Showing posts with label aqueous. Show all posts
Showing posts with label aqueous. Show all posts


Tonight: Aqueous Round 1


For those of you who didn't get a chance to read the full guide to Aqueous' residency at Nietzsche's, here's another glimpse into the four-night treat they'll be entertaining for the month of February. Tonight they play with Baltimore located Pigeons Playing Ping Pong, who bring a high-energy funk to their tunes and nothing short of a good time. What's unique about each week is the themes Aqueous has decided to run with. All fans, or new recruits, are encouraged to take part. Tonight is "Decades" themed, and hopefully that will cross over beyond sheer costume to their musical selection for the night. If you're a smart ass you can dress from 2010, but I'll see you there in a 90's puffy sparkly blue turtleneck and a fake tattoo. Doors at 9 p.m., 21+, $7 if you don't already have a residency pass.





A Guide To Aqueous' February Residency


After hearing consistent chatter about Aqueous, whose members hail from the Buffalo area, I finally saddled up to experience one of their live shows at Nietzsche's this past summer. Immediately, they struck me as being full of energy, hyper yet controlled, amped to be in the presence of their fans and willing to deliver set after set of creative and mind-bending material. There's one phrase that comes to mind when focusing on the nature of Aqueous that is creative direction. These guys are constantly making eye contact during their sets that usually signals a shift in the musical tone or a session of improvisation. "Jam" is not an appropriate word to label their style, although with any groovy-funky band that's usually tacked on. When leading into an extended section they explore the boundaries of what the originally composed material gives them to work with, often leaving room for unique covers of songs, notable examples such as "Bungalow Bill" and "In The Hall of the Mountain King." 

Upon hearing an announcement that they would be hosting a residency at Nietzsche's (I haven't heard of any other local band securing the venue like this, corrections welcome) I mused again at their continuous push to expand and innovate ways for new and steady fans to breathe in their tunes. Recently, they joined Nimbleslick Entertainment, among the roster of known bands such as DrFameus and The Heavy Pets. For those of you needing an introductory to the band, Aqueous is generous with their music by posting sessions titled 'Live Nugs' and there's always UnclePhilsBlog on Facebook that will keep you updated day by day. To start you off with one of my favorites, below is the studio album Willy Is 40



Now, on to the openers. In addition to each night having a different theme, the bands included on the roster will create an excellent musical foil.

1) Pigeons Playing Ping Pong. Located currently in Baltimore, Maryland, the Pigeons caught my eye after a friend woke me up one morning saying she had a gift for me. I ogled at the sticker that features four pigeons in a pop-art Andy Warhol-esque style and wondered whether this was an actual pong league. Soon enough, I discovered their infectious groove that's heavy on electro and full of hilarious funk. Here's a snippet from their time at Camp Barefoot Festival. A little "Help On The Way" is thrown in there.


2) The Mantras. After causing quite a rouse during their opening set for Twiddle a few months back, The Mantras stayed on my radar and I am pleased to see them returning to Buffalo so soon. Their fourth studio album, JamBands Ruined My Life, saw a dynamic change to their music and showcased their repertoire in collaborating Middle-Eastern fusion, electronica, blues, and funk. Fun fact: this album was recorded with the help of guitarist Jake Cinninger and sound engineer Matt Gordon of Umphrey's McGee in Jake's Boondock Studio's in Michigan. Take a listen to "Kinetic Bump." 



3) Broccoli Samurai. Drawing their roots from musical genres such as drum and bass and electronica, this group from Cleveland, Ohio creates an ethereal resonance when they hit the stage. I see clear influences from bands such as Lotus, Pink Floyd, & The New Deal. Drawn out effects, builds that put the audience in the present moment. Definitely will be a treat to see live. Here's "High Grade."



4) BIG Something. Ambiguous name for an unambiguous style. Out of the four openers, BIG Something brings the heaviest rock influence. With the inclusion of saxophone, trumpet, and an electronic wind instrument, they combine organic sounds alongside synthesized chords. Burlington, NC is the place--but they've toured across coasts. Below is a song off their latest self-titled album.




Tonight: Consider the Source

When I write on buffaBLOG, I overuse words like "truly original" and "musicianship," and I only realize it when I have to write posts like this. New York City's Consider the Source will be at Nietzsche's tonight, and if you have nothing to do, you've gotta be there. There's just no other way of saying it; these guys have to be seen to be believed. The Middle-Eastern sci-fi funk instrumental trio showcases a double-necked fretless guitar (!) and John Ferrara, one of the most technically accomplished bass players I've ever seen on YouTube - no kidding. There's one video out there that shows CTS opening for Victor Wooten, and Ferrara schools Wooten on his own impossibly hard "Classical Thump."

The show begins at 10 p.m. with the ever-reliable jammers from Buffalo, Aqueous, whose ability to keep improving has gotten them on bills like this one. Admission is $10.



luke hammill


Tonight: Jimkata



Say what you want about jam kids; these folks know how to organize a show, bring together a crowd, and they actually dance for danceable bands instead of crossing their arms all aloof. A couple weeks ago, I saw Jimkata play to a packed house at Rochester's Dubland Underground: over the course of the show, the energetic crowd even went from being about 4% female to approximately 32%, which is pretty empirically dope considering the often bro-centricness of the venue. Combining electro-rock, pop, and a rare strain of jamtronica that doesn't cross the Cheesiness Threshold, the Ithaca-based quartet has been steadily infiltrating the East Coast jam scene and galvanizing an audience over the last few years. Their most recent record, Ghosts and Killers, is available from www.jimkata.com with a pay-what-you-can price tag, but it's really in a live setting that the group excels. The bass thumps, guitars sparkle, and despite his otherwise unobtrusive, guy-you-didn't-notice-at-the-college-house-party appearance, frontman Evan Friedell's compelling voice and lively presence makes him a commanding centerpiece for Jimkata's transcendent mix of sights and sounds. They don't really make it out this way that often, so be sure to check them out tonight at The Forvm (4224 Maple Rd, 8pm, $10) with Buffalo jamsters Aqueous.




Concrete Beatdown by Jimkatamusic


steve gordon


Tonight: Dopapod

There's a special treat for the electro/jam/psychadelia crowd tonight at Soundlab - Boston's Dopapod. How am I going to describe their sound? Just take a look at their "Artists We Also Like" on Facebook - "Primus, MMW, Tool, Phish, Lettuce, Radiohead, Rage Against the Machine, Nirvana, Led Zeppelin, Rubblebucket, Bassnectar, Gwar." So it sounds like that, only if you added a layer of synth-keyb grooviness. I'm currently vibing out to the load of free live music you can listen to of theirs here - they just segued into an instrumental dance version of Nirvana's "All Apologies." Just go. Plus, Aqueous, everyone's favorite local jam band, is opening. Doors open at 9 p.m., and admission is $12.