Showing posts with label my morning jacket. Show all posts
Showing posts with label my morning jacket. Show all posts


Tonight: Bob Dylan w/ Wilco and My Morning Jacket


There's been a great deal of discussion as to what stands as the area's "concert event of summer." Subjective responses and personal tastes aside, tonight's "Americanarama Festival of Music" likely holds the most impressive line-up you'll find this side of New York state with performances by America's unofficial songwriter laureate, Bob Dylan, Chicago's art rock giants, Wilco, and Jim James' offbeat folk-rock act, My Morning Jacket. Formerly linked together by the Dylan-covering I'm Not There soundtrack, the premier artists will share the stage in the flesh tonight at Darien Lake. The evening of non-stop brilliance starts at 5:30 PM with a few tickets still remaining priced around $96. 







Just Announced: AmericanaramA Festival of Music w/Bob Dylan, Wilco, & My Morning Jacket


Is it possible for Darien Lake's Performing Arts Center to have the concert of the summer? Maybe even concert of the year? This is the same venue that draws the hate of so many concert goers every summer mind you. Well, a bill of Bob Dylan, Wilco, and My Morning Jacket just may do it. Yesterday, Dylan's website announced the AmericanaramA Festival of Music and the tour will include a stop at Darien Lake on Thursday, July 18th. Ticket prices are not yet available, but there is a presale on April 30th, with tickets to the general public going on sale May 4th. Additional ticket information can be found here. Wilco and My Morning Jacket played together in Buffalo a few years back at one of the Rockin the Knox shows, still one of my all time favorite Buffalo shows, and to add Bob Dylan to the bill, well thats just swell. For one night, you may just have to suck it up and go to Darien Lake. You will never have to go again. In the mean time, check out My Morning Jacket's Jim James and Calexico covering Dylan's "Goin to Acapulco" in the film I'm Not There.





Album Review: Jim James - Regions of Light and Sound of God


Jim James has named his first real solo album Regions of Light and Sound of God, modeled his hair/beardcut after the classic Jesus Christ look, and proceeded to sing cryptic lyrics about Dr. Martin Luther King, Jr., the Promised Land, and the folly of man. The ploy may be strange, but is hardly ironic, in any modern or conventional sense. If anything, James seems to fearlessly seek what he calls “elevated feeling” with a religious rigor too often dismissed by secular artists.

Inspired by A God’s Man, a 1920s novel illustrated with woodcuts, the My Morning Jacket frontman whittles intertwining themes of faith, doubt, and a longing for more from an arresting post-soul piece of tripped out art. Performing every instrument to immersive effect, James is master of his one man ship. By inwardly diving to perfect his blissful vision for each song, a long respected musician has perhaps made his most enchanting and fulfilled work to date.

With a piano backing reminiscent of a Spoon tune or at least Beck’s “Where It’s At,” the record’s opening song “State of the Art (A.E.I.O.U.)” is a groovy and enigmatic launching point for an album that would make Wayne Coyne envious. Tracks slide seamlessly into one another in a cosmic cornucopia of pop songsmithing, a remix of seventies singer-songwriter styles. Each component feels aware and enlightened. There is a vaguely Hawaiian edge to the truly wonderful acoustic-driven shuffle of “A New Life,” bobbing to a Roy Orbinson croon, even if its linings are more gray than silver (“I think I’m really being sincere…” sings James with tentative optimism). Yet optimism and pessimism are not either/ors on Regions of Light and Sound of God. All is stirred together and interconnected; the half empty/half full glass is shattered, shards floating in space.

James, who once covered George Harrison as Yim Yames, follows his hero’s path of spiritual yearning and divine fascination. Wrestling with angels and devils alone, James is a lonesome folk wanderer, thoughtfully preoccupied with the unbearable lightness of being. Stretching his musical palette across the universe, into some wild, many-hued, psychedelic textures, James has made a record immediately more personal than much of his work with My Morning Jacket yet equally as wide-eyed and unrestrained. Jesus would approve.

Grade: A-

(Third A- in a Row? Who knew 2013 would be off to such a solid start?)




Exile on Mohawk Street: The City's Been Down

 
It was either May or June, I am not entirely sure, but I remember that it was warm enough to hop on my bike and ride with some friends downtown. We were not really sure what we were going to do that night but we figured there was enough going on that we could figure something out and put together an evening. They were having a dance party at Mohawk so we stopped there but did not want to pay the cover. We rode a little ways and bought 40's. Riding back, we went up to the top of the parking garage and watched the people mill in and out of the dance party, goofing off with some street chalk one of us had come across that day. The sky was clear that night. My friend and I raced down the ramp and I remember that as being some of the most fun I had ever had up until that point. I couldn't tell you why.

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In 2001 or 2002, having just started college or my senior year of high school, I went to see The Dismemberment Plan in a small bar downtown, Mohawk Place. I had never been to such a small venue or even a bar(this was before they added the bigger stage) but I was excited to see my favorite band. Looking back, I couldn't tell you much about the show (it was 11 years ago) but I can tell you that I stood there in awe, becoming aware of the fact that I may only be able to find transcendence at a concert.
 
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The next year, after they remodeled the venue, I saw Burning Brides open for My Morning Jacket. This was before My Morning Jacket starting selling out venues. I had no clue who they were though, they just had really long hair and beards, which I thought was kind of odd. In fact, I only wanted to see Burning Brides, so my friends and I left to go to a party about 1/4 into My Morning Jacket's set. Looking back, that might have been a mistake. However, I remember the party being pretty cool so who is to say in the end.
 
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I went to the first Smiths v. Cure dance party with some friends in 2004. I somehow thought a sweater vest and ill tailored corduroy blazer from Amvets was a good idea...that it would attract girls...obviously this was not the case. I stood in a corner feeling really out of place, like a wayward high school teacher, the whole night. Music was good though. I had a way better time when I went five years later, dressed pretty plainly. I have since bought a better fitting corduroy blazer as well. 

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It was always nice to see The Fucking Hotlights and be around friends.
 
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There are some places you just assume will be around as long as you are, or at least until you stop paying attention to them. You assume this because you sometimes forget that time is actually passing and that things are always going to be in a state of flux. So, when those places disappear, you are suddenly confronted with the fact that a considerable amount of time (11 years) has passed since you began going there. As I think about the fact that Mohawk Place is closing, I think about all of the things that have happened during the last 11 years and how many amazing shows I saw there and how those shows shaped me as a person and as a music fan. Then I think about the friends, new and old, who I have shared those experiences with and where they are and how they too have changed. And, at that point, you realize that a lot can happen in one place and that it is a real shame to see it go, but that time passes and things change regardless.


Michael Torsell


Uncovered Covers: Roger Waters and My Morning Jacket cover The Band



Last week at the Izod Center in East Rutherford, New Jersey, a tribute show was held for the late Band drummer and singer Levon Helm, who sadly passed away this past April from cancer.  Performers of past and present played cuts from the legendary musician's career both as a solo artist and with The Band.  Among the performers were Pink Floyd's Roger Waters and My Morning Jacket, who teamed up to tackle "The Night They Drove Old Dixie Down," a classic cut off The Band's self titled 1969 album.  A video of the song was posted on Youtube by a concert goer.  Check it out below.



mac mcguire