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Editor's Note: As part of our best of 2013 coverage, we asked our staff to write about their favorite live shows of 2013. Shows did not have to take place in Buffalo to be included on this list. Part 2, posted on Dec 5th, can be read here.
Ailsa Forlenza
Jeff Mangum @ Babeville in Buffalo, NY, January 19th
Me: Who is that homeless looking man, with the beard? The one who came through?
Friend: Oh, who knows? Look!
Jeff Mangum walks by, with a puppy. We ogle and try to pet puppy. He pulls away and gives a dirty look.
Other friend: That was Jeff Mangum, guys.
Besides being thoroughly humiliated and probably ruining Jeff Mangum’s mood for the next twenty minutes after that, this show was incredible. Babeville is the perfect venue to house this legend, especially in the upstairs church level. That space is made for aching vocals to soar and pinch every part of you. “My Dream Girl Don’t Exist” blew my brains out. I left reborn.
Jaz Fraizer
Well Worn Boot @ Nietzsche's in Buffalo, NY, July 20th
The first time I saw Well Worn Boot at Nietzsche’s, I felt
like I was peeking into someone’s kinky bedroom. That’s probably the best description
I can attribute to these guys (I’m super proud of that, by the way). The crowd was thick,
with plenty of people to mosh against. And was there ever moshing.
Cliff Parks
Phoenix @ Grove Music Festival in Toronto, ON, August 3rd
Cliff Parks
Phoenix @ Grove Music Festival in Toronto, ON, August 3rd
I really wanted to go with Wild Nothing with Lesionread at the Tralf but I couldn't deny that for the duration of Phoenix's hour long headlining set I jumped around with insane, reckless abandon as they tore through a set that weaved together nuggets from across their career into a satisfying musical movement with wit, interludes, and dramatic crescendos. Nobody held anything back: the band was energetic and generous and the crowd responded in kind, and it was a joyous and wonderful experience that bordered on being out of body. I'd waited years to see Phoenix and they were gloriously, magnificently worth the wait.
Nick Torsell
Actress @ The Orange Peel in Asheville, NC, October 26th
Actress’ music reminds me of fragile light, the type that seeps in through blinds when it’s overcast. The light is fragile and porous, barely illuminating what’s inside the room. Occasionally, the sun peeks out and it illuminates the contents of the space in golden relief, only to lose it when the sun’s rays weaken. If you were at the Orange Peel the week before Halloween, you got a glimpse of the tall, thin producer as he stepped onstage to smoky red stage light, settling in behind a minimal set-up, only to see him disappear soon after as the lights went off, the only thing visible now an opaque half-eaten apple branding his laptop. I’d be hard pressed to tell you exactly what he played, instead of recreating full tracks live, he was disassembling bits and pieces of material from three albums as well as the yet to be released Ghettoville, in order to put them back together again in new ways. It’s difficult for me to call it dance music, but when the drum machines and sonic flourishes would lock together to approach melody, you could feel the crowd exhale and begin to loosen, and then shifting their concentration from the head to the body. More than any other show this year, it played with my notion of the artist and the audience, the expectation versus the reality.
John Hugar
Blondie/X @ The Rapids Theater in Niagara Falls, NY, September 6th
Nick Torsell
Actress @ The Orange Peel in Asheville, NC, October 26th
Actress’ music reminds me of fragile light, the type that seeps in through blinds when it’s overcast. The light is fragile and porous, barely illuminating what’s inside the room. Occasionally, the sun peeks out and it illuminates the contents of the space in golden relief, only to lose it when the sun’s rays weaken. If you were at the Orange Peel the week before Halloween, you got a glimpse of the tall, thin producer as he stepped onstage to smoky red stage light, settling in behind a minimal set-up, only to see him disappear soon after as the lights went off, the only thing visible now an opaque half-eaten apple branding his laptop. I’d be hard pressed to tell you exactly what he played, instead of recreating full tracks live, he was disassembling bits and pieces of material from three albums as well as the yet to be released Ghettoville, in order to put them back together again in new ways. It’s difficult for me to call it dance music, but when the drum machines and sonic flourishes would lock together to approach melody, you could feel the crowd exhale and begin to loosen, and then shifting their concentration from the head to the body. More than any other show this year, it played with my notion of the artist and the audience, the expectation versus the reality.
John Hugar
Blondie/X @ The Rapids Theater in Niagara Falls, NY, September 6th
A killer combo of one of LA's legendary punk bands, and one of the leaders of the CBGB's scene in New York, any fan of old school punk lost their mind at this show. X came out first and brought and blew through an energetic set of classics like "Johnny Hit & Run Paulene," "The New World," and "Los Angeles." John Doe and Exene Cervenka proved they're still the most dynamic duo and punk, while Billy Zoom's rockabilly-influenced guitar stylings are as thrillng as ever. Then Blondie took the stage, with Debbie Harry showed that at 68, she's as fabulous as ever. After opening with "One Way Or Another," Blondie played many of their huge hits, like "Call Me," "The Tide Is High," and "Rapture." A particular high point of the set was an emotional rendition of Ellie Goulding's "Lights." When Blondie finally ended the night with their 1979 single "Dreaming," everyone's feet were tired from a night of relentless dancing. This was an amazing show that two of the best bands from punk's early days are as strong as ever.
Steven Gordon
Swans @ The Tralf in Buffalo, NY, July 26th
Not sure if I should call Swans' appearance at the Tralf a show, or an art installation. The loose change in my pocket, the drink in my my hand, and my own central nervous system were all violently wiggling from the ridiculously loud, bass and drum heavy proto-post-rock pioneers. I mean, I'm art-damaged and intentionally-into Noise, but these fellas' onslaught of atypical, anti-cathartic song structure and brutal decibel assault definitely made me want to spray barf or at least run outside for like a thousand cigarettes, but like in a good way. Ish. One of the most challenging demonstrations of art I'm likely to've ever encountered. And I was deaf for days.
Travis Kowalski
Macklemore & Ryan Lewis @ First Niagara Center in Buffalo, NY, November 9th
My overall impression was that the show was high powered and executed excellently with a wide array of song diversity, somewhat ample security, given the amount of people, and constantly filled with energy through a surprise guest appearances making it the perfect transition into the end of the year holiday season.
Ryan Wolf
Josh Ritter @ Asbury Hall in Buffalo, NY, April 13th
Although Josh Ritter’s performance was not flashy or intense or avant-garde, it was pure. Never have I seen a musician so happy to be on stage, sharing his music others. The man had just gone through a divorce (and written an album about it), but there was nothing in his act to suggest bitterness. If anything, Ritter was full of raw joy, unable to conceal his smile during even the most serious songs. If only we all could love our professions that much.
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