Showing posts with label Andy Vaeth. Show all posts
Showing posts with label Andy Vaeth. Show all posts


buffaBLOG's Favorite Buffalo Tracks of 2013: 20 - 11


This past year, we at buffaBLOG carefully combed through hundreds bandcamp pages, e-mails, soundclouds, and even facebook music pages to pick out the 20 best tracks from the year of 2013. Yesterday we reviewed our five close call tracks. Today begins the first half of our official top 20 countdown


20) The Traditional - "Retribution"
It's not really a secret that Buffalo's indie/punk scene has a lot of talent. So with so many great songs and bands to choose from, it's definitely saying something that one of the best songs in the genre this year came from the Traditional. Recorded at Buffalo's own GCR with Jay Zubricky, "Retribution" is a painfully honest kiss-off to an ex. The song exemplifies precisely what makes emo so great - taking singer Anthony Musior's sincere, twenty-something angst and encapsulating it into a no-nonsense burst of energy and anger. There is nothing about this song that isn't catchy - even the instrumentals are flawless (Hint: Mike Bienias' blistering lead guitar lines). "Retribution" isn't overblown or over produced, and that's precisely what makes its so poignant. "All I wanted was some retribution for the things that you said, don't want to make it work - I want to make it hurt worse than it ever did." - NAS



19) Victory for Poland - "Save Yourself From Me"
V4P might be the youngest band on the top 20, but "Save Yourself From Me" shows an astounding amount of songwriting skill from a group of high school age musicians. Featuring a slew of horns, fiddles, and a guest appearance from Brimstone Blondes frontman Matthew Danger Lippman, "Save Yourself From Me" is saturated with all sorts of genres, including psych rock, ska, and even some folk, all with a "can't-quite-put-your-finger-on-it" flavor of  "that could only be from the UK." We buffaBLOGGERS have been mourning the loss of many of our favorite high school aged bands this year but luckily, Victory for Poland is still around. - NAS



18) Strange Acres - "Faith"
Strange Acres’ crawling “Faith” was arguably the most gripping track off of the band’s impressive debut self titled full length. A Harvest Sum super group of sorts, Strange Acres (featuring former members of Sleeping Kings of Iona and current members of Orphans) began as the score to an imaginary film, but the band eventually evolved beyond their original “cinematica” concept. The album's first track, “Faith,” accentuates the sultry songstress Molly Grace’s, chillingly dreary delivery as well as highlights her personal struggle with religion. Fans of chilled out electro (Fever Ray, Portishead), will dig this. - MJM



17) Andy Vaeth  - "Never Make a Sound"
As a member of Johnny Nobody, the Old Sweethearts, On Beta, and the Backpeddlers, Andy Vaeth has been entrenched in the Buffalo music scene for over a decade. For someone involved in so many projects, it was a welcome surprise when he released his solo EP, Sad Synthetic Sounds, via Steak & Cake Records. Vaeth, whose voice has long been one of Buffalo's secret weapons, sounds as fragile as ever on the gorgeous, alt-country tinged "Never Make a Sound." The track is a bare bones tune featuring the singer and his trusty acoustic guitar. Little touches like the layered vocals during the chorus, subtle electronic melody, and the digital drum beat remind you that this is a Steak & Cake release after all, but Vaeth, as always, manages to convey emotions through three and a half minutes better than almost anyone in Buffalo. - MPM



16) Cross Stitch - "Worst Dancer in the Room"
I have a confession. I get a lot of music sent to me via the internet and as a “music journalist” I would be bankrupt if I bought every digital release I liked. I am the guy that types “0” in the pay what you want option on bandcamp. Now that I got that off my chest, I enjoyed Cross Stitch’s debut six-song EP, The Early Years (Drug Party Tapes), so much that I bought it. Cross Stitch is an all-girl feminist punk band that sounds like a punkier Marnie Stern in a basement with Sleater-Kinney undertones. “Worst Dancer in the Room,” is the fifth track on their EP, a slow-to-start crescendo-ing diddy about the fear of being alone. - MJM



15) Space Wolves - "Too Short"
You would think that the lo-fi surf rock that comes from Space Wolves would be happy-go-lucky or at the very least, irreverent. Sometimes it is – some of their best songs are about buying cigarettes on the Res or driving out of state. That’s not quite the case with “Too Short”… not even close actually. After a burst of pipeline guitar, Nick Reynolds and Chris Scamurra launch into an intelligent, albeit self-deprecating song about being, well, just not quite good enough. “Too Short” is about that little voice in all of us that reminds us of all the insecurities  we secretly hope no one else notices.But at the end of the day, this is why buffaBLOG loves Space Wolves so much - we can count on them for both genuine emotion or a song about buying cheap cigarettes. Now that’s a balance I can relate to. - NAS



14) Mallwalkers - "Going Downtown"
If I were to make a video compilation of memories from summer 2013, Mallwalkers’ “Going Downtown” would be the soundtrack provided my memories were summed up in roughly three minutes. For those unaware, Mallwalkers is a super-group of sorts, featuring a few Buffalo’s major players in the rock and roll scene (Biff, Dan Carosa, Stephen Floyd, Tony Flaminio). They could best be described as an 11-piece punchy funk-punk band, complete with a horn section and interpretive dancer. “Going Downtown,” was the first single off the band’s August release, Shake Off The Rust, where singers Carosa and Jaime Rowitsch sing of gathering the masses in downtown Buffalo like punk rock pied pipers. - MJM



13) Lancer - "Elephant in the Corner"
Rarely does an album make me want to cuff my arm around my buddy’s neck and scream lyrics from a band, let alone a local band, in their face. Lancer’s Don is Rich EP is full of such moments, with “Elephant in the Corner” being the most outstanding on an already very strong EP. Lead singer Victor Castillo gravely vocals and delivery of “Elephant in the Corner's” chorus make me excited to see how this band will grow in 2014. Lancer does not make songs, they make pop-punk anthems. - MJM
 

12) Camp Counselors - "Charyou"
Haunting. OK, I got that word out of the way mostly because its the easiest/laziest description one could give to "Charyou," the standout track from Huntress, Cemeteries mastermind Kyle J. Reigle's side project Camp Counselors. "Charyou" leads off with an unnerving, throbbing beat that gives way to Reigle's airy vocals. Out of nowhere, (well specifically the 2:05 mark) "Charyou" transforms into a cut of atmospheric witchhouse. The sense of dread that Reigle loves to deliver lingers over the entire tune, never allowing you to get too comfortable. Fans of The xx, Atoms for Peace, Timber Timbre, and modern Radiohead, this is for you. - MPM



11) Applennium - "Island"
Applennium might be one of Buffalo’s most understated and underrated bands. If you think this is a point worth arguing, you should first listen to the dreamy groove of “Island.” Singer Stacey Stoll’s hushed delivery is flawless, reminiscent of Still Corners or even Karen O if she took a Xanax or something. On top of this, they’ve filled the background of “Island” with distant vocals that range from a haunting moan to a “tribal” howl. I can really appreciate when a band takes the time to fill out the background of a song. So, yes, this song isn’t quite a face-melting barnburner, but it is the perfect song to put on when you want to chill out and melt into your bed. - NAS




Check out songs 10 - 1 here.


Today: Steak & Cake Backyard Showcase


Nearly two years ago, Steak & Cake threw it's one and only Bidwell Indie 5000 Fest down at the Elmwood Village park, and thanks to a resident curmudgeon, we won't be seeing a return of the fest anytime soon. Luckily, S&C leader Brandon Schlia had a backup plan and location: his own back yard. This afternoon, stop on down to 410 Potomac for the third installment of the Steak & Cake Backyard Showcase. This year's lineup of local singer/songwriters has to be the label's best yet as Sonny Baker, Anthony Delplato, Bryan Johnson, Alex Berkley, Andy Vaeth, and more will provide entertainment to the backyard audience all afternoon long.

Past years' installments have seen welcomed, but not required donations go towards a pretty tasty hot dog, beer, and the chance to go home with a CD or two from Brandon's own collection. This year, get ready for some pizza as Schlia and crew have deemed it to be the best compliment for acoustic tunes. This week has already seen Buffalo become hell on earth, between blacktop melting temps to the Wrath of God storm on Friday night, so isn't a pleasant and sunny 75 degree afternoon of music and friends just what you need? Music kicks off at 1:00pm and bring some beer while you are at it. 






Tonight: Handsome Jack, Velvet Elvis, and Merchants


Tonight Nietzsche's has a ludicrously killer WNY line-up that's going to be a cannot miss show featuring Handsome Jack, Velvet Elvis, and Merchants working the main stage and Zak Ward, Andy Vaeth, and Sonny Baker manning the front stage for a night of non stop rock. And get this, $5 gets you in the door to enjoy this festival of fine local music ($.83 a band!). You can't beat that. Come on. Handsome Jack and Merchants are certified buffaBLOG favorites, Velvet Elvis are Rochester favorites making a welcome return to the 716, and Ward, Vaeth and Baker are the icing on the cake. This can't miss show kicks off at 10, and again the cover is a measly $5. You should go to there.



Cliff Parks


Album of the Week: Andy Vaeth - Sad Synthetic Sounds


Steak and Cake records and buffaBLOG have that "special" sort of relationship.  We really love and respect each others' work.  Okay... maybe I shouldn't be putting words in S&C's mouth; it's just that we here at the BLOG just happen to love pretty much everything they put out.  This time around, I'm referring to a solo offering from Johnny Nobody frontman Andy Vaeth - it's called Sad Synthetic Sounds.  

What I love about EP's like Sounds is that they're often projects that seem like they would never see the light of day unless someone was like, "No dude, you're talented.  These have to get done."  Musicians often have this ridiculous back catalogue of songs that either don't match their "main band" or just never really click as a full-band song.  They unfortunately usually just end up locked up in the back of someone's mind somewhere while work/school eats up their creative energy.  Either that, or they can't afford/don't have the time to record more than 4 songs at a time.

... But that's not the case with Sad Synthetic Songs.  Here Vaeth takes approximately 20 minutes and gives himself the opportunity to spread his wings from the gritty blues/psychedelic punk of Johnny Nobody.  In fact, "Fading Photographs," the opening track on SSS, starts out with an acoustic guitar and what sounds like bottles or crystals getting tapped on rhythmically - a far cry from the beer-soaked distortion we might be accustomed to hearing from Johnny Nobody.  There's actually a deep groove to "Photographs" that's augmented by the drawl of Vaeth's vocals - but all in all, most of the instrumentation is sad synths, acoustic guitar, clinking crystals, and even a low droning guitar.

"Photographs" is followed up by the alt-country-tinged "Never Make a Sound."  I hate to be so straightforward, but this song is delightful.  It's a simple song really.  There is a pleasant acoustic guitar riff joined by some tasteful synth in the chorus and (what I think is) a synthesized drumbeat.  "Delightful, tasteful, pleasant..."  I wish I could think of a few better words to describe Vaeth's stuff, but how else can you describe something that puts you in an outright good mood?  Same goes for the Honorary Title-esque waltz of "Rest."  Somehow Vaeth has truly nailed the mixing and the instrumentation in these songs.  There is NEVER any random guitar shredding or even an out of place synth wave.  He's stumbled upon some algorithm consisting of vocal "oohs," chimes and bells, and an ever-present acoustic guitar...  and it makes for perfect indie pop all-around.

"Where You Belong" has some of the the sparsest instrumentation on SSS, and yet, it comes the closest to the bluesy-rock of Johnny Nobody territory.  It's tough to put my finger on because of all the reverb, keyboard accents, and other synthesized stuff, but Vaeth falls into a funky guitar groove accented by an almost dissonant guitar entrance to every chorus.  It's a departure from the rest of SSS, but a welcome one, adding a bit of variety to the otherwise airy indie pop that this EP has to offer.

Vaeth nails it again on the closing track to Sad Synthetic Sounds, "All the Change in My Pocket."  A piano with delay on it repeats wistfully throughout the verses, and once the drums kick in, this song sounds like it might fit perfectly on Radiohead's In Rainbows (at least to me).  I know making comparisons to Radiohead is dangerous territory, especially when I described the majority of this album as "indie pop," but I swear, it must be that magic algorithm again.  Vaeth finds a way to mix seemingly commonplace instruments in a way that encourages a sort of urgent vibe.  Even when everything is "pleasant" (like in "Never Make a Sound"), there's always some sort of longing present in Vaeth's half-mumble, half-drawl, but totally-beautiful-and-soulful voice.  

And let me just say, thanks to Steak & Cake for always giving me good records to write about.