Showing posts with label david byrne. Show all posts
Showing posts with label david byrne. Show all posts


Open To Interpretation #1: Talking Heads - "(Nothing But) Flowers"


One of the fun things about music is trying to figure out what our favorite songs are actually about. Scattered throughout rock history are dozens of songs where we can ask "is this about God, a girl, or drugs?" Other times, we struggle to tell if the lyrics are meant to be taken at face value. And a lot of the time, we just wonder if the singer knows about that girl in math class we have a crush on. Or maybe that's just me.

Anyway, this is the first part of a series I've begun called "Open To Interpretation," in which I'll attempt to figure out what some of my favorite songs (and hopefully some of your favorite songs) are actually about. We're starting off the series with Taking Heads' 1988 single "(Nothing But) Flowers," the best song of their final album, Naked, and thanks to its inclusion in Clerks II, one of their most famous.

In 2007, "(Nothing But) Flowers" found it's way onto a list of conservative rock songs. At face value, this might make sense, as the song talks about a future world where all of our modern conveniences (Pizza Huts, shopping malls, discount stores), have disappeared, replaced by a hippie dystopia. There are no more microwaves, and thus, we are forced to eat nuts and berries. Factories have become mountains and rivers. Essentially, all the things that a nature-loving environmentalist would hope for have come true, and life is miserable.

But does it make sense to read these lyrics without any irony? After all, this is David Byrne we're talking about. An art school grad, and not the most commercial-friendly guy in the world. Would he really write a song which blatantly says that consumerism and capitalism are good, and that a world where we went back to nature would be a nightmare? Surely, it has to be a bit more complex than that. 

After listening to this song, many many times, I've come up with four potential interpretations of this song, and I'll leave it up to you to decide which makes the most the since.

Interpretation #1: It actually is a pro-capitalism song. Despite his art school background, David Byrne has more of a right wing streak than we would think, and he wrote this song to tell us how to stupid all those damn hippies are for thinking a nature-centric world would make us any happier.

Interpretation #2: It's the exact opposite. The song is anti-consumerism all the way, and when Byrne sings "I miss the honky tonks/Dairy Queens/and 7-11's," we're supposed to think it's silly that anyone would miss those things. 

Interpretation #3: It's a little bit of both. The song isn't saying that we should miss all the aspects of modern consumerism if they were to magically disappear, but simply that we would miss them. Perhaps in an ideal world, we would be better off just eating nuts and berries, but the harsh reality is, we would really miss our microwaves.

Interpretation #4: It's none of these - David Byrne wrote a song that was damn near impossible to interpret simply for the sake of doing so. Remember the Frasier episode where he has a dream that he can't interpret, but then it turns out that he was subconsciously challenging his abilities as a psychiatrist by giving himself a dream that would be impossible to interpret? That's kind of what Byrne was up to here. It's a musical Rorschach blot, and you take what you want from it. 

So, there you go. Hopefully, one of those interpretations represents what Byrne was actually getting at back in 1988. I'll leave it to you guys to tell me how I'm a total Philistine who couldn't be more wrong, and I'll see you next month for round 2 of "Open To Interpretation."


John Hugar


It's The End of The World As We Know It, And Cliff Could Care Less


Well, 12 hours from now, at 4:12 Mountain Standard Time tomorrow, December 21, 2012 the clock strikes APOCALYPSE according to the Internet, so to get ready for impending doom here's a handy End of the World playlist to get you in the right frame of mind.


Enjoy, and see you on the other side.


Tame Impala -  "Apocalypse Dreams."





Nick Cave and the Bad Seeds - "(I"ll Love You) Until The End Of The World."




U2 - "Until The End Of The World"





R.E.M. - "It's The End Of The World As We Know It (And I Feel Fine)."





David Byrne - "Nothing But Flowers."




Please note: I think it's all bunk, as apparently the Mayans themselves are asking themselves "what's up with these gringo's?" but hey, it's all good fun. Sure I myself am keen on Evo Morales' very Alan Moore-esque theory that "according to the Mayan calendar, the 21 of December is the end of the non-time and the beginning of time.It is the end of hatred and the beginning of love, the end of lies and beginning of truth." Yes, that would definitely be cool, especially after this last week... but I ain't holding my breath.



Cliff Parks


Thursday Odds and Sods


Folks, I can't lie to you. All the stuff that I really want to write about, well I haven't done them yet. My mind is elsewhere, on the weekend coming up and the stuff I'm gonna be doing, and I can't write about something I haven't done yet, and to do so would just be me, wanking off, and I can't do that to you. That said, it's Odds and Sods time.


  • New Music Express turns 60 this year, and it's only fair that this music blog say "happy birthday!" because NME (as you kids might know it) is one of the true godfathers of music journalism as we know it and in many regards the father of the feast so many have enjoyed being a part of (Rolling Stone, Creem, Pitchfork, etc), buffaBLOG among them. NME was all over the Beatles, the Stones, Zepp, Pink Floyd, punk, The Jam, U2, Radiohead; thoughtfully and cheekily bringing new music to the people, celebrating American pop music they deemed worthy of attention, and holding people and the music accountable, NME has been an essential part of the British music scene so many of us love, and as a music lover I for one am damn glad that it's been there as a resource. I mean, have you seen their website? That's what I'm talking about. Thank you NME, and thank you for that acronym that always says you're sticking it to the man.
  • Contrary to the current outbreak of extreme wishful thinking, reliable sources say that we won't be seeing NHL hockey until January at the earliest. Sorry.
  • The latest edition of EA Sports' FIFA soccer videogame franchise came out this week, and once again the music on the soundtrack is beyond phenomenal. Metric, Passion Pit, Band of Horses, Santigold, Bloc Party, Two Door Cinema Club, Reptar, Kasabian, Deadmau5, Kimbra... it's a music lovers paradise. In many regards it's like an old K-Tel hits collection that doesn't suck, and covers the (FIFA playing) world instead of just North America, making it a global mixtape (in the classic sense, not the digital) and a great resource for discovering music (previous editions introduced me to Caribou, Seu Jorge, Blk Jks, and Black Kids). I really think you should pick it up post haste. Great music, and it might even change your life. Just saying. This year's FIFA find (so far): The Royal Concept's "Goldrushed."

  • Mike Love is a colossal dick and an arrogant, misguided fool. After a successful and much heralded 60th Anniversary reunion album and tour, it's been reported that Mike Love will be firing the rest of the Beach Boys (including creative genius Brian Wilson) once their UK tour concludes. It appears that Love, sole owner of the Beach Boys name, thinks that he and he alone is the Beach Boys, and after this year he'll be touring under the Beach Boys moniker with god knows who backing him. Hopefully, Bruce Johnston will tell him to "go ____ himself."
  • Alas, the world might well be on the verge of ending. Behold: David Byrne, Arcade Fire, and Nikolai Fraiture faithfully performing KC and the Sunshine Band's "That's The Way (I Like It)." If it looks like it was filmed in a high school gym, that's because it was, during the halftime of a charity basketball game. Please world, don't end. Not yet. Hold off until the end of next week. Thanks.


Cliff Parks


Album Review: David Byrne & St. Vincent - Love This Giant


I won't lie to you.  When it was announced that David Byrne was collaborating with St. Vincent (aka Annie Clark), I was enthusiastic. At this point, David Byrne strides the Earth; putting out a secular gospel album with old pal Brian Eno (Everything That Will Happen Will Happen Today), doing a double album musical with Fatboy Slim about Imelda Marcos (Here Lies Love), or jamming with N.A.S.A. (Spirit of Apollo), David Byrne just is. St. Vincent is a clear inheritor of his art pop legacy, and so far she's done it proud over an impressive trio of records (and a stellar show at the Town Ballroom this past May). As far as I was concerned, the collaboration was a perfect and natural fit, and with the announcement that the album would also heavily feature horns (including the Dap-King horns and Antibalas), confidence was high.

That Love This Giant exceeds those high expectations, that's the true pleasure and thrill of the album. Not surprisingly, Annie Clark pretty much steals the show, but in all truth, I think that was by design. Byrne floats above and in and out of the album, but it's Annie Clark who persistently shines throughout Giant; whether as an angelic voice singing over the urban grooves of "Ice Age," burning anthemic and shredding the guitar on "The Forest Awakes," or as a soul songstress on the slinky funk of "Lightning," she owns this record. It's still David Byrne's sandbox however, and his presence is pervasive.  He and Clark resurrect the urge to do odd dance moves with the inevitable art funk of lead single "Who," while "I Should Watch TV" continues his ongoing Macluhanesque deconstruction of popular media, and "Optimist" his fondness for secular spiritual music. 

There's a lovely sensation of wholeness and seamlessness to Love This Giant as it builds to it's climax with the joyfully Dap-King and Antibalas heavy "The One Who Broke Your Heart," the one song of the set that specifically recalls Byrne's legendary work with Talking Heads. In part that's because I really enjoyed the album's use of horns throughout. I will admit that I am a sucker for horns, on classic soul records, Afrobeat jams, Pink Floyd's Dark Side of the Moon, TV On The Radio's Dear Science, or at the end of M83's "Midnight City," tasteful and soulful horns seldom go wrong as far I am concerned, and on Giant they add exuberance and immediacy while also providing a funky, unifying sound / touchstone for the album, keeping in line with Byrne's keen artistic sense and justifiably storied Talking Heads and solo career. 

While hardly earth shattering, Love This Giant is nonetheless a joyful, funky, and thoroughly alive contribution to David Byrne's oeuvre that also serves notice to the world that now, it's Annie Clark's turn... and that we're definitely in good hands.

Grade: A-

Oh yeah, I'd be remiss if I didn't mention the excellent cd packaging. I know it's old fashioned, picking up cd's, but this one is worth forgoing modernity and it's infernal 1's and 0's in favor of the lovely physical article. While not quite an objet d'art , it's close.


Cliff Parks


Picking Up the Slack for MTV: David Byrne & St. Vincent


One of the more interesting collaborations over the last few years will finally see it's release this coming Tuesday as the David Byrne & St. Vincent album Love This Giant hits stores.  The first single, the horn heavy jaunt number "Who," has been in circulation for a minute, but the accompanying video to the song just hit the web.  Shot in an always welcome black and white, the video features Byrne, who after all these years still looks sharp in a suit, and St. Vincent's alter ego Anne White alternating between lying in the middle of the street to dancing through them.  Do I know what is going on in the video?  Of course not.  Is it worth a view?  You betcha.  Enjoy.


mac mcguire


Top 10 September Album Releases


Here we are, face to face with September and it’s difficult to be upset. In most ways this summer has been incredibly good to us; we should be very grateful. There’ve been a surplus of incredible shows and events to check out in WNY all season long and all of that great momentum just seems to be carrying over into the fall as well. In many ways we perceive Autumn as a season of decline, but it’s also a period of renewal and harvest. While autumn carries a certain nostalgic weight, it is also a chance to start fresh and look ahead to new beginnings. And new music. There's a ton of new music.

10. Rudi Zygadlo - Tragicomedies
Rudi Zygaldo gets the name of his first transfixing single “Melpomene” from the Greek Muse of Singing who later becomes the Muse of Tragedy, often depicted with a mask in one hand and a knife or club in the other. After discovering this, the image itself becomes nicely aligned with said single from his newest release Tragicomedies. The Scotland native’s sound can be attributed to a mix of pop, contemporary electronic, and a touch of dubstep. He has previous released an LP Great Western Laymen from Planet Mu records out of Kent, England. Tragicomedies is due out 9/24. Listen to "Melpomene" below:


9. The xx - Coesist
The xx are a South London quartet who came to prominence in 2009 with their sparse, yet fresh sounding self-titled debut. The xx received raved reviews and their popularity has since skyrocketed, enough to get them the #15 spot on (the predictable) Pitchfork’s People’s List, a recent tally the site undertook to measure their readers’ top 200 albums since the media publication launched in 1996. Yes, you could call them a buzz band, but even if you aren’t blown away by their minimal take on indie-pop, it doesn’t hurt to see what they’re up to 3 years and millions of fans later. I already have a few opinions about the latest single “Angels”, but give it a listen and decide for yourself what you think. Their album Coexist is due out 9/11 via Young Turks.




8. David Byrne and St. Vincent - Love This Giant
In May I had the great opportunity of seeing St. Vincent at Town Ballroom as she set out on her Strange Mercy tour and it was easily one of the best shows I’ve seen this year. In between songs during her outstanding performance she chatted with the audience and told a few stories, and that’s when I first heard that she would be releasing an album with none other than David Byrne, who she claims is one of her greatest influences. The former Talking Heads frontman and her started this project back in 2009 when they met at a benefit concert called Dark Was The Night put on by Red Hot. The two hit it off and after being asked to collaborate for a similar event by Housing Works, the two agreed to make music together. What started as a small undertaking of writing a few songs together, the project blossomed and they quickly agreed it would be a good idea to release a full collaborative album, obviously an amazing idea. The songs are unique in that they center around horn instruments instead of their typical respective guitar ensembles, which you can especially pick up on in the latest single from the album Love This Giant called “Weekend in the Dust”. The album is due out 9/11 via 4AD and can be pre-ordered here.

7. Dum Dum Girls - End of Daze EP
Lo-fi surf-rockers Dum Dum Girls recently set out to develop a cleaner sound on their sophomore record, Only In Dreams, released last year, and now they’re checking in with a 5-track EP, End of Daze due out 9/25. The latest track from the short stack, “Lord Knows”, was featured a couple weeks ago on the blog, citing the track’s full and anthemic tone. Listen to the “Lord Knows” below:


6. Efterklang - Piramida
The opening track of orchestral indie-rock outfit Efterklang’s fourth LP Piramida, is rhythmically captivating, beginning with spacey pings layered with choral harmonies fading in and out, and wild snares running ear to ear. Lead singer Casper Clausens belts a gentle intro, “It’s impossible and over mountain Doka / and I wonder, I wonder, I wonder.” Since their 2010 album Magic Chairs, which first got them on board with 4AD, the group has been busy touring, writing, and even released a collaborative film with Vincent Moon called An Island, which is based around music from Magic Chairs. I highly recommend you download the 48 minute film, which you can do on a name-your-price basis here. What makes Piramida the group’s most compelling release to date is their recording process which consisted of the musicians spending 9 days on the Norwegian island of Spitzbergen taking over 1000 different recordings at the industrial settlement of Piramida, now a ghost town 1000 kilometers from the North Pole. Watch the intriguing trailer for the album below:


5. Chris Cohen - Overgrown Path
Chris Cohen has contributed to a lot of different projects in the last decade or so, including: The Curtains, Cryptacize, and Deerhoof. To add to his resume, Cohen has also toured with the likes of Ariel Pink, Cass McCombs and Danielson. Now, the 37-year-old Vermonter is releasing his very first collection under his own name due out 9/25 entitled Overgrown Path. The debut single from the album, “Caller No. 99”, is a catchy psych-rock ditty with phased-out guitar loops and Ringo-esque percussion. You can download it below: 

 

4. Thee Oh Sees - Putrifiers II
Thee Oh Sees’ debut single off their latest (and 14th) album “Flood’s New Light” deals the cascading tie-died riffs and kick/snare rhythms we’ve come to expect from the San Francisco outfit, but with a slightly more polished approach. Which is just fine, because sonically, it might be their most mature release yet. Even better news is that the group will be headlining a show here in  WNY at Town Ballroom on 9/25. It get’s better: Ty Segall will be opening. Pre-order tickets here



3. Cat Power - Sun
Cat Power, otherwise known as Chan Marshall, is releasing new material for the first time in six years with her latest LP Sun, due out 9/4 on Matador. The album is available to stream over at The Guardian, and I’m sure you’ll find it on a few ‘best of 2012’ lists come December. The first single off the new record “Ruin” is an upbeat track (maybe her most cheery to date) with accelerating keys and drums that cross-stitch into a catchy rhythmic motif. Listen below:






2. Animal Collective - Centipede Hz
The New York-via-Baltimore experimental quartet released one of the best records of the past decade in 2009 with Merriweather Post Pavilion, and now 3 years later we are just itching to see how they will follow it up. Their answer: Centipede Hz. If you thought the Collective couldn’t get any freakier, think again. The album has been available to stream for a couple weeks now, and while it might not live up to the impression of its predessessor, it does not dissappoint in the slightest. The albums due out 9/4. Stream the ten song album complete with psychadelic videos here.


1. Grizzly Bear - Shields 
The latest track from Grizzly Bear “Yet Again” off their newest record Shields might be their most gorgeous single to date. Ed Droste takes the reigns on vocals as the listener is drenched with expansive guitar strokes and trademark harmonies, and it seems Grizzly Bear has only gotten better at expanding their sonic bag-of-tricks. And this isn’t very surprising. Since 2009’s Veckatimest, which is easily the Brooklynites’ best record to date, the group has spent sometime touring and working on solo projects with Daniel Rossen releasing his EP Silent Hour/Golden Mile in March of this year and Chris Taylor releasing his record Dreams Come True under his CANT moniker last September. These creative endevors have only pushed this group’s creative potential even further, which is why Shields will be one of the best records of the year. Shields is due out 9/18 on Warp. Pre-order it here.



Tom Dennis