Showing posts with label mohawk place. Show all posts
Showing posts with label mohawk place. Show all posts


Tonight: Bring Me Your Vultures: A Mohawk Place Documentary


A year ago Buffalo music fans and Mohawk regulars gave the now departed Mohawk Place a proper two night Irish wake: there was copious drinking, clutches of devotees bittersweetly sharing reminisces and laughs, a plenty of music before the final goodbyes were said. Tonight, a year to the day since those goodbyes were said, Bring Me Your Vultures: A Mohawk Place Documentary, the cinematic epitaph and ultimate word on that storied spot makes its debut at the Town Ballroom. 

Produced by Highwatermark Films and Quiet City Audio, and directed by Roger Bryan & The Orphans drummer and documentary filmmaker Michael Sobieraj, Vultures is a true local labor of love, with filmmakers and musicians volunteering time, talent, and memories to a create a chronicle of a beloved music venue that defined Buffalo's music scene and maybe Buffalo itself before it's untimely demise. Tickets are $15, doors open at 8 PM with the screening at 9 and a Mohawk worthy after party to follow. Say goodbye again once more before we move on.



Cliff Parks


buffaBLOG's Best of 2013: Staff Picks - Favorite Shows Part 2


Editor's Note: As part of our best of 2013 coverage, we asked our writers to break down their favorite live shows of 2013. Shows did not have to take place in Buffalo to be included on this list. Part 1 of this list can be found here.

Joe Speranza
Grace Potter & The Nocturnals @ Town Ballroom in Buffalo, NY, September 11th

Circumstances, execution and expectations. Those are key aspects of a show; I won't say they are the key aspects of a show, but if circumstances are favorable, execution is solid and expectations are exceeded, the result is a fucking blast. Take the first Tragically Hip concert this summer: my expectations were outrageously high, the circumstances (summer, water, friends, beer tents) were just about perfect, and everything was going well until that deluge of rain almost washed us all into Lake Erie. The execution – while nobody's fault – really sucked; what could have been Woodstock '13 turned out to be a long, wet walk to our cars. But during that failed show, a new set of expectations arrived as they announced an upcoming show: Grace Potter & The Nocturnals at Town Ballroom.

I've attended some gems this year. The Black Keys. Limp Bizkit (I know). Sleigh Bells. But Grace Potter at Town Ballroom could not have been improved upon. I was with some of my favorite people in the world. They played awesome music for almost two and a half hours. They exceeded my soaring expectations. It's a great feeling to blindly attend a show and walk away amazed (I see you, Portugal. The Man), but when you want so badly for a show to be great and then it goes and becomes legendary, well, that's what keeps us coming back. We all like going to see shows. But we go for more than the music; we go to feel a connection. Sometimes, it happens.


Michael Torsell
My Bloody Valentine @ Kool Haus in Toronto, ON, November 5th

Buffalo saw a lot of great shows this year and winnowing it down have proven to be a difficult task. The Mallwalkers' album release party at the Polish Library was epic and a real reminder, along with The Vault’s final night, of the awesome community we have in Western New York. In terms of national acts, getting to see DIIV, Wild Nothing, Beach Fossils, and Melt Banana was great and a nice reminder that one can see great live music in Buffalo throughout the year. 

Personally however, my favorite show was My Bloody Valentine in Toronto. This was a band I never expected to see live, but then again, I never expected a follow up to Loveless to be released this year, and I certainly would have never thought it would have been so good. Loveless has been constant presence on stereo for the last 12 years, so the opportunity to see them felt almost sacred. The group did not disappoint, quickly establishing that they were tighter than ever and my hair stood on end for most of the show, even during the seemingly eternal barrage of noise at the end. It was a great reminder that noise and feedback can become beautiful in the right hands and it brought me to all of the private moments I had enjoying their music. I really cannot ask for much more from a live performance.


Jon Krol
FLAG @ Town Ballroom in Buffalo, NY, June 13th

I grew up listening to Black Flag and my favorite incarnation by far was the pre-Rollins, pre-Reyes, pre-Cadena (on vocals) era; the Keith Morris era. Morris, before leaving to form the Circle Jerks, was angry, passionate, and arguably their best singer, although I’m sure many will disagree with that statement. Tracks like “Fix Me” and “Nervous Breakdown” are as much a part of my youth as any other band. Hell, my favorite skateboard section of all time is Jim Greco’s part in Misled Youth and he skated to “Fix Me.”

Until a few years ago, the idea of a Black Flag reunion was preposterous, let alone that the band would re-form as two separate entities; the Ginn-Reyes collaboration which took on the Black Flag name and the FLAG collaborative featuring Keith Morris, Dez Cadena and Chuck Dukowski. While I did not get to see Black Flag, I was able to see FLAG, in all their primordial glory.

My expectations were high and I kind of approached the show with nervous trepidation. I didn’t really expect them to deliver to be honest. What I got was more than I could have ever asked for. Morris was fierce and played with his heart on fire, as did the other members of the band. Their energy and excitement was palpable and spread like a wild, contagious fire. They didn’t play the tracks of yesteryear. They blitzed them. They destroyed them. They HURT those songs.

And Dez even got to sing! And they even played some of the Rollins and Reyes tracks! And it was one of the best shows I’ve ever seen! Simply put, it was a special night to be a fan of punk rock and a special night for those of us who finally got to see a band that defined our youth and inspired us all. They secured their place in the punk pantheon of greats. They lived up to the hype.


Mac McGuire
Mohawk Place's Last Waltz: Night 2 @ Mohawk Place in Buffalo, NY, January 12th

Any other year, seeing Spiritualized, a bucket list band of mine every since hearing "Ladies and Getlemen...," would have topped my list. They were devastatingly good at the Waiting Room. But Mohawk Place doesn't close every year. I won't rehash my memories of the place (its been done enough), but the venue's final night was a special experience like nothing I will ever be a part of again. All of my Buffalo music heroes were in one room, drinking every last drop of booze that old bar had, shedding tears that I didn't know were in a few of them, and recalling years of memories that could never be replicated. 

And the music just never ended. I stepped foot in Mohawk around 7pm to the sounds of disbanded Buffalo greats the Thermidors and left just after 5am with my ears ringing from the Mark Norris led power pop heroes Girlpope. Between an Old Sweethearts reunion I never thought I would get, my first experience with Semi-Tough(!), and sets from Chylde, Failures' Union and other relics of Mohawk's past, the night was as close to perfect as you can get in Buffalo. 


Tom Dennis

Captured Tracks Showcase @ The Parish(SXSW) in Austin, TX, March 16th

On the last night of SXSW, I saw a tour de force showcase put on by Captured Tracks at The Parish in Austin. With sets from Naomi Punk, The Soft Moon, Chris Cohen, Mac DeMarco, Widowspeak, DIIV, and Beach Fossils, the show was the ideal finale to an exhausting week of music. Chris Cohen brought each track from Overgrown Path into its cool blue light, Mac DeMarco was slightly less of a knucklehead than I’d imaged he would be live, and Beach Fossils sparked a hiccuping dance-pit, which they kept stoked ’til 2am. Extracted from the rock club, I hummed "Home" by DIIV in an attempt to drown out the waning madness of Sixth Street as I navigated my way to the nearest bus stop. 



Scott Mancuso
Okkervil River @ The Haunt in Ithaca, NY, September 27th We rode our bikes from the motel on the edge of town to the middle of Ithaca. There were no "sharrows." We went to a bar and ordered beers and then we went to another bar and ordered more beers. It was a Friday night and there were a lot of professors and a lot of students. We went to a dive bar with a rooster logo where a middle-aged ex-military bartender appeared ten minutes after we walked in. She served us more beers. We rode our bikes over the train tracks to the Haunt and drank more beers. Okkervil River played their instruments very well and Will Sheff sang very well. It made me happy. It made a man in front of us with a green shirt that said "Paddy's" on it even happier. "Paddy" drank a lot of beers. Sometimes he drank half-empty beers that were just sitting on the edge of the stage. Sometimes he put his arm around girls that he didn't know, and they didn't like it at all, but that didn't slow Paddy down. I went to the bathroom after the show and Paddy was there and he asked me, "so what's your deal." I think he meant it to be friendly but I didn't know what to say, and I didn't have a deal, so I just shrugged and left. We rode our bikes back into town and I realized that my back tire was flat. We stopped. We drank whiskey in a bar in a basement and then we tried to go back to the rooster bar and then we learned that, in Ithaca, bars close at 1 in the morning. That's why they all had to drink so fast and so early and ask what the deal was because they were running out of time.


Tom Etu
buffaBLOG Summer Party @ Duke's in Buffalo, NY, August 10th

Some people remembered bits and pieces the next day. Others needed verbal cues and a bit of shoving before it all came swimming back into their recollection. Jack Topht enraged, elated, irritated and enlightened us. A beach ball and other inflatables were passed around in a massive game of "keep it up!" Some in attendance probably played their own version of 'keep it up' that night, but that's irrelevant. The Malones killed it, and bass player Elliot Douglas was feeling it so hard that he jumped offstage. A fellow blogger guarded one of the band's lead singers (name undisclosed) while he urinated into a garbage can outside DBGB's. Shit got weird at the buffaBLOG Summer Party.



Bring Me Your Vultures Needs Your Help (And Money)


After nearly a year in the works, Bring Me Your Vultures, the official documentary of Mohawk Place and the venue's final days, will finally make its debut on Saturday, January 11th. One year to the day of the Last Waltz Night 1, the Town Ballroom will be hosting a viewing party for the film and tickets are currently on sale for $10. Here is the catch though. All expenses for this project of passion are coming out of the pockets of the doc's hard working filmmakers and they are kind of running out, so if you want the opportunity to own a copy of the film or some official merchandise, then consider donating to the film's indiegogo fundraising page.

Like most funding programs, donating is worth your while. For example, a $1 donation will get you a good old thank you. Nothing crazy, but every dollar helps and it will not go unnoticed. $20 will get you a copy of the documentary. I like what I am hearing. $25 gets you a silk screened poster of the documentary cover. I already have a spot on my wall picked out. Although unlisted, rumor has it that a $100 donation gets Erik Roesser to attend a show of your choice at the Waiting Room...Kidding, but you get the idea. The full list of incentives can be found at Bring Me Your Vultures indiegogo page.

As of the time of this posting, a total of $30 of the $2500 goal has been reached. That is not a lot so far, but there is still 28 days to reach the goal. If you happen to have some extra cash left over after your holiday shopping, then consider donating to the filmmakers' goal.





Just Announced: Bring Me Your Vultures (Mohawk Place Documentary) Release Date


In January of 2013, Buffalo's most beloved venue, Mohawk Place, shut its doors to the world. Many tears were shed, as the Mohawk was not only a music establishment but a home for rock'n'roll outsiders who seemingly didn't fit in anywhere else. The cast of characters and patrons who occupied that small space are as much a part of the story as the building itself, and their stories live on, as do the legendary music performances that occurred there.

Bring Me Your Vultures is a documentary about Mohawk Place. For those not in the know, the fine folks at Quiet Country Audio (Paul Besch), Highwatermark Films (Mike Sobieraj), YOUR CINEMA (Ryan Besch), Erik Roesser, Roger Bryan and Harvest Sum (Mark Nosowicz) have been collaborating to tell its story, warts and all.

The film is set to be released January 11, 2014 at the Town Ballroom beginning at 9pm. Tickets go on sale this Friday at noon for $10 in advance/$15 day of at Tickets.com and at the Town Ballroom box office. In the meantime check out Bring Me Your Vulture's facebook page for upcoming trailers and free stuff.

This movie was made for the people of Buffalo. Mark this one on your calendars and revisit a time and place that brought us so many great memories.


jon krol


The Law of Conservation of Matter


Wow, the universe is funny like that. I mean, Tuesday was an interesting day to say the least for Western New York music fans with the announcement that Club Infinity was closing and The Waiting Room was opening. Talk about perfect equilibrium... that was as close to a straight swap as you can imagine and a near perfect illustration of the scientific fact that matter can neither be created or destroyed. For my part, I could care less about Club Infinity; yes I've been to good shows there, but really, the venue wasn't very good and it was in a terrible neighborhood. Seriously, the intersection of Main and Transit is a No FUN ZONE, and Club Infinity was not immune, thus it's closing isn't that big a loss, at least in my book. By it's very nature, our type of fun isn't supposed to happen out there at Main and Transit. It can't.

But with The Waiting Room, it's going to be a different story, and news about it's opening is provoking an entirely different reaction. Fun can be had in downtown Buffalo, and it's going to fill a vital hole in the Buffalo scene in the wake of the late Mohawk Place, in more ways than one. Of course nothing will replace the Mohawk... but... if you could perhaps transfer part of it's soul to a new spot ala Spock's katra, well that could be almost as good, and that's exactly what seems to be happening with The Waiting Room. Plus, it will the have the virtue of being new, something we can all get in on the ground floor on; plus, it won't have that funky smell. Me, I've smelled far, FAR  worse in my day job so it never rubbed me the wrong way, and I always loved that downtown grime, but for some folks it was a turn off for the Mohawk. Now everything will be sparkly and new... while some of that old Mohawk soul remains, and this could be exactly what the Buffalo music scene needs.

After a phenomenal 2012, Buffalo's music scene's karma hasn't felt right since mid January. Everything has not been in it's right place since the Mohawk closed, and the Waiting Room could be what gets us right. It, along with Babeville across the street could become the nucleus and epicenter of a scene that could sit alongside a burgeoning arts,cultural, and food scene that could redefine the city and region. Or not. We'll have to wait and see, but there's tremendous potential; certainly more than what was out at old Club Infinity in Nofunsville. We lost a lame venue and we're gaining a potentially fantastic venue. I'd almost say we're Even Steven but I think we might have won on the deal. Sometimes that's just how things work out. Thank you Universe.


Cliff Parks



Meh? A Suggestion for 49 Illinois Street


The other day a friend alerted me to this news tidbit on the WBEN homepage:

"As the Canalside project continues to take shape, nearby development is increasing.  Business First reports a partnership fronted by developer Sam Savarino will open a two-level music club at 49 Illinois Street across from the First Niagara Center parking ramp.  The venue will be able to seat 800 people."  

Now I know what you're thinking. "'Friend' my ass. Parks is a WBEN listener!" And to be perfectly honest, I do occasionally tune in for a few minutes of Rush Limbaugh, but only for laughs. No really. The guy is HILARIOUS (and an evil mastermind). He spends the majority of the time telling his listeners how smart he is, and they totally believe it. It's a brilliant and profitable racket (Rush lives in a... kingly manner that would make Elton John green with envy). Anyway. A friend really did give me the skinny (and believe you me, in due time I'll be getting to the bottom of why they were at the WBEN website) about a new downtown music venue, and I was entirely unexcited by the news.

The Buffalo music scene took a real ding with the closing of the Mohawk closed month when it lost that magnificent 300 person capacity venue. In addition to being the nucleus of the local music scene, it was perfect for up and coming national and international touring bands for whom playing to 200 people is a good night, with the near 1000 person venue the Town Ballroom a future aspiration. This is where it's at, and this is what we want, so I was initially unenthused by news of a 800 person venue in the Cobblestone district. Even though I'm rather keen on the revitalization efforts underway down there and down with music being part of it, I'm pretty sure this is not what we want or need.

But then I Googled the address from every angle, and got a warm and fuzzy feeling because it kind of reminded me of the old Icon. God how I loved that place: it's three levels of tasteful awesomeness, the non cheesy people non cheesily dancing in the cages, the Guinness on tap before it was cool, that De La Soul and Tribe Called Quest show... and it's decayed, urban post industrial coolness. It was kind of perfect (especially the chilled out third floor), until bullets started flying and it closed down, but damn was that a fun place to see a show. Of course, like the Mohawk, we'll never get another Icon, but 49 Illinois Street has possibilities, even though the 800 person capacity downright worries me.

Thus, I beg the intrepid entrepenuers involved to borrow a page from the Water Street Music Hall in Rochester, and have a smaller space to go along with your 800 person seater to cater to the indie crowd eager to give you their money. A 200 person venue within your venue would be a serious moneymaker for you, in fact I daresay you'll almost certainly get more use out of it than the larger space. This is what the Buffalo music scene needs post Mohawk Place... and did I mention that we're eager to give you our money? Also, please don't overdevelop it; keep some of that wonderful post industrial decay. You can't go wrong with a little tasteful post industrial decay.



Cliff Parks


Tonight: Mohawk Place's Last Waltz - Night One


All good things must come to an end. And Mohawk Place was one of the good things for sure.

By now, you know the story. There’s no point repeating it. We at buffaBLOG and other news sources (see Donny’s piece in Artvoice and Jeff Miers Gusto write-up) have written fantastic obituaries and have done our best to document the life, legacy and demise of our proud venue. All that’s left now is to celebrate.

Tonight sparks night one of Mohawk Place’s Last Waltz (7pm doors). It’s sold out and if you didn’t get tickets, I feel sorry for you. It’s surely going to be one of those “talked about nights” for years to come.

Here are the bands listed in the order they’re going to play:  White Whale, Trailer Park Tornadoes, TMMC, Returners, Bensin, Chosen Ones, Wolf Tickets, Bobo, Irving Klaws. Each of these artists have put their own unique imprint on the stage at Mohawk and you probably recognize most of the names so I don‘t think introductions are necessary. Show starts are 7:30 so get there earlier enough to see White Whale and stay til the very end.
 
It’s been a long time comin’ and the roads come to an end, but fuck it, let’s keep the train a rollin. See you in the pit.


jon krol


Tonight (and Sunday): Snapcase


Buffalo has a rich history of influential hardcore bands, from Zero Tolerance and Slugfest to Buried Alive and more recently, Every Time I Die. Perhaps the most famous of the bunch is Snapcase, one of the bigger Victory Records acts during Victory's heyday.

Snapcase was always something a bit more than hardcore:  a fusion of heavy music, heavy ideas, and unique enough to represent a sound you could only call its own. When they called it quits a few years back, more than a few tears were shed.

Since that time, the band has played a number of reunion shows, including the excellent opening slot for Dropkick Murphys at the harbor this past summer. Snapcase continues in that tradition tonight and Sunday celebrating (and honoring) Buffalo's soon to be closed Mohawk Place (7pm, $21). It's befitting that a band that represents Buffalo so well will be playing one of the last shows at Buffalo's best venue. Openers tonight include our very own Young Suns and Chae Hawk and Sunday night you can expect some very special guests.

Unfortunately tonight's show is sold out, but there are still a few tickets left for Sunday's show. Seeing as how both nights of the Last Waltz are now sold out, this is your LAST opportunity to see a show at Mohawk if you didn't get tickets to those events. Make this one count. Pay your respects to a great band a great place.



jon krol


Tonight: Made Violent


As Mohawk Place winds down to it's final days, more and more bands and promoters are saying their final goodbyes. Tonight brings the final Mohawk show from After Dark Entertainment, but it also marks the debut of Buffalo's own Made Violent. I'd like to say something about Made Violent, but I have no idea what they sound like. The "listen" link on After Dark's website takes me to Brother Keep's facebook page (which isn't necessarily a bad thing, Brother Keep is good). Speaking of which, tonight is the official CD release for Brother Keep, whose terrific Face Like a Map made our Album of the Week. The show is also being co-sponsored by Quiet Country Audio, who have been producing some quality work for a number of bands both local and national, including Sleepy Hahas, who are also on tonight's bill. I couldn't find anything on Crooks, due to them being another in a long line of impossible-to-google-band-names (I'm looking at you, Love Scenes). I guess you'll just have to stop pretending to be bothered by all this snow and go find out for yourself. Tickets are $8 and doors are at 10.



Brian Gorman


Tonight: Pentimento Album Release Show


Formed in Buffalo in the summer of 2010, Pentimento are a four piece punk band who strive to create a sound focused on the raw emotion of scene that birthed them. The band released their debut self titled album in November as a free download and tonight's show at Mohawk Place will celebrate the record with the first 100 fans receiving a collectible hand-numbered poster. Whether you're into hardcore or pop-punk or any other rock related genre, it's likely that you'll be into the sound that Pentimento has crafted. In a genre where authenticity has always been the enduring ideal, the band brings unmatched energy to their sets that is undeniably infectious. 

Opening tonight's show are Such Gold, a Rochester punk band who formed in 2009 and recently released their first full length album, Misadventures, on Los Angeles based label Razor and Tie records.   Show starts at 7pm and is sold out. With Mohawk Place coming into it's final weeks, you won't want to miss this chance to see one of the best punk bands coming out of Buffalo play a set in the iconic venue.








Tonight: Mohawk Place X-Mas Celebration


Tonight Mohawk Place will put on one final Christmas bash before it closes its doors for good in a few weeks. Its a sad reality, but there’s no better way to celebrate the holidays by going out with friends, supporting talented local bands, while also honoring what will go down as one of Buffalo’s greatest venues. The Mordaunt Sisters, On Beta, and The Merchants are all on the bill, including an acoustic set from Bill Nehill. This is sure to be a great local indie-rock showcase, complete with drink specials, Christmas cookies, and free admission too! Doors are at 7. Come celebrate Christmas with your friends at Mohawk.



Tom Dennis


Tonight: Joe Strummer Tribute


Ever since the one-year anniversary of his death in 2003, the Joe Strummer tribute has become in annual tradition in Buffalo. Artists from various backgrounds come to pay respects to one of the greatest songwriters ever. This year, tons of talented acts are on the bill, including Rebel Waltz, Ghetto Defendants, and The Prisoners. All of the proceeds from the show will go to benefit Strummerville: The Joe Strummer Foundation For New Music. With so many great artists on the bill, this should be an excellent show that would make the man proud. The fun starts at 8 tonight at Mohawk.


John Hugar


Tonight: Irving Klaws Record Release Party




Well, the world's still here, so that means it's time to party, and the spiciest and most dangerous party in town will be at the Mohawk Place celebrating the release of the long awaited 3rd album, Demon Tarts, from long time rockers The Irving Klaws and (almost) THE END OF TIMES. Buffalo burlesque legends The Stripteasers will be opening the show, which starts at 10 PM and goes until the Morality and Decency Squad shuts it down. Pretend like we've actually dodged a cosmic bullet, and get your ya-ya's out at the Mohawk. It's a celebration!




Cliff Parks


buffaBLOG's Best of 2012: Guest Picks - Erik Roesser


Editor's note: For our best of 2012 coverage, we decided to reach out to some friends of the blog to get an idea of what made the year in music so great for them.  For today's installment in the guest series, Erik Roesser, bar manager of Mohawk Place, submitted his list.  Tickets for the final weekend of shows at Mohawk Place will go on sale this afternoon at 12pm.  

Thats it. Use it if ya will. I don't have the energy to wax about how awesome the music is I like. I already know it is more awesome than most.


Album of the Year
Japandroids - Celebration Rock
Better than your favorite record of the year.


Song Of the Year


Bob Mould - "The Descent"
Dude is 52. He is like your dad who rocks harder than 99.9% of the neon back pack wearing crap you listen to.

Show Of The Year


Future Of The Left @ Mohawk Place
Yup those things they were playing were guitars. They were loud. See kids there was music before lap tops. 



~Erik Roesser


Know Your Opener: Title Fight


This hardcore quartet will be one of the opening acts for Every Time I Die’s two-night stay at Mohawk Place for its annual Christmas show on December 19th and 20th. Title Fight is your unconventionally conventional hardcore band, in that they treasure the DIY mentality of making music. When I listen to them, they remind me of other bands with this same mindset, like Lifetime, Jawbreaker and even the Shook Ones. 

Hardcore’s perception has changed over the years, but Title Fight has brought back some of the essence of how pure it used to be and how fun it can be again. Their latest record, Floral Green, toes the lines of punk and hardcore, blending these genres together with mature lyrics grittily spat through the microphone. If you like good music, Title Fight is worth a listen.



~Nick Domiano


Tonight (and Tomorrow): Every Time I Die


I'm going to keep this brief. If you're from Buffalo, there is a good chance that you already know who Every Time I Die is. ETID pretty much rules the universe when it comes to party-centric southern flavored, rock'n'roll influenced, hardcore. I could attempt to dissect their sound further although it wouldn't really do them justice. They do their own thing and it's fantastic. Oh yea....they're new album, Ex Lives (pictured above), is one of the best things they've ever done. In case you couldn't tell, I'm a fan.

What you need to know is this. ETID's play an annual Buffalo Xmas show and it usually sells out. This year is no exception. Mohawk Place will be jammed packed for not one, but two days straight, with openers Title Fight and the Chariot (Letlive unfortunately dropped off the tour). I'm truly sorry if you didn't get tickets because it's going to be a scorcher. Fear not though! ETID makes the rounds fairly often around these parts so you'll have many more opportunities to party with the best of em. For those who did get tickets, well, I'll see you there!



jon krol


Just Announced: Mohawk Place's Last Waltz


Unless you have been hiding under a rock for the past few weeks, you should known by now that Mohawk Place will be shutting it's door for good next month. The legendary music club is going out in style, Last Waltz style (minus the Thanksgiving dinner) and has just released their lineup for the final two nights, Friday, Jan 11th and Sat, Jan 12th.  As expected, the bills are killer, featuring many great acts from Mohawk's past.

January 11th 
Irving Klaws
Bobo
Wolf Tickets
Chosen Ones
Returners
TMMC
Trailer Park Tornadoes
White Whale

January 12th 
Girlpope
Chylde
Two Cow Garage
Handsome Jack
Johnny Nobody
The Old Sweethearts
Roger Bryan and The Orphans
Semi-Tough
On Beta
Failures Union
Thermidors


Tickets for what is sure to be a sold out weekend will go on sale this Wednesday at noon for $10 a night.  DO NOT hesitate to get a ticket for the weekend because this is your last chance.  



mac mcguire


Exile on Mohawk Street: My First Show

Hundreds of local bands – from the Irving Klaws and the Global Village Idiots to Girlpope and Johnny Nobody – were Mohawk Place’s mainstay.

I will always have fond memories of Mohawk Place because its where I almost saw my first show. I actually saw my first show somewhere else, but this is where I was going to see my first show before I was kicked out. Before you think I got kicked out for a cool reason like partying too hard or anything of the kind, I'm going to let you know it was for a much stupider reason.

This happened back in 2008, when I just recently turned 18. This was my first chance to see a show really since most are 18 and up. The band I was going to see was original grunge rockers, Mudhoney. I went with my two older brothers who were older than 21. At the door, they got the wrist band to let others know this and I got the X's on my hand to let everyone know I was having a sober night while at the show.

Inside Mohawk Place, I reveled in the atmosphere of being at a show. Stickers and posters all over the walls. Graffiti in the bathrooms. Fans in band T-shirts and tattoos. I got the urge to visit the swag table and buy an overpriced T-shirt. I proudly put it on right in front of the table. I stood amongst the crowd, excited for my first show but felt that somehow I wasn’t quite getting the full experience yet. My brother returned and handed my other older brother a beer. That’s the piece of experience still missing. The beer. That was one aspect I couldn’t attain though because I was underage and had the X’s on my hand to prove it. But if I got rid of the X’s…

Using spit and my thumbs, I rubbed the top layer of skin off the back of my hand until the X’s were gone and in one of my least thought out plans, not even considering that I still didn’t have an orange band around my wrist, I went to the bartender and asked for a Blue Light. The bartender looked immediately at my hand and asked where my wrist band was. I mumbled something, I dont even remember what, because I had no good excuse and he was not pleased. He called someone over from the door and after putting the X’s back on my hand, warned me to not try that type of crap again.

Defeated, I returned to my brothers who were having a good laugh at me. Feeling bad though, one of them went to the bar and got me a beer. Finally I was getting the full show experience. The crowd was filling in and it was nearing show time. The opening band would be coming on soon. I took a couple sips of my cold frothy beer and in no time at all the guy from the door came over, grabbed my beer and led me outside telling the person taking tickets to not let me in.

I already pushed my luck so rather than try some scheme involving Groucho Marx mustache glasses so I could get back in, I went home from my first show, still wearing the band T-shirt of a band that I would not be seeing now, without even hearing a single guitar string strummed. Not even by a roadie doing checks. But I have been back to Mohawk Place since that incident and enjoyed a few shows there without being kicked out.

Matthew Lenox


Tonight: Ra Ra Riot


Formed at Syracuse University in 2006, Ra Ra Riot began playing houses and venues around campus and later that year went on to tour in North America opening for Tokyo Police Club. The band went on to release their debut album, The Rhumb Line, in 2008 on Barsuk Records which featured the single "Dying Is Fine." The album featured a baroque pop style of indie that was full of infectious melodies and hooks. Their third studio album entitled, Beta Love, is due to be released on January 22nd of next year and will feature a more synthpop oriented sound. Check out the title track from the upcoming album below for a preview of the bands new approach which is reminiscent of acts like Discovery and Passion Pit and feels like a natural progression of the upbeat sound that has marked much of their career. 

Opening the show are New York based garage pop artist Guards whose frontman, Richie Follin, is the brother of Cults' Madeline Follin, and have a lo-fi vintage pop sound that is featured on their self-titled debut EP. Doors open at 7 for an 8pm show. Tickets are $15 and can be purchased here or at the door, but be sure to get there early as it is expected to sell out. 






Tonight: The Business


British punks The Business were a huge part of England's second wave of great punk bands. After the Clash and The Pistols were gone, the Business carried on the grand tradition off pissed-off political punk. Best known for their 1981 single "Harry May," the group's incendiary political rage won them fans both in and out of the U.K. When their association with the "Oi!" movement lead many to falsely brand them racist, they became part of the "Oi! Against Racism" movement, which worked to set the record straight. After 30 years, the group is still going strong, and will be appearing at Mohawk Place tonight with The Chosen Ones and The Clockers. The show starts at 8 and tickets are $12.


John Hugar