Showing posts with label the traditional. Show all posts
Showing posts with label the traditional. Show all posts


Tonight: Head North Tour Kickoff


After tonight, Head North is, ironically, going to be heading south on an East Coast tour... (I should probably make a joke that includes the word "West.") But tonight they celebrate with an official tour kickoff featuring the likes of The Traditional, Real People, Figurehead, Lancer, and Maritime Law. Needless to say, this lineup is pretty stacked.

Doors open at 6:00pm tonight. If you can grab them from a band before the show (I know they would appreciate that), they're only $10. At the door, tickets are $13.





Tonight: Pentimento with I Can See Mountains and The Traditional


Tonight is Pentimento's second annual holiday show. Last year, in one of the dying venue's memorable last shows, the band packed the Mohawk Place so tightly it was hard to move (at least I'm pretty sure that was the Pentimento show I'm thinking of)... But this year, Pentimento will be shredding The Waiting Room. Joining them will be I Can See Mountains in what will be their farewell performance, The Traditional, Dangerfield, and Caleb and Carolyn.

If you bought a presale ticket, enjoy your VIP session with the band that starts at 6:00pm.  If you settled for regular tickets, doors are at 7.





buffaBLOG's Favorite Buffalo Tracks of 2013: 20 - 11


This past year, we at buffaBLOG carefully combed through hundreds bandcamp pages, e-mails, soundclouds, and even facebook music pages to pick out the 20 best tracks from the year of 2013. Yesterday we reviewed our five close call tracks. Today begins the first half of our official top 20 countdown


20) The Traditional - "Retribution"
It's not really a secret that Buffalo's indie/punk scene has a lot of talent. So with so many great songs and bands to choose from, it's definitely saying something that one of the best songs in the genre this year came from the Traditional. Recorded at Buffalo's own GCR with Jay Zubricky, "Retribution" is a painfully honest kiss-off to an ex. The song exemplifies precisely what makes emo so great - taking singer Anthony Musior's sincere, twenty-something angst and encapsulating it into a no-nonsense burst of energy and anger. There is nothing about this song that isn't catchy - even the instrumentals are flawless (Hint: Mike Bienias' blistering lead guitar lines). "Retribution" isn't overblown or over produced, and that's precisely what makes its so poignant. "All I wanted was some retribution for the things that you said, don't want to make it work - I want to make it hurt worse than it ever did." - NAS



19) Victory for Poland - "Save Yourself From Me"
V4P might be the youngest band on the top 20, but "Save Yourself From Me" shows an astounding amount of songwriting skill from a group of high school age musicians. Featuring a slew of horns, fiddles, and a guest appearance from Brimstone Blondes frontman Matthew Danger Lippman, "Save Yourself From Me" is saturated with all sorts of genres, including psych rock, ska, and even some folk, all with a "can't-quite-put-your-finger-on-it" flavor of  "that could only be from the UK." We buffaBLOGGERS have been mourning the loss of many of our favorite high school aged bands this year but luckily, Victory for Poland is still around. - NAS



18) Strange Acres - "Faith"
Strange Acres’ crawling “Faith” was arguably the most gripping track off of the band’s impressive debut self titled full length. A Harvest Sum super group of sorts, Strange Acres (featuring former members of Sleeping Kings of Iona and current members of Orphans) began as the score to an imaginary film, but the band eventually evolved beyond their original “cinematica” concept. The album's first track, “Faith,” accentuates the sultry songstress Molly Grace’s, chillingly dreary delivery as well as highlights her personal struggle with religion. Fans of chilled out electro (Fever Ray, Portishead), will dig this. - MJM



17) Andy Vaeth  - "Never Make a Sound"
As a member of Johnny Nobody, the Old Sweethearts, On Beta, and the Backpeddlers, Andy Vaeth has been entrenched in the Buffalo music scene for over a decade. For someone involved in so many projects, it was a welcome surprise when he released his solo EP, Sad Synthetic Sounds, via Steak & Cake Records. Vaeth, whose voice has long been one of Buffalo's secret weapons, sounds as fragile as ever on the gorgeous, alt-country tinged "Never Make a Sound." The track is a bare bones tune featuring the singer and his trusty acoustic guitar. Little touches like the layered vocals during the chorus, subtle electronic melody, and the digital drum beat remind you that this is a Steak & Cake release after all, but Vaeth, as always, manages to convey emotions through three and a half minutes better than almost anyone in Buffalo. - MPM



16) Cross Stitch - "Worst Dancer in the Room"
I have a confession. I get a lot of music sent to me via the internet and as a “music journalist” I would be bankrupt if I bought every digital release I liked. I am the guy that types “0” in the pay what you want option on bandcamp. Now that I got that off my chest, I enjoyed Cross Stitch’s debut six-song EP, The Early Years (Drug Party Tapes), so much that I bought it. Cross Stitch is an all-girl feminist punk band that sounds like a punkier Marnie Stern in a basement with Sleater-Kinney undertones. “Worst Dancer in the Room,” is the fifth track on their EP, a slow-to-start crescendo-ing diddy about the fear of being alone. - MJM



15) Space Wolves - "Too Short"
You would think that the lo-fi surf rock that comes from Space Wolves would be happy-go-lucky or at the very least, irreverent. Sometimes it is – some of their best songs are about buying cigarettes on the Res or driving out of state. That’s not quite the case with “Too Short”… not even close actually. After a burst of pipeline guitar, Nick Reynolds and Chris Scamurra launch into an intelligent, albeit self-deprecating song about being, well, just not quite good enough. “Too Short” is about that little voice in all of us that reminds us of all the insecurities  we secretly hope no one else notices.But at the end of the day, this is why buffaBLOG loves Space Wolves so much - we can count on them for both genuine emotion or a song about buying cheap cigarettes. Now that’s a balance I can relate to. - NAS



14) Mallwalkers - "Going Downtown"
If I were to make a video compilation of memories from summer 2013, Mallwalkers’ “Going Downtown” would be the soundtrack provided my memories were summed up in roughly three minutes. For those unaware, Mallwalkers is a super-group of sorts, featuring a few Buffalo’s major players in the rock and roll scene (Biff, Dan Carosa, Stephen Floyd, Tony Flaminio). They could best be described as an 11-piece punchy funk-punk band, complete with a horn section and interpretive dancer. “Going Downtown,” was the first single off the band’s August release, Shake Off The Rust, where singers Carosa and Jaime Rowitsch sing of gathering the masses in downtown Buffalo like punk rock pied pipers. - MJM



13) Lancer - "Elephant in the Corner"
Rarely does an album make me want to cuff my arm around my buddy’s neck and scream lyrics from a band, let alone a local band, in their face. Lancer’s Don is Rich EP is full of such moments, with “Elephant in the Corner” being the most outstanding on an already very strong EP. Lead singer Victor Castillo gravely vocals and delivery of “Elephant in the Corner's” chorus make me excited to see how this band will grow in 2014. Lancer does not make songs, they make pop-punk anthems. - MJM
 

12) Camp Counselors - "Charyou"
Haunting. OK, I got that word out of the way mostly because its the easiest/laziest description one could give to "Charyou," the standout track from Huntress, Cemeteries mastermind Kyle J. Reigle's side project Camp Counselors. "Charyou" leads off with an unnerving, throbbing beat that gives way to Reigle's airy vocals. Out of nowhere, (well specifically the 2:05 mark) "Charyou" transforms into a cut of atmospheric witchhouse. The sense of dread that Reigle loves to deliver lingers over the entire tune, never allowing you to get too comfortable. Fans of The xx, Atoms for Peace, Timber Timbre, and modern Radiohead, this is for you. - MPM



11) Applennium - "Island"
Applennium might be one of Buffalo’s most understated and underrated bands. If you think this is a point worth arguing, you should first listen to the dreamy groove of “Island.” Singer Stacey Stoll’s hushed delivery is flawless, reminiscent of Still Corners or even Karen O if she took a Xanax or something. On top of this, they’ve filled the background of “Island” with distant vocals that range from a haunting moan to a “tribal” howl. I can really appreciate when a band takes the time to fill out the background of a song. So, yes, this song isn’t quite a face-melting barnburner, but it is the perfect song to put on when you want to chill out and melt into your bed. - NAS




Check out songs 10 - 1 here.


Anthony Musior Releases Stripped-Down Solo EP


The Traditional's Anthony Musior isn't one to pull punches. In between the band's packed touring and recording schedule, he took some time to record some stripped-down solo songs. This batch is particularly heavy with emotion - it's pretty obvious that Musior just needed to say some things he had to say. These songs sound like true stories and they really speak for themselves; unsurprising, seeing as how impossibly sincere Musior's lyrics usually are. Check out the crushing, self-referential dirge of "run." below.





Album of the Week: The Traditional/Of Fortune and Fame - Split


There is something to be said about a band that works as hard as The Traditional. Since bursting into the emo/indie/punk world last Halloween, the band has been furiously writing and releasing songs, and most importantly, touring... and I'm not just talking a four-day long weekend through the Northeastern US. This month they are taking off on a full US tour with Split-mates Of Fortune and Fame. The Traditional aren't chasing a half-realized dream, they're working hard towards what they want. It's only a matter of time before they make it happen.

It could be a result of hard work, but my guess is the Traditional owes a lot of their success to frontman Anthony Musior's delivery. There's something magnetic about the way Musior carries himself; I'm never sure if he's just trying to escape from some old life-in-the-suburbs image, or if he's sincerely a straight-shooting, battle-toughened, pissed-off, heartbroken man. Whatever the reason, The Traditional's songs continue to get heavier, sadder, and more poignant with time. If there is one thing that always holds true with these guys, it's that every song is a no-frills, straightforward attack. They write rock songs - each part has a deliberate purpose, whether it be a well-placed solo or just a simple progression of power chords. If we're being realistic, Musior & co. have much more in common with Brand New than Guns n' Roses, but there is something intangibly "blue collar" about their music, and they sure aren't padding their songs with layer upon layer of ambience and faux-noise pretentiousness. Beyond any metaphors Musior might use, there's never any hidden meaning, they're just saying what has to be said.

Along with Pentimento, I Can See Mountains, and the rest of the GCR crew, The Traditional have become a vital part of Buffalo's emo/indie/punk "brat pack." Once again, engineer Jay Zubricky is at the helm, and the results are exactly what you'd expect. Album opener "The Perks of Being Alive" bristles with impossible guitar licks and harmonized squealies from lead guitarist Mike Bienias. Maybe I've been listening to the wrong bands, but it's rare to hear a contemporary rock band rip a sick guitar solo like that. This is a great song in itself - but again, the thing that really defines The Traditional is Musior's personalized delivery. It's what separates The Traditional from their peers - his voice has a very particular drawl that doesn't always sound as tough as the lyrics he's singing, but I never hesitate to believe in what he has to say. Musior is The Traditional's anchor - without him, the songs might almost be too straightforward.

"You and Your Friends vs. Me and the Shittys (You've Got A Lot of Nerve)" is what I'd consider a prototypical Traditional jam. People always talk about "swagger" when it comes to rock music; The Traditional seem to have taken that literally. This song swings back and forth underneath Musior's angry poetry, buffered by even angrier backup vocals. I've never been in a fist fight, but this might as well be the soundtrack (and I'd never personally mess with a group of people that call themselves "The Shittys" anyways)... Musior's screams never fall flat, even all the way to the climax where the band breaks down into a powerful, sludgy riff. Even without any words to set the scene, the anger here is palpable - drummer Jon Coric must have thrashed that drum kit as he was recording. The coup de grace here is that disgusting (but subtle) bass distortion. Well done.

Syracuse's Of Fortune and Fame close out the EP, starting out with the infectious "You Blew It!" This song is definitely the most upbeat offer on the split, and it contrasts nicely with the more straightforward rock of The Traditonal. OFAF trades in dark emo for sharply written, technical pop punk - think New Found Glory or Four Year Strong. One thing I like about the latter half of the split is how truly in-sync this band is with each other. The songs as a whole are great, but to be specific, the transitions in their half of the CD are incredibly dynamic and creative. Of Fortune and Fame isn't just painting by numbers here.

I have to say it again - for coming from genres that normally eschew the use of solos, the guitar work on this CD is stellar. "No, You Didn't" has one of my favorite moments on this CD - an incredible harmonized guitar solo... And for that matter, I absolutely have to mention the key change in this song. OFAF exist in a genre that doesn't necessarily require great musicians - but everything here is just so incredibly on point. Even the vocals and their backups are harmonized so well. The fact that Of Fortune and Fame are so technically proficient goes a long way towards their accessibility, especially beyond the comforts of their own genre.

You can catch both of these bands (and Cedar Kites) at The Traditional's Beer Blast on October 26th. As you can imagine, it's going to be an insanely good time (you might even run into some of The Shittys). All proceeds from the show go towards getting these guys across the US and back.





The Traditional Post New Music Video For "The Visionary"


By now you probably know that The Traditional performs some of Buffalo's best heart-on-your-sleeve indie rock. Their debut EP, You Can't Rebuild Forever, is full of powerful anthems of obligation and angst exemplified by standout track and today's new music video, "The Visionary." 

On top of the irresistible sing-alongs and harmonized guitar riffs, the video chronicles the band's intense live show (check out that crowd at the Outer Harbor!) and gives some insight into what it's like to party with their crew... And for those of you who aren't convinced, these guys definitely represent their home town - see how many Bills logos you can pick out before the video ends. You can check out the video below.

 



New Song and Music Video From The Traditional


After a month-long trek up and down the East Coast, The Traditional have decided to climb out of their van/home for enough time to release a new single, "Retribution."  The video is a classic montage of all the fun these guys have had playing the skate parks, bars, and stages they graced on their most recent tour.  Of course, there's also some candid shots thrown in - there's even a few dudes kissing...  Either way, "Retribution" is exactly what I was hoping to hear out of this foursome (no pun intended).  These guys have truly honed their emo-infused indie rock into a perfect science, blending blistering guitar riffs with impossibly catchy melodies from frontman Anthony Musior.  The chorus of "Retribution" is a monster - "All I wanted was some retribution for the things that you said, don't want to make it work, I want to make it hurt worse than it ever did."  It's gonna be stuck in my head for weeks.

If you want to help these guys out (and you should), pick up the new single on Bandcamp, Amazon, iTunes, or wherever else tickles your fancy.  Until then, take a few minutes to enjoy the video below.





Tonight: The Traditional's Beer Blast


West Seneca?  Flattery's?  The Traditional?  You heard me right - if you like bragging about how "weird" you got this weekend, this is the party to hit up.  

Buffalo's very own The Traditional are hosting a "Beer Blast" in support of their upcoming spring tour.  That's right, these dudes bought a van, wrote a bunch of good songs, and booked their own tour.  They had a legitimately great idea, and in hopes of raising some money towards offsetting those outrageous gas prices, organized an all-you-can-drink, $20 a person shindig.  I'm surprised local bands don't do this more often.

What should you expect?  A fog machine, laser lights, a lot of alcohol, and a show that may or may not feature a cover of R. Kelly's "Ignition."  It's at Flattery's in West Seneca, $20 for an open bar from 9-12, and starts at 9:00pm.  Leggo.




Tonight: Hostage Calm with The Traditional, All Blondes Go To Heaven, and more


The Connecticut punk-rockers in Hostage Calm are visiting Soundlab this evening.  With the myriad of sub-genres that exist these days, it is hard to know exactly what kind of "punk" Hostage Calm could be claiming to be...  Well, their Facebook page indicates that they are "punk/punk/punk/punk/punk," but seriously, HC songs are fueled by the recession culture that our youth is facing today.  They take Springsteen-esque rock and meld it with punk energy and a little bit of pop melody.

Buffalo-based support comes from the indie-punks The Traditional (who are currently gearing up for a month-long tour of their own!) and the 90's emo revivalists in All Blondes Go To Heaven.  Rounding out the lineup is the female-fronted Doses from Erie, PA.  Tickets are $10 in advance, $13 at the door.  Doors at 6:00pm.



 


Album of the Week: The Traditional - You Can't Rebuild Forever


There comes a point in every local musician's life where they make the horrifying realization that their band isn't randomly going to get famous on Myspace. Once they've put their naivety aside, any musician who has any intention of "making it" knows that they need to buy a van, write a solid bunch of songs, and book their own tour. Of course, there's more to it than that - whose name does the van go under? Who is going to foot the insurance? Should I finish college first? I could go on. But for a group of twenty-somethings who make minimum wage (or even for the lucky twenty-something who would have to leave their good job to go on tour), the realities of trying to make it as a professional musician are not always so easy to stomach.

Enter The Traditional - bassist/vocalist Anthony Musior, drummer Jon Coric, and guitarists Mike Bienias and Ryan Bennett. These men are not strangers to the Buffalo music scene. Band after band has hardened this particular group of musicians into a finely tuned machine, and this time, they mean business. Literally. I'm not saying that to be trite - The Traditional started with the intention of being professional musicians; this is their business. 

Their debut offering You Can't Rebuild Forever is a highly personal seven-song album that is self-described as "authentic and heartfelt emo-infused indie rock." It's hard to come up with a more accurate description than that. This batch of songs falls somewhere between the emotional assault of a Brand New album and something a little more straightforward that you might hear on the Edge. I won't sell The Traditional short by comparing them to a vapid radio-rock band, but regardless of how they sound, The Traditional carry themselves like a straight up rock band. You might as well take any preconceptions you have about The Traditional and throw them out the window, because this album is so straightforward, it hurts. Once you hear You Can't Rebuild Forever you realize - image, sound, musicianship, lyrics - it's all laid flat out on the table, heart on Musior's sleeve.

The album opens with "Give Up Your Ghosts," which clocks in at just under three minutes. The Traditional were smart to open with this particular number - it's a perfect introduction to the rest of the EP. There's nothing subtle about this song, and that theme carries nicely throughout the rest of the album. It seems The Traditional has cut every single unnecessary nuance out of everything they do, so when Bienias or Bennett unleash a cool guitar riff (hint: 2:25), or when Musior is singing with every ounce of his being, you notice, and you appreciate it.

The next and best song on the album is "Growing Young and Aging Poorly." Musior's experience as a frontman has paid off. He has evolved into a great lyricist that has a knack for clever lines that pull no punches. He sings, "If the worst is over, when does the best start?" Around that point I started asking myself, "who hasn't been in Musior's shoes before?" That is the power of You Can't Rebuild Forever - nothing is veiled, nothing is mysterious or metaphorical; even when I tried not to, I found myself relating more and more to what Musior had to say. Interestingly enough, "Growing Young and Aging Poorly" is also the longest song on the album, clocking in at 4:22. Whether or not the extra minute gave these guys a little more time to elaborate, I don't know, but it paid off, and "Growing Young" feels like a full story.

In the radio static that follows "Growing Young and Aging Poorly," you can make out the words "You know... I know" as the dial skips through various stations. It might just be a coincidence, but in the next song, their first single "The Visionary," Musior sings "You know, I know, I told you so."  This blew my mind.  It was the perfect bridge between the two strongest songs on the album, and it makes it feel like everything here was "meant to be."

Unlike "Growing Young," every other song on You Can't Rebuild Forever (with the exception of the intro) is about 3:30 in length, and I can't help but feel like this is purposeful. Intentional or not, it's a strategy that definitely works for the band, case in point, "The Visionary." This song is another high point on the record, and as per usual, nothing here is overblown. In fact, one of the main riffs in the song is made up of just one chord. Of course, that chord is repeatedly and passionately slammed on and it goes to show, just because The Traditional isn't filling every ounce of their music with complexity, it doesn't mean they are playing anything uninspired. Somehow, this simplicity makes every other subtlety stand out, particularly the second verse. On top of a slow, two-guitar harmony, Musior sings "I don't want to but I have to, I don't need you but I have you," and again, I can't help but find myself relating to Musior's sense of obligation.

I mentioned before that The Traditional carry themselves like a hard rock band, but halfway through the album, none of their songs had quite matched that image. Don't get me wrong - I think The Traditional's best work shows through when the band sticks to writing the emo-infused indie rock they've been able to hone (maybe it was the bad-ass mustaches that threw me off), but the next three songs, "I'm Losing My Mind," "The Lust, The Eyes, The Flesh," and "The Composure, The Compromise" are the closest The Traditional comes to the harder vibe I was initially expecting. "I'm Losing My Mind" starts with a drum assault from Coric, and in another life, it probably could have been a punk song. Before even a minute passes, The Traditional is somehow able to swing the song back into something a little more "traditional" (for lack of a better word), and it works better than I could have ever expected. As for the swagger of "The Lust, The Eyes, The Flesh," this is where the band comes the closest to the hard rock aura the band seems to emit. Of any song on the album, "Lust" is the biggest departure away from their distinctive sound - the track is swung, and it's very angry.  The song is placed well on the album and ultimately comes off as a refreshing break from the other material, but Musior and co. made a smart (and probably conscientious) decision by not branching out from their established sound any more often than they needed to. 

The album closes with "Diagnosis:" which is where we find The Traditional at their gentlest. Like "The Lust, The Eyes, The Flesh," this is another departure from their tried-and-true methods. The song begins acoustically and is eventually accompanied by slide guitar and a Fender Rhodes piano, both of which are very nice additions. But the band is at their best when they explode out of the acoustics and back into full-band mode - in fact, this particular explosion is one of my favorite parts of You Can't Rebuild Forever.  Who could complain about a strong finish?

You Can't Rebuild Forever is exactly what you'd expect from this hardened group of Buffalonians. Nothing on this album pushes the limits of the genre, but it doesn't have to - You Can't Rebuild Forever is honest, straightforward, and inherently enjoyable. Sad, angry, or impassioned - I related to almost everything Musior had to say. All in all, nothing here is ever overdone or bigger than it has to be, and that's exactly what The Traditional wanted (and what their future fans will come to enjoy, I'm sure). The album will be officially available on Wednesday, October 31st, and they plan on touring in support of it throughout the winter.






Local Artist Spotlight: The Traditional


It is easy to preface a band's introduction with "from the ashes."  It is a fairly common story - bands get together, they make music, and creative differences almost inevitably pull them apart...  But that's the "magic" of being a musician - that ache to create is the impetus for new bands to form.  Even though everyone is starting over again from scratch, each band has a new direction and a new outlook.

The Traditional are no exception - bassist/vocalist Anthony Musior, guitarists Mike Bienias and Ryan Bennett, and drummer Jon Coric, are by no means strangers to the Buffalo music scene...  But band after band has hardened this particular group of musicians into a finely tuned machine.  Their emotive brand of indie rock is almost inherently relatable.  It's dark, but not too dark, and it's heartfelt without being sappy.  

I was able to catch The Traditional when they opened for Seahaven at the Funeral Home.  What made their set enjoyable was their uncanny ability to make you believe what they have to say.  In "The Visionary," Musior sings, "I don't want to but I have to, I don't need you but I have you," and I couldn't help but relate to that sense of obligation.  All the while, Bienias and Bennett are able to sneak nimble guitar lines throughout the otherwise straightforward arrangements.  Nothing is overdone, and yet, nothing leaves you wishing there was more.

The Traditional will be releasing their first batch of songs, the seven-song You Can't Rebuild Forever on Halloween.  You can preorder the upcoming EP on bandcamp for $5.  






Tonight: I Can See Mountains


Buffalo's I Can See Mountains play the kind of feel-good punk music that seems to exist solely to let everyone have a good time.  Their seven-song release, Hope You Never Get It, is a collection of messy, fun pop punk (because you know they're jumping around while they're playing it) chock full of sing alongs and a seemingly endless number of vocalists.  Their songs are simple to comprehend.  It's all about friendship and having a great time and that makes for a light-hearted listen.

They'll be playing tonight at DBGB's with fellow Buffalo pop-punk in All Blondes Go To Heaven as well as Sleepy Hahas and The Traditional.  The show is $8 - doors are at 9:00 PM.