Showing posts with label odds and sods. Show all posts
Showing posts with label odds and sods. Show all posts


Odds and Sods 11/20



File under RUN AND STRAFE. 
  • I'm just going to come out and say it: I don't think WNY's college student population is pulling it's weight. We've got how many schools in the area with how many students, and shows like Sleigh Bells and Blitzen Trapper aren't getting the crowds they deserve. I just can't help but feel that these college students are failing miserably. I've heard a few theories as to why (they don't like to leave campus, they don't like music like students used to, the buzz for these bands isn't there), and I don't like the implications of any of them. Is it Buffalo's lot to land good college acts at a time when the local college population is too lame to take advantage of the situation? Getting the students into the city at large is going to be a big issue for 2014, that's for sure.

  • And while on the subject of buzz, it makes me sad that buzz has become a currency that flows like global capital to cheap labor markets in the third world. It's one thing to have buzz guide us to new things and keep things lively, it's another to chase the buzz and automatically abandon that which had buzz yesterday for the sake of chasing buzz. This doesn't bode well for the viability of popular music at all. Is this what they mean when they say "foodies are bad for food scenes?"

  • I'm not altogether thrilled by the dress code for next year's Arcade Fire tour as the band is requesting that attendees show up in "formal attire or costume," and frankly my nose is a tad pushed out of joint, if nothing else because I've defended Arcade Fire from accusations of pretentiousness and this is how they repay me, with intended feats of abject pretentiousness. While the dress code will no doubt be unenforced, the air of grandiosity is regrettable, and of course while I expect many Arcade Fire fans are already picking out their black tie and tails and gowns, the fact remains that this isn't a very Bruce Springsteen thing to do. Now, a costume however is entirely different... Tickets for Arcade Fire's March 13th show in Toronto at the Air Canada Centre go on sale this Friday. 

  • Black Sabbath however is a band that won't be issuing a dress code for their shows, which is good because they'll be swinging by our general vicinity April 11th when they play the Copp's Colosseum in nearby Hamilton, Ontario. Touring behind this year's Rick Rubin produced 13, the reformed Sabbath (minus Bill Ward) hit the road after guitar god Tony Iommi recovered from cancer treatment to strong reviews and solid enough box office to extend the tour into 2014. This might well be our last chance to see 3/4's of the classic Black Sabbath and Ozzy in his truest element, and at this point it could be a better bet than the fancy do that will be live Arcade Fire (he says somewhat facetiously). Tickets go on sale this Friday.

Cliff Parks



Monday Odds and Sods: Super Bowl Mop Up Edition


Well, that's another Super Bowl in the books, and like many, I for one am glad it is over. This de facto unofficial American holiday is generally a mixed bag, but this year's edition turned out to a bigger turd than usual, with a wildly uneven game, lackluster commercials, a wildly over hyped half-time show, and a 35 minute long power outage that quickly became taken as a metaphor for modern America. To be honest, I'd take the whole event as a metaphor for modern America, but I'm here to talk about the music, so I'll try (and probably fail) to leave that alone...


  • I so wanted to Tweet something about the Alicia Keys rendition of "The Star Spangled Banner" vis-a-vis Beyonce that would've shamelessly fed into gender stereotypes, but in an effort to keep my liberal karma pure, I refrained. Yes, Alicia Keys sang it live; in fact she sang the hell out of it, and I can't say anything bad about it.

  • The Flaming Lips got their moment in the sun with their Hyundai ad airing at the start of the game. Unfortunately, amidst so many lame ads it looks like it went largely unnoticed by the general public, a shame considering it was one of the more interesting ads of the whole night.

  • Audi used a track from Hanni El Khatib (produced by Dan Auerbach) for their big Super Bowl ad, and while the commercial is largely ludicrous, the song is pretty damn good, so good in fact that I'll be keeping an eye out for this Palestinian American artist.



  •  Peter, Bjorn, and John should not have allowed their song to be used for this odious Budweister Black ad campaign. Wasn't 2 Broke Girls enough for these Swedes? And speaking of 2 Broke Girls, we need to find something better for national treasure Kat Dennings to do. That admittedly spicy Super Bowl ad couldn't have gotten any more blatantly sexist. Shame on us.


  • I had to laugh at the geriatric network CBS unironically using T-Rex's "20th Century Boy" for their commercials for that cliche riddled new Chi McBride cop show.

  • I don't like Fun.'s "We Are Young" in English, so I really didn't like Fun. en Espanol when the song was used in that Taco Bell ad as the soundtrack for senior citizen misdeeds, a concept blatantly stolen from Sigur Ros...


  • Even though she was singing live this time, Beyonce's half time show (complete with Destiny's Child reunion!) was utterly yawn-worthy. Sorry, but that was wildly overblown and terribly boring. Yes it was nice seeing Kelly Rowland, but really America, what are we doing getting excited over that? We can do better.

  • The big winner of the night according to the ad agency people (other than the Baltimore Ravens and Ray Lewis, groan) was this spectacular manipulation of baby boomer emotions from Budweiser, those damn clydesdales, and legendary Fleetwood Mac b-side "Landslide." I love Stevie Nicks and I love the song, but this ad was just too much.


And that's it, until next year's extravaganza of excess, consumption, and shame. May God have mercy on our souls.


Cliff Parks


Thursday Odds and Sods


Naturally I'm leery of e-mails proclaiming a band that happens to be promoted by said e-mail sound like "the saviors of music," but when I saw that British rock mag NME said that about Everything Everything, the band in question, and I had to check them out. Is this young band based in Manchester in fact "the saviors of music?" I'd like think so, because mainstream American music is once again in need of saving, and if these blokes can make an impact in the wastelands with their catchy Radiohead / Bloc Party / Doves / Yeasayer influenced sounds, well, more power to them... although I suspect that they won't and will remain indie darlings. I'm reserving judgement until I hear the sophomore album that's got the British in a tizzy, but I do have to admit, this first single is dynamite.


Here's the new Strokes song that was featured last week, just because a lot of people seem to hate it or consider it "weird." I'm not one of those people.



The Black Angels announced that their fourth album Indigo Meadow is coming out April 2 and released a rather timely single "Don't Play With Guns" that features a marked sonic departure from their first three albums, eschewing 60's psychedelia in favor of an aggressively modern sound that's probably going to piss off a bunch of their fans. The Black Angels also announced some 2013 tour dates; unfortunately Buffalo's not on the list, which makes me sad because while their last Buffalo show got some rough treatment from the blog, it was actually a pretty good show. I'm not going to say it was as good as their 2010 Beggar's Night show at the Tralf with Black Mountain, which was absolutely wonderful, but it was real good.


April 2 is going to be heavy lifting for music fans (or at least for me) with new albums from The Black Angels, Caveman, and The Flaming Lips, who will be generating some hype for their upcoming album The Terror this Sunday night by being featured in a Hyundai commercial that will be aired during the Super Bowl. Of course people are going to bitch "the Flaming Lips sold out!" but frankly, they "sold out" ten years ago when "Do You Realize?" was used in a car commercial and twenty years ago when they performed "She Don't Use Jelly" on 90210, and more to the point, that talk's just effete lameness of the worst kind. These cats have families and they need to get paid, and with nobody showing music videos anymore outside of MTV's faded xerox of 120 Minutes, they've got to get out there somehow, and if this joyfully askew, oddly tasteful, and thoroughly entertaining car commercial gets The Flaming Lips and/or Wayne Coyne trending on Twitter, I'm OK with that.


Cliff Parks


Thursday Odds and Sods


Folks, I can't lie to you. All the stuff that I really want to write about, well I haven't done them yet. My mind is elsewhere, on the weekend coming up and the stuff I'm gonna be doing, and I can't write about something I haven't done yet, and to do so would just be me, wanking off, and I can't do that to you. That said, it's Odds and Sods time.


  • New Music Express turns 60 this year, and it's only fair that this music blog say "happy birthday!" because NME (as you kids might know it) is one of the true godfathers of music journalism as we know it and in many regards the father of the feast so many have enjoyed being a part of (Rolling Stone, Creem, Pitchfork, etc), buffaBLOG among them. NME was all over the Beatles, the Stones, Zepp, Pink Floyd, punk, The Jam, U2, Radiohead; thoughtfully and cheekily bringing new music to the people, celebrating American pop music they deemed worthy of attention, and holding people and the music accountable, NME has been an essential part of the British music scene so many of us love, and as a music lover I for one am damn glad that it's been there as a resource. I mean, have you seen their website? That's what I'm talking about. Thank you NME, and thank you for that acronym that always says you're sticking it to the man.
  • Contrary to the current outbreak of extreme wishful thinking, reliable sources say that we won't be seeing NHL hockey until January at the earliest. Sorry.
  • The latest edition of EA Sports' FIFA soccer videogame franchise came out this week, and once again the music on the soundtrack is beyond phenomenal. Metric, Passion Pit, Band of Horses, Santigold, Bloc Party, Two Door Cinema Club, Reptar, Kasabian, Deadmau5, Kimbra... it's a music lovers paradise. In many regards it's like an old K-Tel hits collection that doesn't suck, and covers the (FIFA playing) world instead of just North America, making it a global mixtape (in the classic sense, not the digital) and a great resource for discovering music (previous editions introduced me to Caribou, Seu Jorge, Blk Jks, and Black Kids). I really think you should pick it up post haste. Great music, and it might even change your life. Just saying. This year's FIFA find (so far): The Royal Concept's "Goldrushed."

  • Mike Love is a colossal dick and an arrogant, misguided fool. After a successful and much heralded 60th Anniversary reunion album and tour, it's been reported that Mike Love will be firing the rest of the Beach Boys (including creative genius Brian Wilson) once their UK tour concludes. It appears that Love, sole owner of the Beach Boys name, thinks that he and he alone is the Beach Boys, and after this year he'll be touring under the Beach Boys moniker with god knows who backing him. Hopefully, Bruce Johnston will tell him to "go ____ himself."
  • Alas, the world might well be on the verge of ending. Behold: David Byrne, Arcade Fire, and Nikolai Fraiture faithfully performing KC and the Sunshine Band's "That's The Way (I Like It)." If it looks like it was filmed in a high school gym, that's because it was, during the halftime of a charity basketball game. Please world, don't end. Not yet. Hold off until the end of next week. Thanks.


Cliff Parks


Monday Odds and Sods 6/18



I'm not going to lie to you, this post was supposed to be all about the Radiohead show in Toronto Saturday night, but that show didn't happen so that got scotched. My backup plan for Saturday night and today's post was the NXNE Flaming Lips show with Of Montreal and Portugal. The Man, but James Wild beat me to the punch yesterday with his review of that evening's events. Bereft of ideas and pressed for time I have no choice to inflict an Odds and Sods on you. I'll try to make it worth your while...


  • Here's that performance of Radiohead's "Knives Out" from The Flaming Lips show Saturday night at NXNE, along with Wayne Coyne's comments on the situation. For my part, I approved and appreciated Wayne's sentiments (and the dude who yells "show some respect @#$%ers!" at the :25 mark), and I thought that the Lips' set was much better than the rote Lips show I saw in Rochester last year. The band was feeling it Saturday night, and their performance wasn't phoned in at all, instead it was demonstrably heartfelt, and it gave songs like "Waiting For A Superman,""What Is The Light?","Is David Bowie Dying" and "Do You Realize?" even deeper resonance. There was indeed a somber element to Saturday's revelries at Yonge and Dundas Streets, but for the insane crowd that assembled (that was packed in from the stage right back to the Eaton Centre's doors), the Lips kind of made it alright. 




  • Check out this preposterous, wonderful, and NSFW new video clip from Sigur Ros for "Fjogur Piano" off of their excellent current release Valtari. And yes, Shia Leboef is still a jackass.




  • I'm really stoked about that Fleetwood Mac tribute album coming out in August featuring Best Coast, Lykke Li, St. Vincent, The New Pornographers, and MGMT based on this preview track featuring the Pornographers tastefully covering "Think About Me" (off of the Mac's underrated 1979 Tusk double album).


  • The buffaBLOG Beach Party was great. Big ups to the folks who made it happen.

That's all I got for you folks. Stay cool. No really, it's going to be hot the next few days.




Cliff Parks


Monday Odds and Sods



Today has to be an Odds and Sods post because my last 3 have been about Record Store Day, and a fourth would've been too much.
  • A few quick thoughts about Record Store Day- it was the best yet, and seeing our record stores modestly crowded made my heart sing. Also, The Flaming Lips and Heady Fwends is for my money the best RSD exclusive release yet. I felt an unbearable lightness of being just snatching my copy out of the bin, but to get home and see and hold the handmade albums and inspect the hand etched notes on the albums themselves... I genuinely felt and feel the love that went into making them for Flaming Lips fans. And the music on them is fantastic and perfectly sequenced to create a whole and coherent work that actually makes it a significant Flaming Lips album and a contender for one of my albums of the year.


  • The same cannot be said for Animal Collective's Transverse Temporal Gyrus RSD exclusive. It's.... uh.... interesting, and it comes with a great diagram/flow chart that sort of communicates what their Guggenheim Museum installation was about, but it's certainly not a follow up to their last proper release Fall Be Kind or anything that's going into heavy rotation. 
  • As for the rest of my RSD swag: The Black Angels single was swell (nifty retro packaging plus intriguing signals about future Black Angels sounds), the Grace Potter & The Nocturnals at the Legendary Sun Studio cd was nice but not earthshaking, and that Mynah Birds single featuring Rick James and Neil Young circa 1966 was a revelation- sunny California rock mixed with Motown harmonies and soulfully fronted by an explosive young Rick James... yeah music history missed out on that one when circumstances scotched it's release (see VH-1's Rick James: Behind The Music).

  • The Black Keys were profiled on CBS Sunday Morning, and it was a mighty nice piece. Not only am I partial to their music, but these dudes are all right. Far from being wankers, they are Rust Belt salt of the earth... like us, perhaps explaining our area's rapidly growing affinity for the Keys (the Town Ballroom one year, Artpark the next). And I don't want to hear about how they've gotten "too popular" after 10 years of work, or "sold out." I'm tired of hearing that wanky shit. In addition to offending my blue collar ethos let's face it, everybody but Radiohead (and R.E.M.) has sold out and allowed their music to be used in commercials. The Flaming Lips. M83. Sigur Ros. The New Pornographers. GRIZZLY BEAR. Etcetera etcetera. They all did it, they all had to do it (because the MTV's and VH1's suck), so let's get over it. Now are the Black Keys overexposed? Now that could be a different story.


  • I read this article yesterday in the Guardian about Manchester's (UK) late 80's music scene and I thought of you Buffalo because of our growing electronic music scene, and because I always think about Buffalo when I think about Manchester... being that they're both faded, industrial cities in the north of their respective countries, although Manchester isn't as faded as it used to be, offering possible lesson for our fair city.
  • And now a word about health and well being (because we love you here at buffaBLOG): be sure to dress warmly and appropriately when heading out to tonight's Cults and tomorrow's Death Cab For Cutie and Portugal. The Man shows. The Buffalo concert scene is heating up (ST Vincent! M83!) while Buffalo's weather is concurrently going bonkers, and now is not the time to get sick. Be sure to take your vitamins and eat your vegetables!
Cliff Parks


Monday Odds and Sods 4/9



I've got a lot on my chest today, a lot of stuff not big enough to justify individual posts, so it's Odds and Sods time:


  • Happy Dyngus Day. I almost wish I wasn't going to Rochester to see Of Monsters And Men tonight because this year's Dyngus Day celebration looks to be the best yet as Buffalo complete's it's annual Mardis Gras/St Patrick's Day/Dyngus Day hat trick of ethnic/Catholic celebrations in grand fashion. Only in Buffalo folks, do you really get all three. Kudos to us.
  • The eagle has landed, the bird is in the hand, and congratulations are in order as it was announced last week that the NFTA will indeed be going into the summer concert business with Funtime Productions on the outer harbor. No acts or dates have been announced but tentative ticket prices have been reported to be between $30 and $100 for VIP tickets, and with some names already being thrown around (Gov't Mule, The Black Keys), buffaBLOG will definitely be all over this.
  • Alas, another Sabres season has ended in shame, anger, and recrimination, and I'd be remiss if I didn't single out #Sabretunes for more scorn because really, I absolutely feel like they let us down too. Sabres games should be fun and cool, and John Cafferty and the Beaver Brown Band and Foreigner are not cool in the least, and neither is pandering to squares. Do they pander to squares in Austin Texas or Portland Oregon? As reported in last week's Artvoice- hells no. Just like the Sabres on ice performance this year, what came over the PA at their games (with the exception of Arcade Fire before games and Black Keys after Sabres goals) should not and cannot be repeated next season. 
  • We're less than a month out from the sold out M83 show at the Town Ballroom. Just wanted to say that again. The wait is almost over.


Cliff Parks


Monday Odds and Sods



Confession - this is definitely a post Super Bowl Sunday Monday post: hungover, a little discombobulated, short on long thoughts, and all over the place. In other words folks, it's odds and sods time:


  • Thoughts on the Super Bowl? The game came down to the last play, the less bad guys won, the really bad guys lost (especially the wanker Tom Brady and The Great Satan Bill Belichick), the commercials were generally lame and uncreative, and the Madonna half-time show was not altogether horrific. 
  • Yes, MIA really did give us the finger during said half-time show, and I for one think it was great, one of the highlights of the whole broadcast.
  • No, I did not object to the use of the Goo Goo Dolls for that Channel 2 ad boosting the old hometown. I know some folks have been bagging on it because of the Goos, but let's face it folks- Buffalo is cool, but it ain't that cool (call me after that M83 show at the Town Ballroom sells out). I think we've got a little more work to do before we can turn put on airs over the Goo Goo Dolls. Hell, the commercial prominently featured footage of The Old Pink. I respected the respect.
  • Yes, the music NBC used for their bumper music going into and coming out of commercials during the Super Bowl was godawful, but the music used in this Samsung Mobile ad is not.
  • Regrets... I have a few, and one of them is saying in last Monday's post about Lana Del Rey that I was "still intrigued" by her debut album. Why? Because that meant I had to listen to it, and I did, and that's time I'll never get back. If you like under-cooked hokum that wants to walk on the dark side but really doesn't, Lana Del Rey's Born To Die is your album. "Videogames" is literally all she's got. Kudos however to the recording industry for getting succesfully subverting the indie/buzz blogosphere and getting one by that firewall. Well done. And that's all I'm going to say on the subject because I value my time and yours. 
  • Speaking of regrets, yeah, I probably could've put that post up about St. Vincent on last Friday's "Portlandia" a little sooner than last Friday night. I'll try to do a better job in that department in the future. For those that missed Annie's.... uh... understated yet wonderful performance on "Portlandia," here it is:
  • After a dry January for new music releases of note (to me at least), February's got some mighty choice nuggets, including the new of Montreal album Paralytic Stalks, due out tomorrow. Word on the street has it that it's got a Hissing Fauna, Are You The Destroyer? vibe, an interesting turn after the adventures that were Skeletal Lamping and False Priest, and that has me very stoked. Here is a taste, and hopefully if we're good boys and girls maybe we'll get a Buffalo of Montreal show this fall...
Dour Percentage by of Montreal




That's all I got. Happy post Super Bowl Monday. We'll get through this. Be sure to drink plenty of fluids... and good luck.


Cliff Parks