Showing posts with label Lindstrøm. Show all posts
Showing posts with label Lindstrøm. Show all posts


Listener's Digest: January 11th - January 18th


January is not typically known for its wide range of high quality releases, which tend to be concentrated in the later months of the year. However, this week, I noticed that there was a steady stream of some really great stuff. Whether it is forthcoming Beach Fossils album (which comes out in February but there was an early leak) or next week's Toro Y Moi LP (an uneven but exciting step forward), there is already quite a bit to be excited about in 2013. This week's new songs are a mix of psychedelia, electro-pop, and math rock. A seemingly disparate combination but a great set of songs nonetheless. Enjoy!

Herbcraft - "No Land:" A droning, contemplative song featuring a jumbled mix of chanting, tape noise, and woodwind flourishes that seems to have been recorded by a mic set 25 yards from the performers. Herbcraft recorded this in an 18th Century barn in the pacific Northwest, which is great because it has been a while since someone recorded strange folky music in a setting appropriate to its musical style. I mean, Bon Iver petered out after one album. Anyway, Herbcraft is releasing his next LP on Woodsist and this song fits in well with that label, known for their fuzzy, sometimes sunny, low-fi releases. Before listening, please put yourself in the appropriate mystical-ceremonial-head space. I don't know, set up a shrine or something.



Youth Lagoon - "Dropla:" More psychedelia, this time significantly more straightforward, from Youth Lagoon. A slowly building track, drawn together by a bright, glistening piano loop, and marked by a beautiful climax, this new work is an exciting step forward for the young artist.



Doldrums - "Anomaly:" An eerie pop song from a based in Montreal. Mixing noise, rapid off beat drums, and haunted vocals, the song messily combines all of its parts into a whole. You can almost see the lines where these elements don't quite gel together. This disjointedness makes the track compelling.



Lindstrøm/Todd Terje - "Lanzarote:" Should I ever find myself on a train into space (see: anime classic Galaxy Express 999), I would probably want to be listening to Lindstrøm, who has been making excellent space disco (yes that is, in fact, a genre) for several years. This new track, a collaboration with fellow Norwegian, Todd Terje, is a bright and propulsive g. Complex synth flourishes complement the rising beat and the song concludes with a chant about various tropical locations to visit, on your train...that can also go into space. OK, the song never mentions a train into space, but I think it WORK WELL IF IT DID.



Marnie Stern - "East Side Glory:" Marnie Stern might be quietly readying one of the more interesting records to come out in the first half of this year. "East Side Glory" is a jubilant and twitchy piece of stuttering guitar centered pop rock. Stern's technical skills are evident and the math rock lite guitar melody is great. I am excited for her forthcoming album, The Chronicles of Marnia, but am also ready to be disappointed, just in case it turns out like last year's Dent May album (early excitement, overall disappointment). [Song only available at Stern's bandcamp]

Michael Torsell


Listener's Digest: August 3 - August 10



So, I have been on vacation for the last week, but that does not mean I forgot about you, the readers of buffaBlog. No, I would never forget you, for you are all I have. No, I don't mean that. I mean that I am just dedicated to music blogging, and not that I am desperate for your collective approval. Haha, right guys? So, while I go cry in a corner, here are some of the best new songs from the last week.

Woods – “Size Meets the Sound;” How psyched am I about the new Woods album? The answer is totally psyched. Woods follow up the majestic stomper, “Cali in a Cup,” with another blissed out psychedelic low-fi gem. The band has quietly perfected their sound over the last few years without sacrificing anything to slickness.

Thee Oh Sees – “Flood’s New Light:” For a band so wildly prolific as Thee Oh Sees, their ability to continually impress and surprise is astounding. This new, straightforward rocker, with its catchy chorus, is another excellent addition to the band’s extensive discography. Just another reason you should not miss them at Town Ballroom in September.

Prince Rama – “So Destroyed:” From a conceptual album of radio hits from the time of the apocalypse, this track is a spacey psych dance song. If that description makes any sense, you are probably way weirder than I am and I want to look through your record collection. Here, Prince Rama is Rage Peace. "So Destroyed" features a catchy melody buried underneath white noise, A fun song and making the apocalypse seem like it might be a good time. It might also be a horrifying party before we all die, but hey, that’s the apocalypse for you.


Lindstrøm- "Rà-àkõ-st:" The Swedish electronic artist has released another long and epic dance song. A retro sounding synth melody and a propulsive baseline that moves the track forward, the song’s repetitive nature and groove is hypnotic. 



Stars – “Backlines:” It is weird to think of Stars as a veteran act, but here we are in 2012 and they have been around for some time. The third single off of their forthcoming LP, the Montreal group sounds poised and confident. A simple anthemic pop song, “Backlines” is further evidence of a band at the top of their game. Do yourself a favor and get the other two singles, especially “Theory of Relativity.”

Well, there you have it. I wiped the tears away from my face and you have another week of great music from some consistent favorites and bands I should probably pay closer attention to in the future. Until then, I will be thinking of more bad jokes to put here. 

Michael Torsell



Weekly Remix - Lindstrøm's "Quiet Place to Live"


To call Lindstrøm's new album Six Cups of Rebel a departure is an understatement. Hans-Peter Lindstrøm's long awaited follow up to the epic Where You Go I Go Too (not counting his full length collaboration with Christabelle) ditches much of that album's meditative, patient exploration. Rebel is a looser, funkier, more upbeat affair complete with live drums, soaring guitars and Lindstrøm's own goofy, treated vocals. Anytime an artist takes a sharp left turn, the reviews can be abysmal, like Pitchfork's hilariously off base review (since when have "farty bass riffs smothered in layers of percussion" ever been a bad thing?)It's so easy to get distracted by Lindstrøm's vehement dismissal of nu-disco conventions, you may not notice just how marvelously produced the album is. To whet your appetite, Lindstrøm has produced his own extended disco remix of "Quiet Place to Live", and it combines just about everything I love about music in one track. Check out both the original and the remix below, and give this remarkable album another spin.



Brian Gorman