Showing posts with label canary girls. Show all posts
Showing posts with label canary girls. Show all posts


buffaBLOG's Best Buffalo Tracks of 2012: 10 - 1


We have reached the end.  The Top 10.  The best of the best.  Cream of the crop.  Whatever other cliche you care to use.  However you want to look at it, the truth is this:  this was a great year for Buffalo music.  The scene is growing, and growing stronger every day.  New bands are keeping older guys like us fresh and excited for what is next to come.  These next ten tracks are a big part of why 2012 was so great here.  Take a moment to listen to each track (in addition to the first half of our final list from yesterday) and appreciate the quality and variety of music that this city has to offer.  In the blog's nearly three short years, we have seen a lot of these acts emerge, making what we do here not a chore, but actually pretty fun.  We hope you enjoy reading this list as we had putting it together.




#10. Dr. Ooo - “Windstar”

Essential Vitamin Crew member Dr. Ooo’s teasingly short single “Windstar” was a little about a mini-van and a lot about nothing.  His lyrics are hot fire and Ooo’s easy-off-the tounge flow is like a white, rust-belt Snoop Dog. All I have to say is watch out AJ Jordan in 2013. You have some emcees gunnin’ for your “Best Rap Act out of Buffalo” title.



#9. All Of Them Witches – "Guys Night"

It always boggles my mind how tight these guys are. Between drummer Cameron Rogers’ unpredictable and extremely complicated rhythms, along with Phil Freedenberg's ability to simultaneously tap at two guitars on top of having the ability to stand up and breathe should label the two super human. Like, how do you even do that? Their track “Guy’s Night” is a prime example of why these guys are so motherfucking good.







#8.  Canary Girls - "Laser Prom"

One of the blog's favorite new bands of the year, Canary Girls' debut album, Everything is Changing, gave Buffalo a much welcome shot of nostalgia (think M83's John Hughes lovin Saturdays=Youth), and no more so than in the electro pop ballad "Laser Prom."  Led by front man Bill Eager's soaring vocals and heavy synths, the tune was tailor made for one of those couples-only, hand in hand skates at the local roller rink on a Saturday night.  Despite the clear 80's influences, the song gives off a timeless feeling, turning "1982" into a state of mind.




#7.  Space Wolves - "All the Talk"

This lo fi two piece came out of nowhere this fall, releasing two stellar albums of jangle pop, Space Wolves and Space Wolves II, within a month of each other.  On the more fully fleshed out II, "All the Talk" immediately grabbed our attention.  Sounding like a perfect little slice of 90's college rock, the Pavement esque number featured the duo's laid back vocals, a crunchy opening riff,  and swirling melodies.  The pair should easily be able to carry this momentum in 2013 with another album in the works and the (hopeful) live performance debut.





#6. Damian - "Soul Night" 

Damian's title track off the full-length album Soul Night, another one of Steak and Cake's great releases in 2012, is an ode to The Elmwood Lounge's bi-monthly retro soul night. Call it mumblecore or just plain indie rock, Damian's "Soul Night" holds a special place for anyone that has had a blast dancing carefree to carefully selected Handsome Dan cuts. We at buffaBLOG agree Damian, we can only dance if our rock and roll is played by weirdos. 




#5. Floyd & the Nicknames - "Surf Music"

Having played the blog's first birthday party back in March of 2011 with his three piece garage punk band Arctic Death, Steven Floyd has always been one of our favorite guitar players in Buffalo.  This past summer, Floyd released his music, his latest musical project through Steak and Cake, under the moniker of Floyd & the Nicknames.  "Surf Music," the stand out track from the short EP ten million seventy one thousand nine hundred and ninety, kicks off with a rockabilly-like guitar lick taken right out of the South and dropped down on to Allen Street.  Floyd's nasally, Jay Reatard like vocals front the stripped down Stokes like tune.





#4. Aircraft - "Exist"

If there was an award for Buffalo Rookie Band of the Year, Aircraft would have it in the bag.  In addition to landing some clutch opening slots for Cavemen, Thee Oh Sees, and Ty Segall, the Buffalo four piece psych rockers released a great 4 track demo, giving everyone a look at what the promising band may be capable of when their proper full length drops next year.  On the frantic rocker, "Exist," the band gives a nod to the early days of British Psychedelia, with singer Justin John Smith's howl leading the track while being backed by one of Buffalo's best rhythm sections in James Warren and Ian Be.  Plus, anything with a great horn section is good in my book.

  




#3. Anthony DelPlato - "The Arrival"

It's rare that a local album resonates with the listener as much as Anthony DelPlato's intimate storytelling EP, 8 Old Vines. Released via Steak and Cake Records, 8 Old Vines is a tale of road tripping along backroads of upstate New York to visit a girlfriend. Self-recorded in DelPlato's home studio, "The Arrival" is a beautifully layered third track on the album that channels the great 90s emo bands (Appleseed Cast, Mineral). DelPlato is the total package. He is a wonderful story teller, a talented multiinstrumentalist, and has the ability to reach through the speakers and get to your heart. You can't help but feel the emotion. 




#2. Sonny Baker - "Cripple Fantastic"

If you've paid attention to the Buffalo music scene at all for the past seven years, then you know who Sonny Baker is. When other teenagers were going to prom and getting their drivers licenses, Baker was on opening slots for Nietzsche's lineups. After years of performing drums and guitar with various acts (Wooden Waves, A Hotel Nourishing, Lazlo Hollyfeld), Baker finally found time focus on his solo work with Steak and Cake's Brandon Schlia. Baker's first track off of the album Here Are Those Freaks You've Been Asking For, "Cripple Fantastic," is a crescendoing indie rock number that leads into haunting, Jim James-y vocals  It's absolutely amazing.  Promise you'll never leave, Sonny?





#1. The Tins - "Please Be Kind" 

If you are just scoping out this post to get a feel for what is coming out of Buffalo, please look back at all of the previous nineteen artists. Buffalo's music scene is diverse, motivated, and growing. With that said, The Tins' "Please Be Kind" is buffaBLOG's favorite track of 2012. This synth driven indie-pop trio has been around since 2008, playing everywhere from Mr. Goodbar to Austin's Beauty Bar. The single, "Please Be Kind," from the band's first full-length album, Life's A Gas, is perfect. The driving beat, funky bass lines, and keyboardist Mike Santillo's wistful pleas make the track extremely MTVU friendly. If we want an outsider to hear one song from Buffalo this year, this would be it. So, yeah, here's the best track in Buffalo in 2012. 




We could not be more proud of the scene in Buffalo and we at buffaBLOG are excited for 2013. It will only get better. 


Tonight: Canary Girls and On Beta


Two quickly rising local bands, Canary Girls and On Beta, headline a double bill tonight at Duke's Bohemian Grove Bar. The debut album from Canary Girls, Everything is Changing, has been well received here at the blog and features 80's style electronic pop. Indie pop trio On Beta co-headline the show who released their debut You've Got Blood in Your Heart on Harvestsum recordings earlier this year. Following both sets is The Night Owl DJ's. Show starts at 10pm.










Concert Review: Frankie Rose


Last night, Frankie Rose and the band played at our very own Soundlab, courtesy of Supernaut Productions, to showcase her most recent album, Interstellar.

Canary Girls, a local band kick started the evening with electro-indie tunes, accompanied for the first time with a new band member, Bernice Radle, a keyboardist who in addition complemented the band's original set with smooth backing harmony.  They filled the space of Soundlab with bright melodies and pulsing rhythms that bounced of each other with precision and high energy.

Frankie Rose and the band took the stage shortly after the Canary Girls were finished with their set- Rose's band included a drummer, bassist, keyboardist and a guitarist, though Frankie herself worked a guitar as well.

The highlight of their set proved to be the acapella-like excursion that Frankie and the accompanying back-up vocalist traversed (the one on the keyboard), the two voices blended together seamlessly, filling the venue with an infectious wave of vocal reverie reminiscent of Cocteau Twins. Frankie ended the set-list with Interstellar's second to last song on "Moon In My Mind", a slower piece fueled by a moody, tugging bassline. It was an appropriate song to end with as it characterized the demeanor Rose's music exuded- an ode to 80s synth dream-pop, but perhaps with a more ominously sinister edge; think of a witch's cabin in a fairy-tale setting.

Jeannette Chin


Tonight: Frankie Rose


Tonight, the Slumberland signed artist Frankie Rose will be performing at Soundlab. Rose has formerly played in groups The Dum Dum Girls and Vivian Girls, but tonight she will be delivering some highly anticipated solo-tunes from her latest album Interstellar - airy vocals and dream-pop instrumentals that bring forth to mind acts diverse as Cocteau Twins and the Yeah Yeah Yeahs.

If you are a lover of lofty synth sounds and fluttering vocals with a danceable touch, this show should be on your radar for tonight, especially since the local group Canary Girls are opening. Tickets are $10 pre-sale and doors open at 8PM.  We'll see you there.



Jeannette Chin


Music is Art: Five Acts to Check Out


It's about that time again - this Saturday will see the return of the Music is Art Festival.  For their 10th anniversary, Robby Takac and co. have pulled no punches.  With over 100 bands to try to see, buffaBLOG has narrowed in on five we think are definitely worth checking out.

Victory for Poland:  Victory for Poland were the winners of the Music is Art Battle of the Bands.  For a band whose members are still in high school, their sound and influences are surprisingly mature...  Think Modest Mouse or Clap Your Hands Say Yeah.  A young band of talented multi-instrumentalists is something everyone can get into - they'll be playing from 12:45 - 1:00 on Stage #3.

Brimstone Blondes:  These talented youngsters won the judge's prize at the Music is Art Battle of the Bands - and for good reason.  Their jangly surf rock is brash and, for lack of a better word, fun...  fun enough to dedicate a song to a neighbor that looks uncannily like Christian Bale.  Maybe you'll see him there -   they're playing from 12:15 - 12:45 on the Shakespeare Hill Stage.

Pentimento:  The gentlemen in Pentimento are well on their way to being Buffalo's latest success story.  Their raw, honest punk music and furious tour schedule has led to a dedicated following and some great opportunities - they will be touring with The Swellers this November.  It is clear that Pentimento are four hard-working musicians that have something important and worthwhile to say; you can hear them out from 9:15 - 9:30 PM on Stage #1.

The Andrew J. Reimers Country-Punk Extravaganza:  Known more colloquially as CPX, this genre-blurring punk/country/rockabilly group is somewhat of an anomaly in the Buffalo music scene... there really is nothing else quite like them.  Even if you aren't a fan of country, their songs are unique enough to appeal to fans of any of the aforementioned styles.  Catch them on the Americana Stage from 9:00 - 9:45.

Canary Girls:  buffaBLOG favorites Canary Girls are an excellent electro-indie four piece and a great example of the unbridled potential of Buffalo's local scene.  This performance will be bittersweet - it is one, if not the final performance that keyboardist Doug Tewksbury will be playing with the band.  Come wish him a fond farewell - they are playing from 5:00 - 5:15 on Stage #2.






Tonight: Betterdays Festival Day 2




Tonight, head down to The Tralf to catch another night of the Betterdays Festival, which features some of Buffalo's best local music. For those of you who went to Day 1, you have already purchased your pass for tonight, so what reason do you have to miss another evening of great music, featuring Aircraft, Eppo, Love Scenes, Armageddon Party, All of Them Witches and Canary Girls? If you have not already purchased a pass, they are $10 and will also get you into tomorrow night's show. So, take the opportunity tonight and see all of the bands this blog has been writing about this year and then come back tomorrow for even more. That way, we can feel like we contribute to the greater good. I mean we do, but it is nice to be reminded.

Betterdays Festival Day 2
The Tralf Music Hall
7pm doors/8pm show
$10 for all three days




Michael Torsell


Tonight: Canary Girls


After a busy spring, releasing their debut album and playing a marathon of shows in the Buffalo area, Canary Girls took the summer off. Vacation is over, however, and tonight marks their return to the stage at Duke's, supposedly armed with new material. Sharing the bill will be On Beta, another Buffalo act that released one of the better albums of this past year. They will be joined by Great Deceivers, a band making their stop in Buffalo all they way from Orlando, Florida.  This is one of the more solid bills Duke's has put together for their ongoing Vertigo Night series, and should serve as good counter programming to the mashup shenanigans happening across town. Doors are at 10, and as always, Dante Valour will be spinning your favorites all night. If you get lucky maybe he'll let you touch his sideburns.




Brian Gorman


Today: The BuffaBLOG Beach Party


If you don't jam this while reading this post, you're doing it wrong.


Okay, we've really beat you over the head with this one.  Today is our first ever Beach Party at Sunset Bay Beach Club.  There will be live music all day starting at Noon for a measly $5.  Drink specials include a free drink with admission, as well as 2 for 1 drinks from 2-4pm.  In case you haven't heard the bands, check out the Artist Spotlights we've been doing on them all week:

12pm - Handsome Dan
1pm - AUTOPUNCH
2pm - Aircraft
3pm - The Tins
4pm - Canary Girls
5pm - Nelson-Type

It took a lot of backstabbing, blackmail, and prostitution to get this party off the ground... as well as favors from old friends and hard work from the people who make the wheels of this music scene turn.  I've met a lot of intelligent individuals while writing for this blog, and they do it tirelessly for no personal gain.  One of the perks is we get to throw parties with our favorite bands.  So put on your mankini and join us for some fun in the sun. We only get to enjoy it for a short time a year, like egg nog.

Brian Gorman


buffaBLOG Beach Party Artist Spotlight: Canary Girls


I don't know what to say about Canary Girls that this BLOG hasn't said already; we've covered them so often in the few months since they formed, that I half expect them to file an Order of Protection. But there's good reason for this: THEY ARE GOOD. Usually, we proffer perfunctory posts on just about anyone around town, trying to bolster the scene and get more people out of their homes and into venues, but when a group is really, really good, we'll hammer it into your head that you need to get the F out of your house and check them out. And there may be no better reason to get the F out of your house this weekend than to check them out at our Beach Party, where they'll be sharing the stage with The Tins, Aircraft, Nelson-Type, AUTOPUNCH, and DJ Handsome Dan. It's on Saturday at Sunset Bay, just a short drive south of Buffalo, and $5 gets you in.

Regarding Canary Girls, suffice it so say: "They Sound 80s." And that's not meant to be as dismissive as it may seem; I mean it in a good way. Check out our review of their debut album, or listen to it here:



steve gordon


Concert Review: Porcelain Raft


Sunday’s performance by Porcelain Raft at The Ninth Ward was, in an eye-opening sort of way, paradoxical. It felt like the most intelligent, expanding, artistic, and enveloping concert that nobody knew about. As far as timing goes, I realize that the tail end of the Allentown Art Festival was largely to blame for the disappointing turnout. That isn’t to say it wasn’t incredible for those who were there, which it absolutely was; it’s taken me four days to process all the intricacies, perceptions, and complexities of the music, and it’s massive effect on me. I know that that sounds excessive, but live music can and should do such things to the human psyche; we should often be mesmerized by what a couple of folks can do with a few guitars, keyboards, and drums, both during a performance, and in it’s afterglow. It’s hard to compare live shows (especially this year) insofar as it’s largely an experiential endeavor (although I hope I’m not the only one who was blown away), the planets aligned for me on Sunday night, and I am confident in saying that it was the best show I’ve been to so far this year. And even though the attendance was sparse, the upside was that it resulted in the show becoming that much more cherished.

While it’s probably easier to sell out shows when you’re touring with big names like Yuck, M83, Smith Westerns, Beach House, and Youth Lagoon, which Porcelain Raft has done (all in the last year mind you), there’s something to say for a musician that can make (multiple) connections of such caliber, and hit the road so often. The Italian born 37-year-old Mauro Remiddi has been making music for sometime now, and while he’s only played a short while under the Porcelain Raft moniker, he’s wasted no time making records, releasing three EPs since 2010’s Curve EP, and finally getting signed by Secretly Canadian to release his first full-length Strange Weekend, in January of this year. 

In describing Porcelain Raft’s sound, there have been the usual shoegaze and dream-pop allusions, but the most intriguing might be the branding of Remiddi’s music as bedroom-pop, which is primarily defined by lo-fi vocals spiked with dreamy, white-washed guitars or synths all boiled in a steeping pot of melancholia, i.e. more hyphenated jargon conjured up by critics. Recently on his blog, Remiddi spoke to these common descriptions as he reflected on a book he was reading called, The Poetics Of Space by Gaston Bachelard. Remiddi said, “All these talks of bedroom pop for example, of melancholia associated sometimes to my music it always felt wrong or [at least] inaccurate to me, but I’m interested in what people see when they see music...The idea of [a] bedroom becomes the idea of a safe shelter where we are allowed to isolate our self from the outside storm (big cities sound like a storm at times)...It’s a big step to open the door of our room and let people see what’s going on inside. A dreamer with no sense of reality would never do that, a dreamer needs to sleep in order to keep his dreams vivid.” In entertaining the consideration of bedroom-pop, it’s an important paradox to consider, that Remiddi, being a brilliant dreamer-pilgrim in need of sleep, we would open our door to him, for him to take refuge from the storm and for us to take refuge in his music, which was The Ninth Ward last night: our collective safe shelter. 

I have to give so much credit to Brother Keep and Canary Girls, who both did an exemplary job as openers. After most of the people trickled in, Brother Keep came out and played a handful of songs that just made me flat out happy. I don’t know how else to put it. The five-piece carried a youthful semblance, taking to their songs with unabashed precision, and I’m pretty sure a large percentage of the audience that night was made up of their nuclear family and close friends. It felt out of place at first, almost like you were 14 years old again at a friend’s youth group you were invited to, and that’s not meant to be an insult in anyway. It felt familial and pure. Brother Keep were sharing unadulterated airs and it kicked ass. 

Next, Canary Girls came out and let their 80s vibes fill the place, as they do. It was my second time seeing the group, and it is rather impressive to see how their style of live performance has really come into its own. Lead singer, Bill Eager’s melodies are full and float effortlessly over keys and electronic drums, like a dense fog moves across the mountain tops. Their sound is so resilient, effortlessly so. One minute you’re dancing your shoes off to “Everything Is Changing” and the next you’re swaying gently in contemplation to “Night Court”. It was a fantastic opening set. 

Before you knew it Remiddi and his accompanied drummer, Michael Wallace, were setting up their apparatus, and everyone was all set to go. Before they began, I looked around the dimly lit, stonewalled room and noticed that there were less people at the venue than we had started out with. That was a first. Remiddi threw on his electric guitar and Wallace borrowed a small drink table from a obliged group of people to put his laptop on so that his mother, who he had Skyped back home, could watch him play the show. That was familiar. And awesome. He jokingly told the audience to say “Hi” and turned the computer to the crowd for a brief second. We all laughed and waved and so did Remiddi. It wasn’t awkward.


Without talking they went right into the first track from Strange Weekend, which they played a lot from during the night. “Drifting In And Out” starts with a blissed-out pulse and creeps into a full on dream-pop heartbeat, with Remiddi singing (a cross between Bowie and Lennon) “Take me away, directionless / It doesn’t have to make any sense”. This first line could have been the body of an affidavit that we all agreed to and signed at the beginning of the show. Next, they plunged into “Shapeless and Gone”, a steady guitar-strummed song with sonic splatters of echoed drum samples. Remiddi croons, “It’s so good to know you’re out there...And I feel shapeless and gone / So close to nothing.” Lyrics like these are so much more prominent as they bounce between the walls of The Ninth Ward. Everything Porcelain Raft was doing, every trill, every buzz, every kick or strum or roll was another step into the storm clouds, at any moment lightening could strike. And as it did Wallace was bowed over his drums as he ended the song in sporadic fashion, slowing the tempo drastically with each measure as we waited for the best case of the hiccups we ever had dissipate. 

On the next track Wallace came in striking an electronic drum pad, which was sent ricocheting across the room, sleigh bells in the other hand, dangling them against the cymbal with no rhyme or reason, just euphoria. The third track off Strange Weekend was so well-defined as a live song. It was so purposeful in the way it hypnotized every blue-lit face in the small crowd, as Remiddi joined in with pulsating guitar strumming and synth. He asks the obvious question, “Is It Too Deep For You?”. Which then begs the obvious answer, “Yes”. 

Toward the middle of the set, they played a few songs from their catalog of EPs, and the previously unreleased B-side, “Something In Between”, which they had on sale as a 7” after the performance. As the next song was about to start, Remiddi looked to the crowd and kindly asked everyone to move to the stage since we were all so sparse as people were standing at the far ends of the basement, a void of 5 or 6 feet creating a moat of cement around the stage. We willingly drew to the little platform, close enough to reach out and touch the musicians. They fittingly went into a slower song, the gorgeous “Picture”, where the beauty in Remiddi’s vocals seriously stand out. And before you knew it they were announcing their last song, just as soon as they had captivated everyone in the room. As Remiddi tapped his keyboard to make sure it was ready, a pulse of organ flickered through the room, and I knew they were ending the night with, “Unless You Speak From The Heart”, a favorite of mine. The song was energetic and fast-paced, with Wallace huddled again over his drum kit, striking powerfully on the snare in deep concentration. Remiddi trilled a most intimidating lyric: “And I don’t want to listen, unless you speak from your heart.” There was no encore because nobody knew what to do, we didn’t know where our hearts were, let alone how to speak from them properly. My mind was aglaze. I walked to the merch table and bought that 7”. 

Remiddi was at the table and I asked him how he got the courage to move to London from Rome. He told me he had moved there when he was young; that it was a scary thing to do. He was smiling. He sarcastically recommended I stay put, “Don’t leave! Stay here and be safe and enjoy life!” I laughed, but thought about the dangers of staying locked in one place. Porcelain Raft’s music is like the dreams of a man that never sleeps. He is constantly moving, finding new territory, probing the strange things in life that are hard to make out, and finding that there is nothing to hold back from. I slept soundly that night, and dreampt of nothing. It wasn’t until the next morning that I re-read the lyrics from the last track on Strange Weekend, entitled “The Way In”. It made the previous night that much more special.


"THE WAY IN"

ADVISING PEOPLE NOT TO TRAVEL FAR
IS THAT FOR REAL? OH BABY LISTEN NOW
YOU MAY HAVE HURT ME ALL THIS TIME AND YET I’M HERE TONIGHT

AND IF I FEEL SOMETHING FOR YOU KNOW, IT’S ALL IN MY BRAIN, IT WILL GO AWAY SOMEHOW
I WISH NOTHING MORE THEN WHAT I HAVE
I HOPE YOU COULD SAY THE SAME

AND I KNOW THAT YOU TALK TO YOURSELF AT NIGHT
DO YOU FEEL BETTER DO YOU FEEL RIGHT
THERE’S NO NEED TO PLAY GAMES TONIGHT…

THIS IS NOT A DREAM
THIS IS FOR REAL
BRING WHAT YOU HAVE INSIDE, OUT IN THE LIGHT.

THEN SHE SAID THAT SHE HAD ENOUGH
I’M LOOKING AT YOU OH BABY LISTEN NOW
I MAY NEED TO GO OUTSIDE, THE AIR FEELS SO FRESH TONIGHT

AND IT’S THE END OF SUMMER CAN YOU FEEL IT NOW
THE WORLD IS SPINNING FASTER SOMEHOW
THERE ARE THINGS THAT CAN NEVER BE SAID ALOUD


Tom Dennis


Tonight: Porcelain Raft


Mauro Remiddi’s project Porcelain Raft has done a lot in the past two years for an artist working out of his bedroom. The Roman turned Londoner released a seven track EP in 2011 entitled Gone Blind, and just put out a full-length album Strange Weekend toward the end of January of this year. Remiddi has said that Strange Weekend is a snapshot of time. You don’t know what’s going on, but you know something is going on.” Songs like “Drifting In and Out” and “Is It Too Deep For You?” are perfect examples of how Remiddi takes dream-like images and creates collages of sound that transcend the average ability of sampler and drum machine bedroom pop. In a lot of ways, Porcelain Raft resembles the likes of David Bowie or Beach House, not only in the dream pop nature of the songs, but in the way that he’s been known to capture the aesthetic of science fiction. On his website, Remeddi responds to this criticism: “The Science Fiction I’m interested in is not the one from here to the infinitive future, it’s the one that goes from now to few hours from now. The immediate future, the one that is just around the corner from now.”

It’s not always easy to predict what the immediate future will hold for any of us, but as far as Sunday night plans go it would serve you well to see Porcelain Raft put his sci-fi songwriting on display at The Ninth Ward tonight at 7. It will be his second show at the venue in the last year, having opened for Yuck last fall. Local electro-indie acts Canary Girls and Brother Keep will be opening, so you'll definitely want to head down early. Tickets are $10.


Tom Dennis


Tonight: Canary Girls CD Release Show to Benefit The City of Buffalo Animal Shelter


I had the chance to see Canary Girls open for Yellow Ostrich in early March, when I was first hearing people talking about how they were the best new local electro-pop group, before they had even officially released anything. I remained skeptical as they took the stage, as I do with most new local acts that I've never heard, but when they went into their title track, “Everything Is Changing”, off their new album, I was hooked and swiftly became a head-bopping disciple. And while many of the tracks from the LP have been available online for some time, this four piece outfit, only just having formed last October, will officially release their first collection Everything Is Changing, tonight at Mohawk Place. Their sound is reminiscent of Talking Heads on tracks like “Emperors” and Washed Out on “Night Court”. Go have a listen to the entire thing at the band's website, but don’t forget to come out at 7 tonight for opening act Early Attic, another local electro-indie gem.

An even greater reason to attend is not only to support the talent of great local musicians, but also to support the efforts of great local humanitarians in that this CD release show will also double as a benefit concert for the City of Buffalo Animal Shelter. All door money will go directly to the shelter, and there will be prize baskets, which were donated by local businesses, being auctioned off as well to support the shelter. Plus, Canary Girls are giving their CD to you for free! Check out the Facebook event page for more details. The show is at 7, $10 at the door. Bring a friend!



Tom Dennis


Tonight: The Tins CD Release Party




Tonight, the Tins will (finally!) be releasing their debut album, Life's a Gas, at Nietzsches. After a year of recording and raising money through a Kickstarter campaign the group is ready to prove to the world that hard work does indeed pay off AND that the Tins are easily one of the best bands going. The bill also includes a host of Buffablog faves including Early Attic, Bryan Johnson and Family and Canary Girls. No other show quite displays the level of awesomeness going on in our fair town right now so make sure you don't miss this one. Jams start at 10pm.








jon krol


Tonight: Canary Girls & Early Attic



Tonight, one of buffaBLOG’s favorite venues, DBGB’s, hosts two of buffaBLOG’s favorite acts, Canary Girls and Early Attic.  Fresh off the heels of their first release, Everything is Changing, Canary Girls are hands down the band to have on your radar for 2012. This local quartet sound like what my dad and I would settle on after arguing where the tuner would stop on the radio. If that doesn’t make sense, you could also say it sounds like M83’s Saturdays = Youth meets Yes and a dab of David Byrne.  If I didn’t have a job and knew more about lasers, I would spend the summer making a laser show to Everything is Changing (download it here for FREE). It’s an incredibly catchy summer must-have.  Also on the bill is local foursome Early Attic, who are reminiscent of Small Black, a dreamier Interpol and other good post-rock bands.  Come to DBGB’s tonight and live like you’re in 198twooo. The doors open at 10 and there’s probably a $3-$5 cover. 

michael moretti


Just Announced: The BuffaBLOG Beach Party


Buffalo didn't get much of a winter this year (or at least that's what I thought before looking out the window this morning...), but that doesn't change the fact that Buffalonians are chomping at the bit for some well deserved fun in the sun.  The apocalyptic April storm outside makes this announcement all the more appropriate.  The folks over at Sunset Bay have been kind enough to play hosts for our first ever BuffaBLOG Beach Party on Saturday, June 16th, featuring live music, drink specials, and this weird thing called "sun" hitting your pasty skin.  Guests will be treated to live performances by Nelson-Type, Canary Girls, The Tins, Aircraft, and AUTOPUNCH, with Handsome Dan from the infamous Sugar City Soul Night keeping you dancing in between sets. If you're crawling back in town from Bonnaroo the week before, this will be the perfect recuperation, and for just $5 you really have no excuse to miss it.  Stay tuned for a complete schedule in the coming weeks.  

For now, get to know the bands:






Brian Gorman


Album Review: Canary Girls - Everything Is Changing


The Canary Girls debut album Everything Is Changing arrived in my inbox at an ideal time last week. The sun was out, the sky was blue, flowers were budding, it was hot, summer hot thanks to global warming, and listening to Everything Is Changing clicked immediately with the sunny, joyous Buffalo that we enjoyed for that crazy week. To the outsider Buffalo is a "winter city," but it's inhabitants know that Buffalo is really a summer city... because we know how to truly enjoy it, and this tour de force debut from Canary Girls channels that vibe.


"Waves and Stations" kicks things off with a perfect statement of what Canary Girls are all about: sunny, anthemic 80's style electronica; tasteful grooves, a powerful chorus, and the soaring Northern soul vocal styings of Bill Eager. Big without being cheesy, Eager's voice carries the entire album on it's back, and he is up to the challenge. Nowhere is that more apparent than "Laser Prom,"  an unabashed ode to the 80's that conjures Spandau Ballet and M83 while confidently acknowledging the bands inspirations. It's a song that could have collapsed into a complete mess of retro excess, but it doesn't.




Canary Girls also show exceptional deftness with the power ballad throughout Everything Is Changing. "Orange" could easily have been on the Top Gun soundtrack, while the smoldering "Night Court" channels the neon drenched streets downtown. If there's a theme to this album, it'd have to be yearning. The album is drenched in yearning, and it works. It's also another example of why real drums and electronica go together perfectly, because Josh Kwoka's drums are absolutely pivotal to Canary Girls' big sound.


The album closes with a brilliant one-two punch with the unadulterated power pop of "Scene Of The Accident" and chilled out yet passionate "Vancouver." "Scene Of The Accident" features Eager walking a true high wire- that driving, insistent backbeat and spiraling chorus could have been real trouble, but Canary Girls pull it off thanks to Bill Eager landing that airplane and the band's tasteful reserve that keeps them from going overboard. "Vancouver" is an album closer in the classic mold- the omega to "Waves and Stations" alpha, a re-statement of what the album is all about that also eases the listener back into the real world while giving them something that will make them come back for more. Everything is Changing is a triumphant debut album from Canary Girls, and definitely an early entry for my Albums of the Summer. Download it from the band here, or listen to it via Soundcloud below.


Grade: B+





Cliff Parks


Top 10 March Album Releases to be Excited About



In weather lore (yes, there is such a thing), March is said to "come in like a lion and go out like a lamb," and there has often been a correlation with the course of new music that follows suit.  You’ll notice that this month's new release list is twice as long as February's was.  You might’ve also noticed that it went up to about 50 degrees on Monday.  Still, don’t let mother nature or these musicians fool you.  We’re still in it for the long haul.  While most of us perceive March 21st to be the first official day of Spring, the indie music community sort of kicks off Spring on the third Saturday of April, Record Store Day (i.e. the single greatest holiday ever created.)  We Buffalonians are usually safe to start celebrating Spring around that same time. Usually


While we have endured a lot more lamb-like conditions this winter, here are ten artists releasing some roaring new music this month (see what I did there?).  You can be pretty thrilled that this winter is just about over, and celebrate in anticipation of some great new tunes this March.

10. Canary Girls: Everything is Changing 
Technically, the Canary Girls were supposed to release their first LP at the end of February, but our patience will soon be rewarded by what's sure to be an awesome first album by an incredible new local talent. Formed in October, the electro-indie group have played numerous shows together and hopefully an album release show is in sight as well. In the mean time listen to their tune, "Waves and Stations" and stay tuned for updates.





9. Mirroring: Foreign Body
If you haven’t heard of Mirroring, that’s okay, they're a fairly new group. Surfing through P4K’s Best New Tracks about a week ago I came upon their song “Fell Sound” and was instantly impressed with its obscure, dreamy haze. Mirroring consists of Grouper’s Liz Harris and Tiny Vesper’s Jesy Fortino. Their first LP Foreign Body is set for release on March 19 via Kranky.



8. The Men: Open Your Heart
Brooklyn Punk-rockers The Men are following up last year’s LP Leave Home with the riff-laden new LP Open Your Heart. From the title of the title track "Open Your Heart" one might assume that the group might be deviating from their heavy, Ramone's influenced, non-trendy punk sound, but only slightly. The four-piece group still sound like they recorded this in 1975, but the attitude of the music is positively 2012. The LP is set for release on March 6, you can preorder it on their website for $15 vinyl, $12 CD. They have also set a tour date to play The Bug Jar in Rochester on March 23.



7. Late Night Tales: Belle and Sebastian
If you're unfamiliar with the Late Night Tales series, let me first inform you, out of the 25 tracks on this collection, only one song is by Belle and Sebastian...and it's a cover of "Crash" by The Primitives. Late Night Tales is a series where a renowned musical group or musician compiles what they think would be the best "late night" selection. So while this isn't exactly a release of new songs, it is still jam packed with some killer tunes by the likes of Broadcast, Gold Panda, Blood, Sweat & Tears, and Toro y Moi. This 2 CD compilation will be out March 26. For more information and a track listing visit the Belle and Sebastians website.




6.  s / s / s: Beak & Claw
Comprised of indie-folker Sufjan Stevens, rapper Serengeti, and electro-pop artist Son Lux, it is not hard to figure out how s / s / s conjured up this clever name for their new collaborative project. While their new EP is only four songs, make no mistake, these three artists have shown their capabilities in compacting complex sounds and concepts in each of their own previous albums. While no tracks from the EP have been released yet, the short collection of songs is said to be jam packed with fuzzy bass, adventorous vocals, and Sufjan auto-tuned. Beak & Claw comes out March 20, and can be preordered on Insound’s website. Listen to the 2009 track "You Are The Blood" which Sufjan and Serengeti first joined forces on.



5. Andrew Bird: Break It Yourself
A new track from Andrew Bird’s newest album (since 2009’s Noble Beast) surfaced mid-February called “The Crown Salesman” and is available for a free download on Bird’s facebook page. The track really illustrates how Bird has evolved as a folk-rock artist. Bird’s claim to fame as the multi-instrumental, whistling songwriter might be in jeopardy as both this track and the first single “Eyeoneye” are wrought with rough guitar riffs and feedback. Bird’s voice takes control, and there is a fullness to these tracks that should really foreshadow what will likely be a strong album. Break It Yourself is out March 6.




4. Tanlines: Mixed Emotions
The Brooklyn electro-pop duo are releasing their debut full-length, Mixed Emotions, on March 20 after having previously released two acclaimed EPs in 2010. The first single off the album "Brothers" is catchy and danceable. This LP is sure to be a hit that will last throughout the summer months. You can pre-order it on vinyl or CD on Matador's website.



3. Daniel Rossen: Silent Mile/Golden Hour
Known from his vocal and multi-instrumental work with Grizzly Bear, Daniel Rossen will be releasing his solo 4-track EP Silent Hour/Golden Mile on March 20 via Warp. In the past few years, it seems like every other band is taking time off so its members can pursue a solo project. Even Rossen’s bandmate Chris Taylor released his own solo album last year under the name CANT, not to mention, on his own record label. On “Silent Song” Rossen does little to deviate from the Grizzly Bear sound, which is essentially good news. Rossen really shows off his songwriting skills on the lonely piano track “Saint Nothing.” We can anticipate as much variety as any 4 song release will warrant on Rossen’s EP, but we also need to remember who we’re dealing with here.



2. The Shins: Port of Morrow
Yes. The Shins have finally come out of hiding and will be releasing their first record in 5 years on March 20. The first single off Port of Morrow, “Simple Song” is anything but with thick guitar riffs, jangly paino, and far-reaching, catchy vocals. While keeping their Garden State sound, there seems to be a more direct and more up-beat vibe going on, and it just really works sonically. 





1. Poor Moon: Illusion 
Sub Pop recently signed Poor Moon, which consists of Fleet Foxes’ members Christian Wargo and Casey Wescott, and Ian and Peter Murray from The Christmas Cards. The first track off the 5-song EP "People in Her Mind" is a poppy, guitar-bop tune with summery vocals that will really get you excited for this snow to melt. From all the success that Fleet Foxes have had, and with J. Tillman coming out with a solo release this May, there is a lot of talk as to whether these guys can go out and do it on their own. I'm betting Poor Moon will not disappoint when their album comes out March 27.


Tom Dennis