Showing posts with label first niagara center. Show all posts
Showing posts with label first niagara center. Show all posts


Tonight: Jay Z


In mentioning Jay Z, numbers that account his net worth may come to mind. Conversations may spark of the "Illuminati" conspiracy, or the relationship idealization and fascination of many for him and the well-adored BeyoncĂ©. Shawn Carter, a man of many names, is much more than the trending topical tweets. Although his most recent album release, Magna Carta Holy Grail, had mixed reviews, it remains a consensus that he continues as a talented, motivated and legendary icon in the game. Jay Z, above all things, is a true artist, an innovator.

Tonight, he will make a stop at the First Niagara Center for his Magna Carter World Tour. Along with him will be Timbaland, who had a significant part in the production of the album.

To capture the feel of MCHG, as a product of his album's release, he held a 6-hour performance piece at Pace Gallery in New York City. Surrounded by artists, actors, students, poets, art dealers, filmmakers, youngsters and designers, he performed "Picasso Baby" on a platform while interacting with the crowd. Some would sit individually on the bench as he would perform to them; in some cases, they would switch and Jay Z would watch them display their own form of artistry.

"Rap is pretty much thinking out loud. You're talking, and you're putting your fears and your vulnerabilities, and you're putting bravado, your insecurities, all on music. And it's there for the world to see. You're really giving a glimpse into who you are," he said.

The album is sprinkled with plenty of art references, which Complex Magazine cleverly broke down, to the lyric.

In the "Picasso Baby" video, Hov said, "Concerts are pretty much performance art, but the venues change. And just by nature, the venues, the performance change ... So you get to feel the energy of the people. In a concert, especially a large concert, all that energy comes to you ... what do you do with that energy? So today, it's kind of an exchange..." Tonight, that exchange will occur, right here in the Queen City.



The Magna Carta World Tour: Jay Z with Timbaland
Tonight, Jan. 30 at 8 p.m.
First Niagara Center (1 Seymour H Knox III Plaza)


Alicia Greco


Just Announced: Bruno Mars


Grammy-award-winning, Super Bowl-performing, Doo-Wop-dancing pop and R&B star Bruno Mars is coming to Buffalo this summer as part of his “Moonshine Jungle World Tour”, which kicks off in April. This isn’t the first time the pop superstar is coming to the Queen City – he was at the University of Buffalo as recently as 2010, having just released his breakout hit “Just the Way You Are.” Now, four years later, Bruno Mars has two albums under his belt, more than a handful of hits, and a lacquered-up hairdo that’s bigger than ever. His high-energy band and fun songbook promise to make this show nothing short of a jive party. Tickets go on sale on Monday (2/3) at 10 am.





Just Announced: Lady Gaga


The First Niagara Center is all of the sudden the hub in Buffalo from some of music's heavy hitters, between late 2013's Drake show and the upcoming Jay Z and Justin Timberlake shows early this year. Add Lady Gaga to that list now. The mega pop singer has announced the very-likely-to-be over the top tour, titled "ArtRave: The ARTPOP Ball," and the tour include a stop at the First Niagara Center on Monday, July 7th. She will be on tour to support her underwhelming ARTPOP album. While prices are not yet available, tickets go on sale this Monday, January 13th, at 10am through all Live Nation outlets.





Know Your Opener: Miguel


The sound of modern R&B has changed over the past few years with artists like The Weeknd, Frank Ocean, and How to Dress Well making pop-centric records with a relatable narrative and moody, sometimes ethereal production that sonically feels breath of fresh air for a genre that has often been characterized by recycling and over-using the same formulas. Los Angeles singer Miguel is a perfect example of this stylistic shift as his debut LP All I Want Is You was a solid, radio-ready R&B album but did little to distinguish itself in terms of creative flair. After seeking to reintroduce himself artistically, the singer's 2012 sophomore album, Kaleidoscope Dream, was praised by critics for its' incorporation of psychedelic rock as well as funk and soul elements and highly detailed, eclectic production aesthetic that managed to feel highly personal and true to the genre's soulful tradition.

The merger between the electronic and indie world and R&B continues to be one of the most interesting collaborative trends in recent years, sparking a creative conversation that seems to allow for the personality behind each to come across naturally. Miguel will be in Buffalo tonight at the First Niagara Center to open for Drake's "Would You Like A Tour?" along with Future. Show starts at 7pm, tickets are still available and can be purchased here.






Tonight: Drake


Tonight, Drake takes the stage at Neitzsche's. Just kidding, but that would be awesome. Even typing "Drake" and "Neitzsche's" in the same sentence was a great time. He'll be at the First Niagara Center tonight, and if my friends have any sort of credibility, he will put on a great show. I've never been a huge fan of high-profile rap shows, owing largely to an experience I had at a horrendous Jurassic 5 show when I was in high school, but his studio shit is mostly top-notch and even though his latest album didn't do much for me, his catalog is solid and he's too committed to mail-in a concert. It'll be a great show if you give it a chance.

Doors open at 7, and Drake goes on at god knows when. Miguel and Future open. Tickets are still on sale for $65-$115, depending on how much money you are trying to spend.






Tonight: Macklemore


Production/Rap pair Macklemore and Ryan Lewis will be playing at the First Niagara Center tonight alongside Talib Kweli and Big K.R.I.T. The duo achieved notoriety for their breakthrough hit "Thrift Shop" two summers ago, a music video which most of you have probably seen via YouTube, featuring Macklemore parading around a club, a parking lot, and a thrift shop in hilariously outrageous second-hand attire. Shortly afterwards their second album, The Heist, was released in October and met with very popular acclaim, reaching #1 on the iTunes hours upon debut. They have continued to create thunderously witty and energetic music videos ("Same Love," "And We Danced," "Can't Hold Us," etc) and live, their music proves to be all the more contagious. See for yourself, tonight - tickets range from $58 to $99 on StubHub. Catch you there.

 

Jeannette Chin


Concert Review: Pearl Jam


1996, 2003, 2010, and most recently, 2013 (October 12, to be exact) are the years that Pearl Jam had performed in Buffalo. Of the four shows, last night was the only one to not close with "Yellow Ledbetter." Instead, "Indifference" was the final song of a three song encore, 2 hour and 45 minute performance. It was also the only time they played without an opener (the open time slot may have given the band more room for themselves, but from a concert go-ers standpoint, I would’ve taken a Carrie Brownstein band over extra time in the vendor lines.

Eddie riled up the crowd just a few songs in by using his best SNL introduction voice, “Live from Buffalo, it's Saturday Night”. His wino generosity was on full display as he handed out multiple bottles throughout the evening to celebrate with the audience. The band played nine new songs last night off the anticipated Lightning Bolt, scheduled for release this Tuesday. I for one can’t even think of a time where I saw a band play anywhere close to nine songs off an album prior to its release. It was bold, and during the two slower acoustic songs during the first encore, the audience either lost its energy surge or went idle for a moment to gather enough strength for a strong finish. Eddie after back-to-back, vocally straining songs, "Mind Your Manners" and "Do the Evolution," called an audible, and strayed off the setlist path in order to properly pace himself. Eddie’s vocals sounded astoundingly good towards the first half of the set, perhaps due to this only being the second show of the tour thus far.

The entire gang was there, and with a newly organized energy, often huddling around Matt Cameron who executed his duties to near perfection. This wasn’t the same Matt who raced through set lists in the past: his role has changed and he now seems to be the unnamed captain. Of the six (including Boom), Mike McCready was last night's all-star. He makes old, tired songs sound new with alternate renditions, blazing energy and a way to connect with the audience very few guitarists can match. In the past, McCready came off to some as a guitar prodigy-type show off, but he really seemed to be in the moment, more than any of the others, last night. McCready shared his time before and after the concert with fans, and nearly set his guitar into flames at one point with ferocious speed during "Even Flow," perhaps to challenge all the air guitarists in the audience in an effort to keep up. The band wisely chose to play choices from their earlier releases up until the album Riot Act, which is a reasonably affordable cut off point, most loyal followers would agree. The earlier back catalog songs didn’t necessarily make you feel as if you were reliving the 90’s: and at some points (especially during "Once" and "State of Love and Trust") seemed to, dare to say, be going through the motions.

Eddie no longer climbs ceiling beams nor has the same youthful disdain as he did in his younger days, and everyone can agree that this isn’t to be expected at this point of his career. I do believe however that the sentimental value attached to such powerhouses can be pushed just as well as the hits, which were performed flawlessly and, to what it seemed like, everyone’s satisfaction.

High Points including their performances of "Rats," "Present Tense," and "Elderly Woman," where the band kindly considered the rear audience and played facing them. Low points were the crowd chanting Maple Leaf cheers and U-S-A to rival.

The band is approaching 23 years since the release of their debut album, Ten. It's certainly been nothing short of enthralling to be on such a journey with easily one the most admirable bands today. There is nothing contrived about Pearl Jam, and Eddie has to be the most esteemed front man in rock music history. They don’t need image, attitude, gimmicks or marketing schemes to hold the throne. This is what makes Pearl Jam absolutely pivotal, even today.

Lightning Bolt, lyrically, could be Ed’s career highlight and artistically the most diverse the band has ventured. "Sirens," the album's second single, perfectly captures this. “Oh, it’s a fragile thing, this life we lead, if I think too much, I can’t get over. When by the graces, by which we live our lives with death over our shoulders. Want you to know, that should I go, I always loved you, held you high above too. I studied your face, the fear goes away.” Lifelong fans have went on a ride starting with teenage animosity, to overcoming loss and grief. The fear does go away and collectively Pearl Jam made it easier. This cannot be said about any other group from what could end up being as the last influential period of rock and roll.

Fun Facts:
Eddie shared a story about how the song “I Got Shit” came to be. He and Neil Young were in the studio and Neil mentioned that they had nine songs total for the album Mirror Ball. Neil said to Eddie, "How many do you got?" Eddie responded, “I got shit.” For such a seemingly thrown together song, it certainly came out fantastically well. I personally requested Pearl Jam play that song on the ten club forums, as I’ve heard from other die hards that the band views it from time to time to gather ideas to select from their extensive catalog. Who knows if that had anything to actually do with it, but its not hard to imagine.

Eddie commented on how cool looking the classic Sabres logo is. Undoubtedly this form of flattery still will not provide any positive momentum for this year's season.

Crowd-riding was back in action again at the First Niagara Center. Fans wore shirts ranging from fictitious bands such as Citizen Dick, to Metallica’s Metal up your Ass, to Clutch and the expected array of 90’s “grunge-era” essentials.


~ Post by Michael Katilus


Tonight: Pearl Jam


What's there to say that hasn't already been said about Pearl Jam? Rock royalty, survivors of grunge, a rabid fanbase which never seems to stop growing, twenty plus years of consistency and innovation, a Cameron Crowe-directed documentary, and the list goes on and on and on. Put simply, Pearl Jam is a band you know, and if you are a fan you've probably seem them live. Just in case you haven't they are playing tonight at First Niagara Center (7:30pm, $69). I'm one of the few to say I haven't and that's a shame. I hear they're pretty amazing live.



jon krol


Just Announced: Justin Timberlake


With his comeback year in full swing, one that included a brief and overhyped reunion of 'N Sync at this year's VMAs that seemed to cause every 20-30 something woman in my twitter feed to lose their minds, pop icon Justin Timberlake has announced a massive world tour that will include a stop at the First Niagara Center in downtown Buffalo on Sunday, February 22nd. Timberlake's second release of 2013, The 20/20 Experience Part 2, the darker twin to his spring released Part 1, is set to drop on September 30th. Tickets are set to go on sale this Monday at noon. While prices are not yet announced, expect them to be a shit load.

Update: Prices are confirmed $47.50, $97.50, and the always affordable $177.50.





Just Announced: Jay-Z


Looks like I spoke too soon on our recent lull in show announcements. Early, next year, Jay-Z will make a stop in Buffalo on January 30th at the First Niagara Center. The hip hop icon will be on tour to support his latest, the much hyped and sort of just OK Magna Carta Holy Grail. The album seemed to get a bit lost in the HUGENESS that was Kayne West's Yeezus upon it's release, but this is your chance to make up for it as Kayne's tour doesn't include a Buffalo stop. Tickets can be purchased beginning Thursday, September 12th, ranging from $39.50 to the very reasonable $125.50....






Tonight: Justin Bieber


Tonight, Justin Bieber is gracing Buffalo with his presence. You can expect a late start, a couple of really awesome outfits, and probably a lot of unsolicited praising of Jesus. But seriously, I'm pretty pumped that Justin Bieber is in town. It's rare, in this quiet city, that we get to witness the rapid implosion of a star right before our eyes. Have you seen him this year? Between threatening to "beat the fuck out of" a cameraman while being "held back" by his bodyguards and, in a separate incident, spitting in the face of a neighbor who confronted him for driving too fast down the street in his leopard-print Audi, the kid's had a tough go of it in 2013. Not that any of his behavior or antics have totally come to a head, but he was forced to defend himself in May when he was booed during the Billboard Music Awards as he accepted an award. During this "acceptance speech," he reminded everyone that what he did was a craft and that it shouldn't be treated as a gimmick, which as we all know, devalues the word "craft" and is an insult to the word "gimmick."

So folks, get excited! My fearless prediction is that he won't be back in Buffalo until after rehab, so tonight is your chance to see the pre- born-again-Christian Justin Bieber for the last time. Tickets are still available, too! As of this writing, the cheapest tickets available on Stubhub are $85, which is just disgusting. Hot Chelle Rae and Mike Posner are the opening acts, in case you haven't vomited already. 






Just Announced: Pearl Jam


Being born in 1984, I was a bit too young to really appreciate a couple things. One being the Bills' historic Super Bowl run of futility, and maybe that's a good thing. The second was grunge. Had I been a few years older, then maybe, but I was lucky enough to come of age during the reign of Dave Matthews Band (ugh) and the nostalgia of the genre never really pulled me in. No matter. I do understand the genre's importance though, which I don't need to get into in it's entirety here. It pretty much killed hair metal (thanks alot!) but it's demise kind of allowed the gansta rap to emerge (thanks alot...) Anyways, you know the major players:  Nirvana, Mudhoney, Alice in Chains, Soundgarden, and Pearl Jam.

Speaking of Pearl Jam, they just announced a major U.S. tour beginning this fall, running into December, and Buffalo is batting second. This ends the mysterious countdown that the band had featured on their website since the beginning of the month. Eddie Vedder and crew will roll through town on October 12th with a return appearance at the First Niagara Center. Prices and on-sale date are not yet available, and if this was any other band, I would suggest starting to save now as that $50 Black Keys ticket you got for tonight could certainly look like a bargain. BUT, Pearl Jam has always hated Ticketmaster, and they tend to try to keep their ticket costs at a reasonable price. Anyways, good luck.

 






Tonight: Rush


The arc of the moral universe is long, but it bends towards justice."
                                                                       Martin Luther King Jr.

Tonight, the legendary prog rock band Rush returns to Buffalo for a long awaited show at the First Niagara Center. It's been more than a few years since the trio from Toronto played Buffalo, too long if you ask local Rush fans considering our area's long history with the band (the cover to their Exit... Stage Left live album even features a Memorial Auditorium crowd of Rush fans).  That said it will be a sweet return, and anticipation is high. Rush fans are also excited by the band's recent naming as Rock and Roll Hall of Fame nominees as many have felt that their exclusion has been a growing injustice considering their noted musicianship, deep influence, defiant iconoclasm, and enduring popularity in spite of the fact that Rush has NEVER been fashionable. Rush fans anxiously waiting for the Hall of Fame voting results will be out in droves for tonight's show behind the band's most recent album Clockwork Angels (their 19th studio album!), and some tickets are still available. The show starts at 7:30.


Cliff Parks


June is Give Fascists Hell Month



What a great year for shows in Buffalo this year. I mean really folks, it's not even the end of June and my mind's been blown twice by two quasi-religious experiences, and both of those shows were shows that I was sure wouldn't happen in Buffalo. Like M83, I was fully prepared to go on the road when Roger Waters announced that he'd be touring with The Wall in 2012, and I was perfectly ok with it... until tour dates were announced and Buffalo dates were improbably included. These bands came to us, and in Roger's case, a second time in less than 18 months, and for that I have to thank him from the bottom of my heart. He didn't have to do it. Bypassing us on this tour wouldn't have been unreasonable or shocking, but Roger Waters didn't, and it was awesome and much appreciated. As Drew mentioned Friday in his review, it was more than a concert. I've never seen anything like it, and I saw Roger do The Wall here in October 2010. Roger pushed everything to the limit: the band was loose, tight, and total owners of the material; and the high definition digital projections allowed Roger to go even further when it came to blowing people's minds. The wall was literally a canvass on which Roger painted with light a staggering amount of ideas and themes, and amazingly this modern Wall was the best yet.


You have to understand, The Wall has been a fixture of my musical life since the summer of 19__ when I was introduced to it before my senior year of high school. The album, the album backwards, the movie and the VHS tape that was rented from Video Factory on a seemingly weekly basis, The Wall was studied in great detail by our high school "study group." Even in college after moving onto other music, Pink Floyd and The Wall were always there in the background; and as a dude growing older frankly Pink Floyd and Roger Waters make even more sense. Taking his major Pink Floyd works (Dark Side of the Moon, Wish You Were Here, Animals, The Wall, The Final Cut) and his solo work (The Pros and Cons of Hitchhiking, Radio KAOS, Amused To Death), in some ways Roger became my rock Noam Chomsky. I didn't always agree with him, but Roger always made me think and question where I stood on the big issues (that this would happen while standing on the field at Darien Lake watching Roger perform Dark Side of the Moon was a nice bonus). Then to have Roger do The Wall in 2010 and again in 2012, well it can't help but feel that something's come full circle.


That's certainly true of Roger Waters and The Wall itself. The years have been kind to Roger; he's getting his due as the creative genius behind Pink Floyd's greatest work, and apparently therapy has improved his disposition to the extent that he can joke about the "miserable, ____ed up Roger" who created The Wall in the late 70's before doing a duet with that "miserable, ____ed up Roger" (via technology) of "Mother." Amazingly, this less miserable.more open Roger has gently transformed what was born out of pain and a sense of isolation into something almost joyful in it's connection with the audience. No longer hiding behind it, Roger instead uses the wall to be canvass upon which he paints with light a staggering amount of ideas and information, expanding his rock opera into a humanist manifesto about shared humanity in the face of oppression, and the human tragedies of war and fascism.




"Oh Max Schmelling was a formidable foe
The Ambling Alp was too at least that's what I'm told
But if you learn one thing you've learned it well
In June you must give fascists hell
They'll run, but they can't hide."


Oh I absolutely hold with Yeasayer on that. This is the month for sticking it to those mother____ers, and we were definitely doing that Thursday night at the FNC as Roger Waters and his magical band mounted The Wall for the sensory overloaded enjoyment of an insanely appreciative Buffalo audience. Indeed, we got our minds blown for a wonderful cause, and for that, and for coming to Buffalo again, I profoundly thank Roger Waters. Thanks, man.






Cliff Parks


Concert Review: Roger Waters - The Wall Live


It's not a concert.

It's a perfect storm of theatrical performance, quadrophonic sound, and all out rock awesomeness.

It's an event that ensures those who have seen it will remember that night for a long time.

I'm not saying it's the only show around of its caliber, but Roger Waters' performance of The Wall Live is part of a special group of events that changes the perspective of those in attendance.

Everyone has heard of Pink Floyd so I don't need to tell you anything about them.

Everyone has at least heard of The Wall, if not seen the movie.

Not everyone is familiar with songs off The Wall such as "One Of My Turns" or "In The Flesh" but I would be aghast to believe that anyone with even a casual interest in music over the past 32 years hasn't heard "Another Brick In The Wall (Part 2)", "Hey You", or "Comfortably Numb"... everyone knows these songs... even if they don't know that they know them.

I have long enjoyed the music of Pink Floyd but I don't, however, myself to be nearly as big a fan of the band as many are.

Sure, I can rattle of tens and tens of their songs and list all their hit albums in chronological order... but anyone who knows me knows that that isn't saying much.  The music of Pink Floyd is incredible and has been immensely influential to the world of rock music... I just feel the music world has been over saturated with their music a little too much and that overexposure has knocked them down a few rungs on my ladder... I don't know... it's probably 97 Rock's fault [writes the man who grew up in a pre-iPod world].

Why am I writing all this?

Because none of it matters.

It doesn't (really) matter how much you like Pink Floyd.  All but the most cynical, rock music-hating, curmudgeons should consider The Wall Live an event to see before they die.

Note: strong supporters of big government, war, and state power, as well as, parents thinking of taking a child under 15 years of age should also be wary of attending The Wall Live.

I don't need to tell you what the set list was or what the general feel of the show was like.  If that's all you're looking for then just look at the track list on the album of pop in the film and watch that.

No, that's not what I need to tell you about.

I need to tell you about the astounding production value of the performance and the sheer number of people involved just to make it happen.  More importantly, I need to tell you about the power of, not just the music or the visuals themselves, but the emotions and thoughts the music and visuals provoked in me as I stood in awe in a sea of people standing in awe.

You can get a general synopsis of the show here... I read the article and it describes the show in detail that I don't care to expand upon.

I will say that each song compounded upon the one before it and every time I thought the show couldn't get any better... it did.

Some snippets/observations from the show:

- The first few songs of the show featured pictures and basic information (birth place and year, year and place of death... ranging from WWII to present day) of people who have died as a result of war and terrorist attacks displayed on the circular screen behind the stage, as well as, on the individual bricks of the wall being built.

- "Another Brick in the Wall (Part II)" featured local school children singing the chorus and dance battling a giant demonic teacher puppet with glowing red eyes.  Roger Waters finds a group of local children in every city the tour stops in and rehearses with them for 20 minutes before each show... pretty cool.

- The production value was unparalleled.  When planes would fly by you would hear it go through the arena.  Gun shots would ring out from all sides of the arena.  So on and so forth.

- I forget what song it was... but easily the most powerful part of the show, for me anyways, was a video of a little girl sitting in her grade school classroom.  The camera was focused on her and, all of a sudden, her face twists up in knots and she starts going berserk.  The camera zooms out and it shows her father enter the classroom, still in his military fatigues, and give her a big hug.  The emotion in that little girl's face... the thought of how anyone would feel in that situation... well, it's making me a little teary eyed right now as I write this so I don't have to say how powerful it was seeing it displayed on a gigantic screen as an acoustic guitar played in the background.

There were countless other moments that I will not soon forget, but it really doesn't do justice to any of them to sit here and tell you about them... it truly has to be seen to believed.  Yes, there were crazy videos, giant puppets, pigs floating around the arena, classic rock staples, extended guitar solos... everything.

I would gladly pay $120 to see the show again (and I just might, depending on where the tour is going) and I can say that you get much more than you pay for, regardless of where you sit.

Do yourself a favor and make sure you see this show before it stops touring.


Drew Kline


Tonight: Roger Waters



Tonight, Roger Waters brings The Wall back to Buffalo for an encore performance of his legendary multimedia rock opus at the First Niagara Center. Pink Floyd fans all over the world rejoiced when Roger announced that he'd be bringing The Wall back for another round of shows this year in arenas and baseball stadiums, and this frankly shocking Buffalo show will almost certainly be your last chance to see The Wall performed live by Roger or anybody else in Pink Floyd again (if the Floyd were to reunite for shows, it's highly doubtful that they'd be doing The Wall, from their most contentious period). Also exciting is word that Roger's tweaked the show for this 2012 go around, so even return customers will get to see something different. That said, anticipation and expectations are high for this art/rock spectacle. The show starts promptly at 8, and tickets (of the expensive variety) are still available. They're totally worth it.






Cliff Parks


Tonight: Bruce Springsteen & the E Street Band


Tonight, Bruce Springsteen & the E Street Band bring their Wrecking Ball Tour to the sold out First Niagara Center. Touring behind his fiercely populist Wrecking Ball album, Springsteen seems to be at the height of his power: selling out arenas worldwide while waging spiritual warfare for the soul of America and holding onto his working class audience while simultaneously enjoying hipster cred (ie regular love from Pitchfork and delivering the keynote address at SXSW). While it's doubtful that the Boss will go for broke the way he did the last time he played Buffalo in November 2009, as that was the last show of that tour and this is not, with Bruce Springsteen you never know. He seems to have a soft spot in his heart for Buffalo, so it could well be one of
those nights. The show starts at 7:30. 


Cliff Parks


Just Announced: AVICII




Just announced, AVICII's: "The Worlds First-Ever Electronic Dance Music All Arena Tour," is making a stop in Buffalo at the First Niagara Center. Grammy-nominated DJ and producer AVICII is ready to bring his club anthems on the road with the AVICII - LE7ELS tour.  Huge ups to Factory Nightlife for bringing this monster of a tour to our fair city.  Expect massive sound and unforgettable remixes during what is to be one of the biggest dance parties of the summer. The gig is on June 20th and tickets go on sale March 26th at noon via Factory Nightlife's site.  Don't miss out on this one!



chris seymour