut EP, but in the mean time, you can listen to a few songs on their ReverbNation page. Jealous Girls have a shows scheduled this week at Duke's and later this month (10/30) at Nietzsche's so keep an eye out.




Local Splice Artist Delivers Impressive 60 Minute Mix


V the Viper’s latest release, Rip Van Winkle, is a Buffalo treasure. I took a chance while browsing bandcamp’s latest releases and was immediately hooked after stumbling onto V’s page. I initially thought the release was Girl Talk’s new album, either as an alternate name or someone wanting to share it for free, but upon listening to it, I realized that this was it’s own entity.

In this close to an hour masterpiece (yeah, I said that), Viper proves that he is on par with the very best mash-up artists in the game.  There are multiple reasons why Rip Van Winkle stands out. First, the one hour mix reads like a story, with the audio only as support to the tale of Rip Van Winkle’s friends -- V the Viper, his ex-wife and a time machine. Although the story is confusing and I can’t really wrap my head around the connection with the audio, the one hour mishmash of songs stands for itself. This mix contains spliced up indie favorites like Bright Eyes or Owen, to 90’s favorites from Cher, Shaggy, Ja Rule and J-Lo, with contemporary hits from Icona Pop/Daft Punk and even something for Mom and Dad with some splices from The Beatles sprinkled in there.

Another tidbit I found interesting was the last track’s (“Games High”) final fifteen seconds flow seamlessly into the beginning of “High Five,” the first track. Not only does the album loop itself, but the individual songs seamlessly transition into itself or the next track. It’s sort of like a choose your own adventure Goosebumps novel. V compares this transition to a snake eating itself. All six of the tracks are around ten minutes long and each track name’s first word shares the second word of the previous song title. It took me four listens to figure this out. “High Five” into “Five White,” into “White Girls” followed by “Girls Parlor,” with “Parlor Games,” and “Games High” carrying the back end of the release. 

V the Viper is a skilled listener and producer with a wide range of influences. It takes talent to recognize song potentials and turn two separate pieces of work into a combined piece of art, which has what V has created. 



michael moretti


Local Artist Spotlight: Smart House/Brat'ya


Brat'ya is the solo project of Smart House's Alek Ogadzhanov.  Unfortunately for us buffaBLOGGERS, both acts are suspiciously mum on the juicy details of each project...  But what we can tell you is this - whereas Smart House crafts swimmy, electronica-tinged indie rock, Brat'ya focuses on the electronic aspects of music - playing with samples, drum machines, and synths.  Either way, Ogadzhanov is the mastermind behind each project, and we predict he may be one of Buffalo's big breakout artists for this upcoming summer.

Fans of The Postal Service and Four Tet will enjoy Brat'ya's offerings.  Smart House falls somewhere in between The Pains of Being Pure at Heart or even Wild Nothing.  Either way, it's all worth a listen.  Listen below or check them out at their next show - Smart House is playing June 14th at the Waiting Room.







Local Artist Spotlight: So Far So Good



"Buffalo is essentially a bunch of musicians," says Craig McDorman, lead singer and rhythm guitarist of
So Far So Good, a band of devious punk-pop purveyors prepared to release their very first EP out into Buffalo's musician-filled streets on May 22.

Joined by drummer Ryan Urbank, lead guitarist Jeff Foley and bassist Rob Buskirk, McDorman has waited five years for So Far So Good to record and complete their debut record. "We're pretty excited and can't wait to do it all again," he says, "We already have a whole other CD's worth of music to release."

The group's members met over a half-decade ago while working shifts at 
T.G.I. Friday's (where a defaced sign inspired their distinct logo) and have since played hundreds of shows throughout Western New York. Their intense live performances have been described as "wasted and crazy" and their EP seeks to capture the joyful insanity audiences have come to anticipate.

"We have regular people coming out to our shows from all over and plugging us on Facebook," says McDorman, recognizing the importance of his fan base. 

The band's forthcoming EP was produced by sometime Goo Goo Dolls' collaborator Armand Petri. "It was arduous, long and daunting," McDorman admits, "But we're more than ready to do it again."

Ryan Urbank credits his talented producer for pushing the act away from being "Blink-182 wannabes," leading to a "turning point in the band's sound." Group members also cite numerous nineties alternative acts, including Red Hot Chili Peppers, Rage Against the Machine and Third Eye Blind, as stylistic influences.

So Far So Good are current participants in Artvoice's annual BOOM contest. The CD release party for their EP will be held on Wednesday, May 22 at Pearl Street Grill & Brewery





Local Artist Spotlight: Lesionread


Lesionread is a Buffalo electronic group, led by Shawn Lewis, that wants to succeed! So bad! Every reverberated beat cries for attention: please-please; please-please; please-please. I'm projecting the Lesionread Facebook profilewhere the most obvious cute, banal pleas to friendly listeners resoundonto the music a bit, but something within it says it, too. I like attention, so I think understand this kind of music. It's a little obnoxious, but it's also refreshing and gritty. It's music for people who harp because they're genuinely interested in stuff. It's music for inventive, hyper kids, for newly radicalized readers, short-distance travelers, and forgetful lovers. Distracted by its own sound, it manages to get inside your head like good pop music, but is undeniably anti-social.

The wacky explosions of dislodged, swimmy beats sound like they were extracted and recorded from old public television shows or beat speakers. A very young man's lyric is strewn throughout many of the tracks, but it's angry, and drops into dark, ever-deepening pits where it usually breaks a leg.

Lesionread reminds me of Gang Gang Dance when they were weird in a break-out, we-don't-give-a-fucking-shit stage of music-making. The more I listen, the more I like it. So much so that I feel comfortable likening it to Thom Yorke's work. Of course you can't seriously compare anything to Radiohead or Animal Collective, so I'll just say this: for a low-fi, misunderstood, alternative psych project, the music is incredibly rad and oddly relatable. 





Local Artist Spotlight: The Tell Tale Signs


The Tell Tale Signs is like a crisp deck of cards, the jokers so intact they’re practically stuck together. Andy Kohler on lead vocals and guitar, Jay Galvin on drums, and Taylor Belling on bass guitar, TTTS is a band that likes to joke around. The Buffalo trio recently released two tracks from its forthcoming album—due out this summer—,“Us vs. Them” and “Amazon.” Especially on the latter track, we get sprayed by the waves of an impeachable shore, where leaves the size of cows drop from the canopy, and the sun shines bright behind a pair of dark glasses. How can this band cross into such dense territory without getting snared? I think it’s because these are serious musicians.

Their sound is really rich, and Kohler’s voice is so reminiscent of an era, youll swear you’re listening to something old. It's a raw revival of 60s garage rock right at the bluesy moment The Animals and The Who start flying off their mod, white handlebars into the mucky waters of 70s psychedelia. Plus, the band is extremely tight, which will make a great studio album and (more importantly) screaming live shows. The music is full of loud, concrete-floors-with-a-few-carpets-down drumming, pressed-into-the-microphone shouting, shockingly sweet harmonies on voice and keyboard, really wet guitar, and exceptional rhythmic energy. The Tell Tale Signs is the leader of a fresh pack, bound to litter the scene with surprises.




Local Artist Spotlight: Mosaics


Just like friends, girlfriends, and times when your favorite sports teams are actually good, bands come and go. The Buffalo music scene has this strange sort of ebb and flow; every day, people who swear they've given music up for the stability of a full-time job come out of retirement to itch that scratch that had been nagging them since they gave it up. 

I've seen the men in Mosaics play in bands ranging from ska to hardcore to pop, but this time around, singer Zack Dupuis, guitarists Steve Karpik and Austin Dorr, bassist Andy Wesner, and drummer Jeff Trehy have convened to create something ambient and soaring. They do this without losing the organic feel of five musicians getting into a room together to jam. Full of clean guitars, riffy leads, and an impressive (to say the least) rhythm section, Mosaics has a similar sound to Explosions in the Sky (if they had a singer) or even the atmospheric rock of Lydia. There aren't many bands in the greater Buffalo area doing something in this vein - check out the laid-back groove they fall into in at 1:40 in "By Sea" below.

You can catch Mosaics at their first show on April 25th at the Forvm.  They'll be playing with buffaBLOG favorites Joywave, Colors in the Air, and Space Cubs.
 


buffaBLOG 3rd Birthday Party Artist Spotlight: Young Suns



Young Suns are one of the best instrumental bands Buffalo has to offer.  Seeing that instrumental tag draws immediate connotations to other singer-eschewers like Russian Circles or Explosions in the Sky, but this particular four-piece specializes in crafting heavy, soaring songs that manage to be equally as beautiful as they are powerful.  Full of deep droning baritone guitars, huge drums, and interesting guitar leads, the only thing this band doesn't have is, well, a vocalist.  And that's totally okay.  Luckily, these guys aren't the "I'm going to shred your face with guitar leads until it melts" kind of rockers - they sure know how to write a song...  Check out "Whale Fall" below - we picked it as one of our top 20 local tracks of 2012.

Young Suns have been all over buffaBLOG in the past year - their self-titled album was featured as our Album of the Week a few months ago.  In fact, the only accolade we hadn't given these guys was a slot on one of our infamous parties...until now.  They will be closing out the night this Saturday, March 30th.





Local Supergroup Alert: Jr. Elevator


How often do supergroups form among the ranks of our local acts?  Buffalo doesn't usually get that lucky.  But members of I Can See Mountains and All Blondes Go To Heaven have come together to form what we at buffaBLOG would consider an emo supergroup - they call themselves Jr. Elevator.

So far, Jr. Elevator has only released one song...  It is full of acoustic guitar, a bouncy electric riff, and plenty of catchy vocals; it walks the line of late 90's emo and straightforward indie rock.  There are even some hints of alt-country. Either way, the ICSM/All Blondes influence is definitely there, especially in the sing-a-longs towards the end of the song.  Enjoy a listen to "Control All of The Chaos (I'll Hide All of My Teeth In)" below.

 



Local Artist Spotlight: Kid On Purpose


Kid On Purpose is the solo material of Zach Acard, who many of us know from Cinnamon Aluminum, the four-piece band that will be playing at our birthday party (coming up the last Saturday of March). It's difficult to characterize the music under Kid On Purpose into any genre- it's the musical adaptation of an ADHD stream of consciousness, something along the lines of what would happen if DJ Shadow joined Animal Collective. Amid the versatile use of samples and jangling percussion are smooth melodic lines spearheaded by an assortment of instruments- brass, keys, guitar, etc, it manages to flow and be unpredictable at the same time. For instance, in "Fetishism," heavily saturated textures and spontaneous transitions give listeners the hazy sense of flipping through channels on late night t.v. Picture yourself on a recliner, hardly awake, and the content on the screen melting into you not-fully-asleep dreams. Check out his soundcloud here.


 Jeannette Chin


Local Artist Spotlight: Made Violent


I've been an anglophile for as long as I can remember. Whether it's music, TV, literature, slang, etc, if it's from the United Kingdom I'm almost certainly partial to it. Simultaneously I've always been a huge Buffalo booster, and along with that I've also been obsessed with British analogs for our fair city. Yes, even though my heart belongs to the Arsenal (based in North London), my soul is a northern soul, and it's to the north of England that my soul is drawn. Post industrial, proudly working class, hard done by, and seemingly light years from the capital... sound familiar? Oh yeah, Buffalo's UK sister city is definitely a northern city. But which one? Newcastle is the UK's northernmost city, but I can't get excited for it. Liverpool? I've heard that it does indeed feel like our Buffalo, but the Liverpool music scene's been beat since the early 60's. No, I've always been attracted to Manchester, probably more due to wishful thinking than reality, but that's what I'm going with.

Manchester. An Industrial Age city that got kicked in the teeth when the post industrial age rolled around, a solidly working class town that's more than a little bit hardscrabble and rough... a city that's also had a killer music scene for more than 30 years. OK, Buffalo is not Manchester, but I've always wanted Buffalo to be like Manchester, a city that's embraced it's past but not at the expense of the present and future. Which brings me at last to Buffalo's own Made Violent. I wasn't expecting them when I saw them opening for Young Empires at the Town Ballroom a few weeks back, but I instantly fell for them as they unloaded a set heavy with tasteful riffs, heavy grooves, and a sweet sound that synched up with my northern soul. My dreams had come true! At last, somebody in Buffalo was channeling Oasis; not aping or riffing on them necessarily, but rather playing in that Mahn-chest-ah sandbox, and it was GOOD.

It's a beautiful thing, hearing local fellas blending Rust Belt rock honesty and earnestness with sweet, tuneful northern Brit pop, and speaking for myself I'm very keen to hear what's next for this local band to watch. Made Violent is Buffalo, through and through, and Buffalo's got to check them out because Made Violent is good for our soul.



Cliff Parks



Local Artist Spotlight: The SSC


We've been posting about high school-aged bands for a few weeks...  In continuation of that trend, we'd like to introduce you to The SSC.  The SSC is a one man project featuring Jacob Smolinski from The Cascos (who we did a spotlight on a few weeks ago).  The SSC is a few lo-fi recordings done with a guitar, a cheap keyboard, a drumset, and a guitar/amp.

I am personally a big fan of "Grassroots Metro" which features a fuzzy bass-keyboard and a blistering lead synth riff structured around two simple chords.  Smolinski sings about a bunch of sellouts writing "scene songs" to try to stay relevant and claims that ADD is killing all of his friends.  Deep stuff disguised behind a simple catchy riff.  Also worth checking out is the Weezer-ish "Intertextual Feeling" where he even name drops Rivers.  Good stuff Smolinski.





Local Artist Spotlight: The Cascos


Remember that hot high school band circuit we were talking about last year (hint: Victory for Poland and Brimstone Blondes)?  Well, The Cascos are the newest addition to that lineup of stellar young bands representing Buffalo.  The Hamburg-based four piece seems to be full of multi-instrumentalists - Jacob Smolinski on guitar, keys, and vocals; Gabe LaMarca on guitar, bass, tambourine, and vocals; Coleman Berueffy on guitar and bass, and Kerrick Woyshner on drums and vocals.  But regardless of what instruments these guys have on at any particular moment, the important thing is they definitely have a knack for catchy and fun garage-pop.

In fact, my fellow buffaBLOGGER Mac McGuire likes the Cascos so much, he asked for a guest quote in their spotlight:

"This Cascos song is great...  They sound like Vampire Weekend meets The Coral."  - Mac McGuire, buffaBLOG

He was of course referring to their song, "Calendar," and I can't help but agree. The lo-fi track was recorded with only two condenser mics, but has enough surf-pop pep that would fit right in with garage rock like The Strokes or Afro-pop (or whatever they consider themselves) like Vampire Weekend.  Personally, I can get behind any young group of dudes who list Pavement as one of their main influences.  I'm not sure what the local high schools are doing right these days, but keep 'em coming!






Local Artist Spotlight: Charles Bordeaux


Charles Bordeaux is the project of Charlie Walsh, a Long Island native who currently resides in Buffalo. The digital album he released, Fables, contains purely instrumental tracks and tracks with vocals reminiscent of Oliver Sims from The xx. On his bandcamp page, he states "The album has one true theme: appreciation." Mallets, wind instrument sounds, rippling keys, deep thudding kick drums, etc, are layered over one another to produce colorfully saturated tracks cocooned in an overall sense of joy and gratification, but not in the cheap sense of such emotions. A highly ear pleasing outcome inspired by a thick host of influences: Animal Collective, Neon Indian, Gold Panda, and Flying Lotus come to mind. Check out the album from this highly promising producer / singer-songwriter here.



Jeannette Chin


Local Artist Spotlight: Tim Andrews



On his cross-country travails, local musician Tim Andrews, 24, has learned something of the road and the loneliness it can inflict. Soon to release his first EP, appropriately titled Lonesome Road, Andrews embraces his experience and the music that has risen from it.

“Solitude and isolation can bring out the greatest depth in a man,” says the folk rock singer-songwriter. “If there's music in him, and there's music in everybody, there's music in all the world inner and outer, as long he knows what  to listen for he can go within to channel from this depth.”

Described by others as  “Bob Seger meets Bruce Springsteen meets James Dean,” Andrews combines Midwestern roots music with his own distinct sound. Using a full four octave vocal range, Tim Andrews has toured the nation, bringing his authentic voice to clubs and bars north, south, east, and west.

Now based in Nashville, Tennessee, Andrews is excited about his heavily personal, spiritually probing, narrative-driven debut record.

“The man on this record is not a fictional character by any means,” says Andrews. “Though sometimes I sing about myself as if I'm outside myself, these are my struggles.”

Explicitly dealing with a search for God and addressing heartache over a girl left behind, Lonesome Road is fixated on finding courage to press forward in the face of doubt and loss. Andrews is reminded of his own father, who once swam three miles to shore at night after his boat capsized in the Gulf of Mexico.

“That's kind of how life is,” believes Andrews. “You have the choice to either drown or keep going.”

The very existence of Lonesome Road is testament to Andrews' willingness to blaze forward. Though the six song EP was originally recorded in less than a week in Orlando, Florida, many of the files were lost due to technical problems. Several songs had to be re-recorded in Niagara Falls, delaying an anticipated release.

“We were about to release the record and we had to re-do it,” recalls Andrews. “It was a big blow that took the wind out of my sail, so to speak. While in Philadelphia I meditated on the project, re-examining it, and things got a lot deeper.”

Such introspection led to an improved final product. “The second time around we came much closer to the sound we wanted,” Andrews says, “We spent a week or more just on the snare drums to make sure  they really hit.”

“In Florida I did some of the most honest singing I've ever done. When I lost those files, I lost something that was very much in the spirit of the moment. And the truth is you can't reproduce a take. You can do it better or worse. I basically did it over and over until I did it better.”

Ideally ready for a full release by December, Lonesome Road's debut will be accompanied by a tour throughout the Buffalo-Niagara region. Featuring string arrangements by Andrews' brother, Vince Thomas, and production/engineering by John Helms, the record is expected to be an inspiring throwback to the sounds of Bob Dylan, John Denver, and Glen Campbell while retaining a freshness and originality all of its own.

“Although my songs are autobiographical, I look for a way to bring endurance to others just as my music brings endurance to myself,” says Andrews. “I'm willing to take the dirt and take the sun and do what I can to press forward and make people feel at home in this world, to make them feel that they're not alone in their solitude, to encourage them not to completely place stock in the world of the senses but to look within.”

Continuing his long trek into the unknown, up-and-comer Tim Andrews looks forward to introducing himself to the country at large, bringing the purity and intensity of his vision to “drifters and dreamers” across the lonesome roads of America.




RyanWolf_signature.jpg






Local Artist Spotlight: Antoinette



Antoinette is a shining example of the myriad of hidden gems here in Buffalo. Their music is definitely rooted in jazz, but not to the point where it strays from a subtle indie-rock appeal. The group could easily draw comparisons to fellow Buffalo band The Reign of Kindo, but Antoinette is female-fronted, and pianist/singer Mariah Douglas really sells it. Douglas's bandmates, guitarist Bryan Kutnyak, bassist Doug Gurr, and drummer Elliott Douglas are perfect compliments - all things considered, Antoinette's music is poppy enough to pass for the band behind an adult-contemporary musician like Norah Jones, but their laid-back jazz feel is an added bonus that gives this particular group of musicians more of an independent vibe. I'm a particular fan of the soaring guitar tones and smooth piano-based rhythms in "Perfect Stranger" below.

Their next show is this Friday, October 26 at the Project 308 Gallery. Joining them will be fellow Buffalo artists Inlite, Johnny Lucas, and more. They will be launching a kickstarter later this Fall to fund their next batch of songs - until then you can pick up a their latest EP here for free.

 



Local Artist Spotlight: Young Suns


In their own words, Young Suns are "instrumental, atmospheric, and heavy,"   and they pretty much hit the nail on the head.  The "instrumental" tag draws comparisons to groups like Explosions in the Sky, Russian Circles, or maybe even their Buffalo peers in All of Them Witches.  As for being "atmospheric and heavy," the four piece, comprised of guitarists Ryan Higgins and Dan Moscov, bassist Ron Hensberry, and drummer Adam Lilley, craft expansive songs that manage to be equally as beautiful as they are powerful.  Young Suns' biggest strength is the ability to pull off that mix without ever overwhelming or boring their listeners - a good example is their song "Whale Fall" (below) where an epic beginning turns into an anxious crescendo.  All in all, bands sans vocalists aren't exactly run-of-the-mill, and as for Young Suns, it is interesting to listen to their songs without the distraction of lyrics.

Their next show is this Thursday, October 18, at the Ninth Ward.  They make up 1/3 of the entertainment for the "Underground Zombie Invasion" along with The Merchants and The Etchings.  The show is $5 - Doors are at 7 and the show starts at 8.  Added Bonus: Free zombie makeup for all.





Local Artist Spotlight: The Traditional


It is easy to preface a band's introduction with "from the ashes."  It is a fairly common story - bands get together, they make music, and creative differences almost inevitably pull them apart...  But that's the "magic" of being a musician - that ache to create is the impetus for new bands to form.  Even though everyone is starting over again from scratch, each band has a new direction and a new outlook.

The Traditional are no exception - bassist/vocalist Anthony Musior, guitarists Mike Bienias and Ryan Bennett, and drummer Jon Coric, are by no means strangers to the Buffalo music scene...  But band after band has hardened this particular group of musicians into a finely tuned machine.  Their emotive brand of indie rock is almost inherently relatable.  It's dark, but not too dark, and it's heartfelt without being sappy.  

I was able to catch The Traditional when they opened for Seahaven at the Funeral Home.  What made their set enjoyable was their uncanny ability to make you believe what they have to say.  In "The Visionary," Musior sings, "I don't want to but I have to, I don't need you but I have you," and I couldn't help but relate to that sense of obligation.  All the while, Bienias and Bennett are able to sneak nimble guitar lines throughout the otherwise straightforward arrangements.  Nothing is overdone, and yet, nothing leaves you wishing there was more.

The Traditional will be releasing their first batch of songs, the seven-song You Can't Rebuild Forever on Halloween.  You can preorder the upcoming EP on bandcamp for $5.