Showing posts with label tylor. Show all posts
Showing posts with label tylor. Show all posts


Tonight: The Demos w/Sleepy Hahas, Sleepless City



Tonight, Rochester based band The Demos will be playing a show at Mohawk Place, with openers Sleepy Hahas and Sleepless City. The Demos have only released two studio albums, but they already have a finely tuned sound, a mash up of sorts of early 2000’s garage rock and west coast surf punk acts like Girls. As mentioned before, local bands Sleepy Hahas and Sleepless City will be opening for them, in a blend of different genres. Sleepy Hahas are a bluesy psych rock band with a lot of originality to offer, and based on their music, one can imagine they put on quite the performance live. This band will also be performing at our rooftop show this Saturday as part of Buffalo’s Infringement Festival with acts such as the Albrights and Victory For Poland. Sleepless City is a five piece alternative/reggae band formed around Buffalo NY, and tonight they are playing their final show together. This is definitely not a show to miss. Tonight's cover is $5 while doors open at 7:00pm.






Know Your Opener: Patrick Watson


On Monday, July 16th, Patrick Watson is opening for Andrew Bird at Babeville's Asbury Hall, and there couldn’t really be a better pairing. Watson and his eponymous band have been compared to Bird countless times by critics, which alone is in itself quite the achievement. Patrick Watson has been writing and releasing music since 2001, when he recorded his first album, Waterproof6. It has been a long way since then; Watson has gained a band to support his newer, more full and luscious sound, won the Polaris Music Prize in 2007 for his album, Close To Paradise. The resume doesn’t stop there, though. They have played with many established acts in their genre, and played in Austin’s SXSW festival as well.

Known for their unique blend of experimental musicianship and standard lyrics delivered with a classic feel, Patrick Watson and his band provide a beautifully rich sound that stands through the changes in modern music appeal. Something about Watson’s music is so universal through the times that no matter what way it is delivered, it comes across as it is, pure and genuine, to devoted fans and casual listeners alike. Adventures In Your Own Backyard, the band’s fourth studio album, was released in April of this year, and has been touring in support of it since.


VENUE CHANGE: This concert has been re-located to ASBURY HALL AT BABEVILLE in
Buffalo, NY, tickets purchased for Artpark will be honored.




Concert Review: The Futurebirds & The Henry Clay People



Last night, The Henry Clay People and Futurebirds played a show together on Delaware’s Ninth Ward, as part of a few shows they’re playing together along individual tours. The turnout wasn’t very large, but the two bands seemed not to care as they played through their sets with enough energy to fill up First Niagara Center.  In fact, the smaller crowd helped to better the experience for band and audience alike, creating an intimate feeling that really made the concert what it was.

The Henry ClayPeople picked a wonderful setlist, taking advantage of their most energetic songs in this smaller venue. Knowing their ballads wouldn’t work, they loaded their show up with as many of their more punk songs as possible. Their presence on stage was fun to watch, as well, particularly the interaction between lead singer Joey Siara and his brother and lead guitarist Andy. When discussing his band’s new album, Twenty Five For The Rest Of Our Lives, Joey said : “It felt good to write songs about giving a shit...so we’re gonna play like we give a shit.” They then played such songs as "Hide" and "Twenty Five for the Rest of Our Lives," showing how much they really do give a shit about their music.

Until last night, I had known nothing about the Futurebirds except for a blog post about them written by Cliff Parks. I left the concert last night knowing no song names or albums, but knowing everything about them as a band instead. These are six guys who are really passionate about their music, and they let it show in every song they perform. At one point they played a song that lasted about nine minutes, but I was put in such a trance by their spacy country sound that I hadn’t realized how much time had passed until it was over. I’m very glad I found these guys last night, because they are a band everyone should know. The impermeable wall of sound created by the three guitars, pedal steel guitar, bass and drums and three or four part vocal harmonies was like a punch to the face with a sock em bopper, and the band could be smiling the whole way through it.




Know Your Opener: The Henry Clay People


The Henry Clay People recently released their newest album, titled Twenty Five For The Rest Of Our Lives, featuring their single, "Hide." For those of us Buffalonians, the California based Henry Clay People can be found only at the surface of the dense indie underground. Although they may come across a band destined for the obscure, this four piece indie punk group has made a substantial dent in the genre over the past half decade, touring with Silversun Pickups and Against Me! in 2010 and putting out numerous EPs and full length albums.
           
Amidst the growing trend of a more danceable electronic sound in the indie world, THCP have proved that there is still integrity in chiming distorted guitars and deadpan vocals that recall Steven Malkmus’ most tuneful moments. Songs like the title track hold true to the band’s choppy guitars and grimy sound, but tracks like "Hide" and "Backseat of a Cab" bring forth a newer, more musical sound as well. Vintage sounding synths layer themselves over more spacey guitar effects (like on the tune "Living Rooms"), and the vocals’ slightly more processed sound shows a pleasant change from their past albums’ more raw production.
           
This is not to say The Henry Clay People have lost their touch of energetic punk mixed in with the perfect blend of intellect and angst. The lyrics in this album pay homage to every early twenties post grad falling victim to the current world we live in, but all the while maintaining a veiled dark humor as well: “But we went to school because we do what we’re told and we found some jobs and payed off our loans/then we lost our jobs so let your parents know that you’ll be moving home”. All in all, Twenty Five For The Rest Of Our Lives seems to be THCP’s most interesting and ambitious album yet, showing a blend of sounds and themes that have become the staple of their sound. Yet I hope they continue in this direction of a more well polished sound, as well; With the way they are going now, this band may not make it out of the underground, but should find themselves a devoted fan base in no time.

The Henry Clay People will be opening for the Futurebirds tonight at the Ninth Ward.  Doors open at 7:00pm. 







Walk The Moon releases self-titled sophomore album



From the first 10 seconds I heard from Ohio based indie outfit Walk The Moon, their infectious synth wave melodies had already seeped their way into my brain, never to escape. Walk The Moon have been on the scene for a good couple of years now, putting out their first EP, The Anthem, in 2008 and steadily developed a slow growing but devoted fan base across the country. Around 2011, however, they started to grab the attention of a larger audience, being featured in an edition of SPIN magazine and earning spot on Late Night With Jimmy Fallon. It’s easy to see why this band has such universal appeal, uniting music listeners with material that bridges the gap between synth/indie revival and radio friendly pop. With such catchy and energetic walls of sound, each song of theirs blends a lush soundscape with simple but gripping passion.

Walk The Moon released their self-titled album just last week, received warmly by most listeners. The new album offered some of their previously released works with new material as well, but the album felt fresh as a whole. Tracks like "Quesadilla" and "Shiver Shiver" offer a childlike exuberance, balanced only by more ballad-esque songs like "Iscariot" and "I Can Lift A Car," showing an increased maturity expected by any band’s sophomore release. Known for their high energy live shows, the band performs all of their shows in face paint, and makes sure to bring enough for their fans as well. If I only had one word to describe this group, it would be fun; Walk The Moon’s self-titled album makes music that evokes such a happy and energetic energy that it’s not hard to believe all they want is to bring the listener in on the party, too.