Showing posts with label stone temple pilots. Show all posts
Showing posts with label stone temple pilots. Show all posts


What Makes A Band?


Last week, Stone Temple Pilots announced that Scott Weiland was fired from the band. He responded in a statement that he was confused by how he could be fired from a band in which he co-wrote many songs, fronted, and co-founded. He later then tried saying that the incident was part of a publicity stunt. In fact, Scott Weiland just last night played Core and Purple in their entirety at the Rapids Theater, so would Stone Temple Pilots still be Stone Temple Pilots without him? What if they got a new lead singer and continued with the STP name and played their songs? What if Scott Weiland continued playing STP music with a different band at the same time? Could two STP exists and would both parties have a legitimate claim? All of this got me wondering about what a band’s identity is. Is it the name or is it the people who are in it that make a band? Are certain band members more important to a bands identity than others?


Take R.E.M for example.  This band is a consistent group of people. Throughout their entire run, the same four people were a part of this band. When their drummer, Bill Berry, quit, R.E.M didn’t end, but they didn’t replace him either. Instead, they continued on as a trio. For R.E.M, they wouldn’t be R.E.M if a band member changed.


Some bands don’t have such a unity amongst members. In fact, the band seems more to like a backing band for a lead vocalist. The Foo Fighters are this type of this band. They should really be called Dave Grohl and the Foo Fighters because besides their bassist, Nate Mendel, he is the only consistent band member and if he was gone, the rest of the band would be done. Foo Fighters has seen several drummers and guitarists come and go over their span but throughout, the same identity of Foo Fighters remained.


When the members of Rage Against the Machine, without their lead singer, teamed up with Chris Cornell as lead vocalist, they didn’t keep the Rage Against the Machine name, but rather became Audioslave. The three Rage Against the Machine members switched one member and changed their name while Foo Fighters switched several and kept going. The lead singer seems to be the key to a bands identity.


There is a famous anecdote involving the Rolling Stones about band member importance. As it goes, Mick Jagger called Charlie Watts and asked where his drummer was. In response, Watts punched Jagger. Fun story but let’s be real here. If Watts left the Stones, no one would notice at the next concert. But if an arena full of people showed up for a Rolling Stones concert and Jagger wasn’t there, people would want a refund.


That is part of a long standing stereotype that drummers are replaceable and so they don’t get much respect within the band. But could Rush be Rush without Neil Peart? This band is an example where if you took away any one of the band members, that band would probably cease to exist. But they too had a different drummer before Peart. That however was before they became famous. The integral members of a band then, who make up their identity, must be around when the band becomes famous. Is anyone going to argue that Pete Best was a Beatle?


Another common denominator in these bands is the lead singer and guitarist who exist at a bands high point. It is those two components that give a band its identity and without both of them the band does not exist. This can be seen in bands like \the Who and Led Zeppelin. Both of those bands continue without their original drummers but still have the lead singer and guitarist and so have kept the name.


But then there are two bands that are exceptions to this. One would think that it would be impossible to have Guns N’ Roses without Slash but they still exist and even released an album without him. Journey’s only consistent member throughout their history has been the lead guitarist though. Their vocalist, the one there for the biggest years of the band is no longer a part of the group and has been replaced.


There is no consistent pattern to what makes a band a band so it’ll be interesting to see what happens with Stone Temple Pilots. 


 Matthew Lenox


Albums In Need Of A Reissue


I still buy CDs. I suspect I'm the minority when it comes to that. It seems like most of my friends fall into one of two groups: people who only get their music from the internet, and the more hardcore fans, who pay the big books for that shiny, 180-gram vinyl. I see the advantage in either of these choices, but I just like CDs. Admittedly, they don't have an immediate cache. They aren't the obvious preferable choice of casual fans or hardcore fans.

So, what keeps the CD from being completely dead? The reissue! There's nothing I enjoy more than hearing that one of my favorite classic albums is being reissued in a glossy two-disc set, with fancy liner notes, and long forgotten live tracks. It just makes my day. When the Beatles were given the remastered treatment in 2009, I was there on the day of release, upgrading my copy of Abbey Road. I was similarly thrilled for the Pink Floyd reissues last year. It's a fun thing for music nerds, and people who still enjoy CDs.

Unfortunately, many legendary albums still go un-remastered, which is a shame. Seeing an immortal album rotting away in a dusty CD case from the late 80s just bums me out. That's why I present you with this list of classic albums that are in dire need of a modern-day upgrade.

Guns 'N Roses - Appetite For Destruction
Every song here is great, from the big hits like "Welcome To the Jungle," and "Paradise City," to deep cuts like "Rocket Queen," and "Nightrain." Once more, the album turned 25 this year. Shouldn't it be celebrating its anniversary in style? Surely there's some old chestnuts of Axl and the boys jamming while stoned off there asses that would make for nice bonus tracks. Come on, people! Let's give this album the deluxe treatment it deserves.

Beastie Boys - License To Ill
As popular as the Beasties' first album is, the group hates it. In a way, that's understandable. It's juvenile, occassionally sexist, and not at all representative of the music or the attitudes they would express in the future. It's also a really, really fun album. Who's never fought for their right to party, or gotten funky with a certain monkey? Sure, this might not be the quintessential Beastie Boys album, and it lacks the diversity of their later works, but it's a much-beloved album, and an important part of hip-hop history.


All Of Metallica's First Five Albums
While their later works have been inconsistent, pretty much anything Metallica put out between 1983 to 1991 is gold. From the sped-up head rush of Kill 'Em All to the intricate math-metal of ...And Just For All, these guys were pretty much infallible in their early years. That's why it sucks to see the same copies of these albums that were on shelevs in 1992 still there today. Come on, let's get some outtakes! Surely you have some late-night jam sessions with Dave Mustaine that he'll eventually sue over. Let the fans get in on some of that!
Tom Petty - Full Moon Fever
Petty's works have been horribly ignored by the remaster gods, with only Damn the Torpedoes getting the deluxe treatment in 2010. The rest of his albums rot on the shelves, with some of the his most popular albums dying a slow death in the discount bin. Surely the album that gave us "Free Fallin'," "I Won't Back Down," and "Runnin' Down A Dream" deserves better than that. I'm guessing Petty has plenty of stuff in the vaults; jams with the Wilbury's, live recordings with Dylan, maybe even a few Apple jams with George Harrison. Whatever he's got lying around, I'm sure it would make for an excellent bonus disc of this classic album.


The First Three Stone Temple Pilots Albums
Loathed by critics at first, people have finally discovered that STP are actually pretty damn good. the first three album rank among the best (and most overlooked) albums of their era. Tracks like "Interstate Love Song," "Sex Type Thing," and "Trippin On A Hole In A Paper Heart" have become well-deserved classics. Unfortunately, the most likely place to find the albums those tracks come from is in the used bin at record stores, gasping for air next to Deep Blue Something and Sister Hazel. Let's treat STP better than that! their debut, Core, celebrates its 20th anniversary this year. Let's give it the gift of a shiny new remaster.


Anything By The Dave Clark 5
Now this one is a real tragedy. The DC5 were a great British Invasion band, but they've been all but forgotten. More importantly, their albums don't exist on CD. I did see one old greatest hits in the used bin at FYE, but it was $60, because of how hard it is to find. Surely the band that gave us "Glad All Over," "Bits And Pieces," and "Catch Us If You Can" deserves to be discovered by new listeners. In an ideal world, we'd get a fresh new greatest hits on CD, and high quality vinyl reissues for the hardcore fans. The DC5 released tons of killer songs, but there's a whole generation who hasn't heard any of them. Let's try to fix that.


John Hugar



Tonight: Stone Temple Pilots

The Stone Temple Pilots, one of my favorite bands from the 1990s, are playing tonight at the Rapids Theatre in Niagara Falls. I always felt like they got an unfair shake with music media and fans; they were lumped by default with grunge and alternative bands like Nirvana, Alice in Chains, and Pearl Jam, and some regarded them as inferior. But if you really listen to STP, they always had more of a classic rock sort of sound, and their songwriting is as impressive as any of those aforementioned groups. "Sex Type Thing," "Interstate Love Song," "Trippin' on a Hole in a Paper Heart," "Vasoline," and "Plush" are all fantastic songs, and that's only naming a few. If you've got $50 to spare, it'll be well-spent on this show - it starts at 7:30 p.m.