Showing posts with label white bison. Show all posts
Showing posts with label white bison. Show all posts


Tonight: The Found & White Bison CD Release/Final Show


'Tis a wee bit of a somber day here in Buffalo; for the incredible local rock outfits of not just The Found, but also White Bison, shall be in a state of permanent hiatus upon the point which these two harbingers of sweet, sweet rock n' roll leave the stage at Mohawk Place tonight (probably early tomorrow morning, in all likelihood).  It is at that time that Buffalo will get a little lighter... a little more scissor-sy... a little more lacking in the heavy rock department.

...But of course, the world keeps turning and the opportunity will prevent itself for some currently unknown troupe of miscreants to grab that Olympic torch o rock being passed around Buffalo, slap some guitar strings on it, and show us what they've got.

For now, however, you should be concerned about the events for this evening.  I have seen both these bands several times, and all whimsical writing aside, they are an absolute pleasure to see.  It would behoove you to see what these two bands are all about, as tonight will be your last chance before you become like my friend who never made it to a Chylde show and now kicks himself every time he hears them on my iPod.

What can I tell you about these two bands... well for starters, both The Found and White Bison have their origins in Buffalo, NY.  The Found employs an organ-heavy, grimy, slightly psychedelic, blues-soaked sound of the classic rock powerhouses of the mid-to-late 1960s.  Their sound is further rounded out and made complete by having a rhythm section that includes not only a drum kit, but also various other forms of percussion, as well as, soulful vocal melodies.  White Bison is a three-piece powerhouse of heavy rock that will have you bobbing your head and pumping your fist in the air within moments of launching into a song.  They are also quite proficient at slowing it down and laying a smoky, mystical, jam on you.

Of particular note, The Found will be releasing their fourth album on this night.  Word on the street is that their supply of CDs is expected to be exhausted tonight, so this is your chance to be one of a select group that get a hard copy of what is sure to be another great album by The Found.

Head out to Mohawk Place this evening and help make Ben Hayes (drummer of both bands) last* [never say never] show in Buffalo a great one.

Rochester-based Velvet Elvis, will be opening the evening with their own brand of smoke-filled, hard rock.  If you're familiar with the other bands playing tonight you'll love these guys too... if you're familiar with the other bands playing tonight, however, you've probably already seen Velvet Elvis and agree that they also kick some ass.

I couldn't find exact info on cover for tonight but I would assume $5 to be accurate.

The show starts at 10pm
(which is awesome because some people, like myself, have to work until 9:30).

Toss on a band t-shirt and rock n' roll tonight, it should be a spectacle.







Drew Kline


Farewell: The Found/White Bison



Question. What do you get when you cross Ian Paice, Levon Helm, and Bobby Caldwell?

Answer?

I don't know; three dudes can't make a baby; that's not how it works. You need, like, a Fallopian tube or something. But, HEY totally different subject, speaking of drummers, Ben Hayes is a drummer. He plays in some bands around town – some real, real good ones, you can bet your life savings, and 1) I've never heard the man hit an off note in any of the countless shows I've seen him perform, and 2) he's peacing the F out of town.

Hayes's been at the proverbial brass-and-skin helm of prog-funk powerhouse The Found for a handful of years. More recently, he's served as the backbone for White Bison, a local Moody Blues-meets-Mars Volta three/four-piece. But according to a Found press release, both bands are now up in the indefinite-hiatus air, as Mr. Hayes will be leaving Buffalo for greener pastures in a few short weeks. As a result: Both White Bison and The Found will be playing a couple of farewell performances in the area, culminating in a joint send-off from Mohawk Place on Friday, July 27. Meaning: keep an eye out for listings for either group and check them out now, ASAP, This Summer, or you'll've missed out on a rare confluence of unmitigated talent.

(If you don't have a ton of minutes to spare, slide over to the 4:00 minute mark on this for some solid, solid drummanship:)




steve gordon


Concert Review: Pontiak w/ White Bison & The Fucking Hotlights


As far as music goes, I love it when I am proven wrong.  I usually stand by my blanket statement of “all new music is talentless bullshit with no soul”; I, however, should update that statement to read “all popular new music is talentless bullshit with no soul… or it doesn’t have enough guitar”.  The show put on at Mohawk Place this past Saturday evening was oozing with talent and soul… and I would also go as far as assuming that execs at major labels would seem disinterested had they been there… because they are talentless bullshit people with no souls.

I like rock n’ roll.  I like guitars, bass, drums, and keyboards.  I like loud.
I don’t like music that has been created entirely on computers by people that are barely known to the supposed “artists” that will be performing these songs live.  Check that, I love electronic music, and I think there is some really awesomely talented stuff out there, but I separate rock and electronica like church and state (‘rock’ is clearly church).

I knew going into the show that it would be right up my alley, as I am familiar with the all the bands that played to some extent.  Once inside, however, I was on a one-way ticket to unabashed hard rock glory.

I had to work late and, unfortunately, missed the Hotlights set but was told by those who were there that it was awesome as ever, which I have no doubt is true… they just get better and better with each performance I have seen since their first at Mohawk Place.

White Bison was in the middle of their second song when I arrived and proceeded to prove they have a firm grip on the torch they carry as Buffalo’s best hard rock act.  The vibe was booming, energetic, and uplifting.  The vocal harmonies, specifically, impressed me… they came across as both well-rehearsed and effortless; each member knew when to hang back a little and give way to the others as the singing duties transitioned from one side of the stage to the other.

Pontiak took the stage and began the thumping intro to "Across the Steppe".  The band was high octane and out for blood from the very first note and the crowd responded well to the obvious joy the brothers Carney (Lain, Van, and Jennings are all brothers) took from blowing the doors off Mohawk Place.

"Fear" would be the absolute last word I would use to describe the stance Pontiak has towards turning the amps up to 11.  In fact, I would wager that they would turn their amps up to 11 to the eleventh power, were it a possibility.  This was evidenced by the simple, yet effective stage set up they utilized for the show.  Besides, what I remember to be some sort of echo pedal for the guitar, everything was plugged straight into the amps.  That beautiful overdriven and  raunchy attack was a product of volume knobs and tube amps, rather than distortion pedals and stomp boxes.


The droning guitar work of "Laywayed", the second song of the set, reminded me of a heavier version of some of The Black Keys' early work... when their sound was still raw and unprocessed.


"The North Coast" had a surf rock feel to it with shimmering chords accented by just the slightest vibrato.  Fitting for a song that deals with standing on the coast looking out over the ocean.


The transition into "Left With Lights" was flawless as flawless can be as Jennings Carney laid down the bass line as brother Lain hammered out Bonham-esque triplets on the drum kit.  Van joined in with crunching chords to double the bass line and the wall of sound was enough to make you sway backward with every thump of the kick drum.


The final two songs of the evening, "Shell Skull" and "Part III", were slightly more reigned in (I use that term loosely) and had a distinctive, psychedelic groove to them.  The bass line got everyone bopping up and down and the echo-laden guitar and cymbal bell hits set "Shell Skull" into territory that would have made Beck proud... almost as proud as he'd be of the closing song, "Part III";  a minimalistic jam that, on the album track, includes accompaniment by menagerie of horns (tuba and euphonium to be exact).  "Part III" was inspired by a the landscapes encountered on a drive between Phoenix and Texas and, as recommended by the band, was played at full volume.


I only had a chance to speak with Jennings after the show, as I had prior engagements to show up late to.  Mr. Carney was gentlemanly and quite accommodating in the few minutes I spoke with him.  I have had the three albums I purchased on steady rotation in the two days since the show and cannot wait to hear what Pontiak has in the pipelines.







Drew Kline


Tonight: Pontiak w/ White Bison & The Fucking Hotlights


I just texted my editor as I began to write this article and said "you always know the best bands to assign me to cover".  Virginia-based rockers Pontiak come to The Mohawk Place tonight to play their glorious brand of heavy groove, stoner rock...

I hate the term "stoner rock", I've always thought it had the connotations of "you have to be high to listen to this stuff"... you don't (although, it's not like it hurts).  Anyways, a more accurate description would include words like "reverb-laden guitars" played through "extremely overdriven amps" in front of drums that, as I listen to them, sound like they are "being played so hard that the skins need to be replaced on them quite often".

Pontiak, a band made up of brothers Lain, Van & Jennings Carney, is fresh off a European tour, West Coast tour, a stint as SXSW, and a recent album release: Echo Ono.  One could say they've been busy... I hope they stay busy because the music they have been putting out is a fresh take on some of the heaviest bands of the 70s.

Joining Pontiak this evening will be two of Buffalo's own (and best) rock outfits, White Bison and The Fucking Hotlights.

The night is going to take a turn towards the heavy, a turn towards the psychedelic, a turn towards the totally fucking awesome.

Show starts at 8PM at Mohawk Place
Tickets are $10 at the door





Drew Kline


Tonight: Aircraft

The local four-piece outfit, Aircraft, is described on their website as being “a unique blend of refined and cacophonous sound.” While I initially take pride in having an expansive vocabulary, I had to look this one up. Apparently the word cacophonous is from the Greek root kakos which essentially means bad, and is defined by Oxford as involving or producing a harsh, discordant mixture of sounds.” So yeah...there’s still that refined part. If you’re disinclined to etymologically surveying a description of Aircraft to find out if you like them then you’re in luck, because they happen to have a bandcamp website. Like me, you might find that these guys are sounding pretty teras (amazing)! Either way, head out to Mohawk Place tonight to check ‘em out! The show starts at 9:00 with opening acts White Bison and On Beta. Admission is a mere $5. 

Tom Dennis


Tonight: White Bison, The Mordaunt Sisters, Nick Gordon & The Curse Words


The lineup for tonight's Mohawk Place  show is one we've been looking forward to for a while. The super-bleak, super-heavy prog trio White Bison and super-bleak, super-haunted folk outfit Mordaunt Sisters both made our Best-Of list last year. They're going to be joined by Buffalo indie-folk veteran Nick Gordon (who is billed with The Curse Words, which could either be a backing band... or a fair warning). Show is at 47 E. Mohawk St, starts at 9pm, and costs seven bucks. Get into it (and check out our interview with WB while you are in the process of getting into it).




ComScore


steve gordon


Interview: White Bison

White Bison's music is murky and brutal, occupying a stark, yet nuanced soundscape all its own. Moody three-part harmonies accompany a rumbling rhythm section and roaring guitar lines. It's progressive and inventive, but the trio is one of the least pretentious or flashy bands to call Buffalo home. They've released one EP and only played a handful of shows, so to cut through the mysteriousness, we e-mailed a few questions to drummer/vocalist Ben Hayes and bassist/vocalist Kevin Di Lucente Jr.; they e-mailed us back.

BuffaBLOG: What has the band been up to lately? Any shows or recordings on the horizon?

Ben Hayes: We have been writing songs and hoping to record sometime in the year 2012. We have a Mohawk Place show on Jan 21st, Mr. Goodbar on the 27th or 28th? We also are playing New Years party at Rochester Armory with Velvet Elvis, and Abandoned Building Club.

Kevin Di Lucente: When we're not writing new material, or rehearsing, we're typically making as much mirth as possible. We're all drooling over the possibility of pressing a vinyl. Time will tell if that is possible. Either way, 2012 will see a full-length album from us.


BuffaBLOG: All of you have played with other bands around the area for a while. What are the best and worst things about being a musician in Buffalo?

BH: The best part is there are so many great local bands to play with. Buffalo/Western NY has this dirty nasty blues infused rock scene that a lot of places don't have. The worst part is we need more venues to play at, love the ones we have but need more.

KD: Best Things:
Camaraderie amongst bands
Inspiration in all forms
Chicken wings

Worst Things:
Separation amongst bands
Lack of inspiration
Chicken wings

BuffaBLOG: White Bison plays some pretty progressive rock, with unconventional song structures and complex time changes. Is this a natural result of you three coming together to write, or do you strive to make the music more challenging?


BH: This is a little of both. I think a lot of music we listen to, and are influenced by is sort of unconventional so in that way some of it does come naturally. It also stems from us continually pushing our selves to progress as musicians and songwriters and to try to separate our sound from others while balancing that line of complexity while not losing the groove or the soul/feeling of the song.

KD: We don't try to hard to be anything, or write in a certain way. We just play what we like to hear our instruments do.

BuffaBLOG: With such heavy music, listeners might consider you pretty bad ass. I'd like for our readers to get to know your softer side, though. When was the last time you cried?

BH: Last time I cried was when I didn't save the cat from question 6.... turns out it was Garfield.

KD: I can cry on demand. Don't believe me? I'm crying right now...

BuffaBLOG: What was your favorite stuffed animal when you were little (or, who knows, still)?

BH: A bag of broken glass.

KD: I never had a favorite stuffed animal, but I did have this bizarre compulsive behavior associated with them. I would line various ones up around the perimeter of my bed in the same order each night before I slept. This was done to ward off evil spirits...

BuffaBLOG: If you had to choose whether to save a puppy or whether to save a kitten, would you choose to save the puppy? Or would you choose to save the kitten?

BH: Puppy no questions asked, cats don't have souls..... sorry Kevin.

KD: Trick question....I would save a horse and ride a cowboy...

BuffaBLOG: Can you elucidate the entirety of your artistic aspirations? But, here's the catch: in six syllables?

BH: Fucking cool, cool on wheels.

KD: Elucidate is six syllables, right? On second thought: Circumnavigation.



steve gordonComScore


Tonight: White Bison



Though still a relatively new band, White Bison have quickly become one of our favorite acts in Buffalo. All three members have previously (or still do) play with some of this city's best rock groups, and when you hear them play together, you can tell they've spent a lot of time on stages and paid a ton of dues; they're super-tight. Aptly named, too, with pounding, progressive drums (that you almost can't tell are flying through time signatures), brooding and hypnotic basslines, stark yet roaming guitar wash-outs, all topped off with moody three-part vocal harmonies - they really are Buffalo's most powerful and majestic sounding band. Imagine Mars Volta and Soundgarden made a baby, then it got shot with a tranquilizer dart full of steroids and smack, that's sort of how it sounds. And they'll be unleashing it on Mohawk Place tonight along with some of Buffalo's other best hard rock bands: The Found, Velvet Elvis, and Matt Smith. Starts at 9, don't miss it!



steve gordon