Showing posts with label portugal the man. Show all posts
Showing posts with label portugal the man. Show all posts


Album Review: Portugal. The Man - Evil Friends


Portugal. The Man have joined forces with the ever-brilliant Danger Mouse to create an album of wickedly energetic but listener-friendly anthems. Evil Friends, the Alaskan natives' eighth album in seven years, is yet another example of the prolific band's hyperactive ability to craft glittering MGMT-style art-rock. Early album tracks like "Creep in a T-Shirt" and "Evil Friends" feature Portugal. The Man at their most gleefully enjoyable, turning haughty gibes into brave psychedelic masterpieces.

Pondering the path of mankind, the record actively pursues the most fundamental of questions: "What do we do with our lives?" Though the spiritual struggles that crop up throughout Evil Friends lack the subtlety and precision of Vampire Weekend's recent foray into the metaphysical, Evil Friends does consciously explore "blind faith vs. blind rejection", "blindly live for now vs. blindly live for later" territory with compelling results.

Alternately, moral, immoral, and amoral, Portugal. The Man's lyrics curve toward an intense longing for belief, though belief in what proves fairly perplexing. Belief in self seems (unsurprisingly) excessively self-indulgent on "Modern Jesus." Belief in drugged pleasure and fame as end-goals on "Ecstasy" is childish and by the band's own definition "evil." Belief in romantic love as an all-healing salve serves as cowardly distraction on "Smile." Religion is unreliable. Agnostic unknowing is uncomfortable and useless.

The band performs with enough belief and conviction, however, to make Evil Friends an ambitiously entertaining, frequently invigorating, electrically-charged experience. Danger Mouse's production brings out the band's merits in exciting and encouraging ways, capitalizing on each tinkle of sound, each strumming rattle of guitars and pointed inflection in singer John Gourley's chilly, nasal post-Oasis voice. Evil Friends is an album to be believed in, demonstrating the range of the Danger Mouse-touch and the continued relevance of Portugal. The Man's tripped-out indie jam band vision.

Grade: B+





NXNE Explorations: Day 3 of 4

The collective mood of music lovers in Toronto was tempered yesterday with the tragic news of the stage collapsing and killing one man at Downsview Park where Radiohead had been scheduled to play the last show of their North American tour. Though the show was not part of the 2012 North By Northeast Conference it would be false to say that those unfortunate events did not have an effect on the rest of the festival. Mainly that those who traveled from far and wide across Canada and from the United States were left in Toronto saddened and soured by the fact that they could not see their favorite band last night. Good for NXNE, right? Well, sort of.

When we arrived at Younge and Dundas square last night to see the live acts, it quickly became apparent that much of the audience had been displaced from the canceled Radiohead concert. Most of the people I talked to were upset but rational, and others where inappropriately angered by the situation.    Brooklyn indie rock band Oberhofer was finishing up their set, and I felt very fortunate to arrive at this moment because I was happily surprised by their performance. Brad Oberhofer the frontman of this outfit is an prolific performer and their sound is really fresh. More to come on him later.

I was there to see Of Montreal. Though I've seen them and their stage performance before, they always seem to exceed expectations. Kevin Barnes took the stage and took two songs to really find his pace. Lately he's going with an even more ambiguous look, with a Skrillex like haircut, blurring the line between his masculinity and femininity. Nothing crazy. Their performance was solid, and they kind of played a quick hit list for the diehard fans, who were there, in hiding.
Next up was Alaskan transplants and talk of the music world Portugal. The Man. They took the stage with great energy, but unfortunately the sound mix was a little off. Now I'm sure that space has many strange sounding anomalies depending on where you're standing, so I made sure to move around a bit, and it was clear that the levels were not correct. But they played with great energy and a genuine respect to be playing at NXNE. The highlight of the set was their cover of the Beatles' "Helter Skelter," and teasing "Hey Jude" epically at the end of their set.
Then it was time for the Flaming Lips, who I intended to give every opportunity to woo me and win me over, and once again Wayne Coyne managed to piss me off. First they took forever to start playing (after they came out on stage) which was fine, I had hoped they were fixing the sound, but after saying they were ready several times, and were not, it became agitating. Finally they got underway. Confetti guns exploding, balloons bouncing, and the smile was plastered back on my face. The show was theatrically going swimmingly. Then after the first 3 or so songs, Mr. Coyne took to the mic to express his condolences to their friends and inspirations Radiohead in reference to the incident. They then played the Radiohead song "Knives Out" which is not a happy-go-lucky song and followed it with a piano ballad of their own that seemed to last forever, completely halting the performance and dampening the mood. And in typical fashion he began placating to the crowd and begging them for their affections in this a difficult time. It totally turned me off. And although it was of no fault to them, I have never seen that many kids pass out of "heat-exhaustion," not even at a Disco Biscuits show.
Needless to say we all needed a change of scenery. At that point I was ready to punch the next person that mentioned a "secret Radiohead show" or "Thom Yorke DJ set." We got the fuck out of there. Horseshoe Tavern was the next spot on our chain of events and it was absolutely overrun with people dying to see the Lumineers. We got the hint that every NXNE venue was going to be this packed for the rest of the night. Remaining there for only a portion of Young Empires set, it was either leave, or pass out in the bar.

Smartly we headed away from downtown to the Drake Underground. I needed to see some DJs spin. I was getting "banded-out." Luckily we skipped the block-long line and kind of persuaded ourselves in coyly. Treasure Fingers put on his headphones and began spinning the moment we walked in. Blissfully, we danced around to his blending of Hard French Nu-Disco music until we began to tucker out around 3:45AM. As we were leaving some of the members from Portugal. The Man were entering the premises, and there at the door getting denied entry was poor Brad Oberhofer, who later told me on the street how he hates nightclubs. I consoled him, and disagreed, but shared a token moment with him in commiseration of how the vibe of the city unfortunately changed over last night.


james wild


NXNE Music. Film. Interactive. June 11-17 Toronto, ON


Today marks the beginning of this year's North by Northeast Music. Film. Interactive. Conference running from now through this Sunday in Toronto, ON. Originally designed in conception from the South by Southwest Festival in Austin, TX, today marks the 18th year of North by Northeast's existence. The purpose of the conference is to provide a converging place for emerging musicians, top-flight headlining musicians, filmmakers, and innovators in the digitally interactive world to come together and network; sharing ideas and connections that can bridge the gap from the digital world to the arts. The event, which runs this entire week will feature 780 bands on 50 stages, 40 films, and 80 interactive sessions in various venues localized to downtown Toronto. NXNE attracts over 300,000 attendees from all over the world.

photo by Andrija Dimitrijevic

MUSIC
This year will feature diversity with major musical headliners such as THE FLAMING LIPS, RAEKWON & GHOSTFACE KILLAH, BAD RELIGION, and Canadian Rocker MATTHEW GOOD. Secondarily there will be many musical acts of indie popularity and fame such as OF MONTREAL, PURITY RING and PORTUGAL.THE MAN. The "main stage" or the festival central location is at Young and Dundas square and will feature some of the more main acts preforming outdoors for FREE to the Public on Saturday and Sunday. Night time shows, lineups, and showcases are all inside various participating venues across the city from starting through Sunday. For those performances you will need to purchase a ticket or a NXNE wristband.



FILM
The NXNE Film festival will screen more than 40 films, including 6 Canadian-premiers, and 8 World-premiers. The venues will include the NFB Mediatheque, Royal Cinema, and Toronto Underground Cinema. Check out the trailer below for what kinds of films will be presented at this year's NXNE film feature.




INTERACTIVE
The Interactive conference portion of the NXNE event is the most intriguing aspect of the festival. This is where presentations and workshops happen for musicians, filmmakers, PR professionals, Marketing professionals, editors, and writers. The topics are centered around accessibility in the digital age. And the attendees are encouranged to connect and share their ideas for advancement. This portion of NXNE is localized to the Hyatt Regency Toronto and Conference Center, the acting HQ for all of NXNE. HERE you'll find a list of the presentations happening throughout the week.

photo by Andrija Dimitrijevic


North by North East is about to start a vortex of creative ideas in downtown Toronto as it has done for the last several years. This is not just bands playing at a festival, or film screenings, this is instead a collective of ideas and pursuit in the artistic world.

buffaBLOG writer James Wild will be in Toronto to cover happenings of NXNE 2012 from this Thursday through Sunday. Beginning with the I BLAME YOKO showcase on Thursday afternoon which you can find more information on HERE. Follow his ramblings and discoveries at the NXNE Music. Film. Interactive. later this week on your local music blog, buffaBLOG.

james wild


Concert Review: Portugal. The Man


I showed up at Town Ballroom around quarter after 8 and Nelson-Type had already begun their set.  This was my first time catching them live, although I'm a big fan of their debut EP Grow Homeless, Grow Unbound.  This was also their first outing with an expanded lineup, sporting a new drummer, guitarist and backup vocals provided by Bryan Johnson and Laurie Pitzonka of Haunt.  The expanded lineup did them favors, adding some oomph to the oo's and ahh's and overall realizing the big sound that the songs deserve.  If this isn't their permanent live setup, they should consider it.  There was a good crowd there to support the up and coming local act, which is evidenced in the video below. Good on you, Buffalo.




Up next was The Lonely Forest, who came out sporting only three of it's four members.  The band did a pretty good job of holding their own as a three piece, until during the second or third song their second guitarist came running out on stage to join them.  I'm not sure what the story was there, but I'm sure it involved ancient aliens.  Musically, the band gave a solid, if not somewhat bland performance.  Katie thought they sounded a lot like Jack's Mannequin, who, based on who you are, could be a good or bad thing (it's a bad thing).  

The setbreak featured an awkwardly placed setbreak DJ, whom I admire for spinning a hip hop remix of "Freebird" with a straight face.  Then, Portugal. The Man came out to thunderous applause.  The stage and ceiling above were decked out with numerous colored balls (damn it balls, why do you have to be the universal word for testicles?) that lit up when the band started their set.  The guy behind us squealed with delight, "Yes! I was hoping they were gonna light up!"  Me too, sir, because if they didn't, that would be a really bizarre stage setup.  It got me thinking that it would be an interesting piece of performance art if a band went on the road with hundreds of lasers on stage and never turned them on. 

Even if the balls didn't light up, it would be difficult to deny that Portugal. The Man are an awesome live band.  There's a confidence that comes with being the road warriors that they are that you just can't fake.  Transitioning seamlessly from song to song for a lengthy set does not come easily.  At a pace of an album a year, the relatively young band already has a huge catalog of songs to pick from, but the biggest crowd pleasers came courtesy of their latest album In The Mountain In The Cloud.  Here's a video of them playing that album's opening track, "So American".



Overall, it was a terrifically energetic set of music.  At one point a mosh pit broke out, which seemed in danger of waining until a lithe, psychotic blonde girl kicked it up again.  With Death Cab For Cutie cornering the sensitive girl market across town, it seemed that all that was left for Portugal. The Man were the freaks, and I mean that in a loving manner.  Closing out the set was "Sleep Forever", which transitioned into a rousing rendition of The Beatle's "Hey Jude". It's refreshing to see a hard working band like Portugal. The Man find mainstream success, as despite the wild stage setup and the giant "Jagermeister Music Tour" banner behind the stage, the band still sounded very much like themselves.   Here's hoping they return often, next time with a real liquor.


Brian Gorman


Tonight: Portugal. The Man


The Town Ballroom is in the midst a hot streak of great shows, making this one of the finest seasons yet for the downtown venue.  Tonight brings Portugal, The Man, a band born out of Alaska and still riding high from  the success of In the Mountain In the Cloud, their sixth studio album and their first since signing with Atlantic Records.  The album, produced by John Hill (the executive producer behind Santigold's debut album Santogold, another artist hitting The Town Ballroom stage May 16th), is the band's most accomplished effort to date, expanding the scope of their sound while still maintaining an intimate personability.  Be sure to show up early to catch BuffaBLOG Beach Party artist Nelson-Type, opening up the show with help from Bryan Johnson and Laurie Pitzonka on backing vocals.  Rounding out the bill is The Lonely Forest, an indie rock band based out of Anacortes, Washington, who have some catchy songs in their own right.  Portugal. The Man have an interesting lighting setup this tour, which is captured pretty well in the clip below.  It's so cool, it's worth sitting through Carson Daly's face to see it.

Doors are at 7


Brian Gorman 


Uncovered Cover: Portugal. The Man covers Etta James


Indie rock band Portugal. The Man recorded this beautiful cover of Etta James' song "I'd Rather Go Blind" a while back for a radio show and recently released it in honor of the amazing blues singer's death.  Its a beautiful tribute to Etta James and couldn't be missed as a great cover for us to write about. Don't miss Portugal. The Man live on April 24 at the Town Ballroom.

Portugal. The Man - I'd Rather Go Blind (Etta James cover) by Portugaltheman

Katie Africano


Just Announced: Portugal, The Man


It was a topsy-turvy 2011 for Portland based Portugal, The Man.  After releasing their most critically acclaimed album yet, In the Mountain, In the Cloud, they were the victims of a brutal theft while on tour with last year's Lollapaloza.  Fortunately, Chicago PD was able to recover the stolen equipment and the band was able to finish the tour.  These kinds of things can sink a band, and in the case of Portugal, The Man, that would've been a tragic loss to the music world.  Since this particular case had a happy ending, Buffalo will be treated to a performance at Town Ballroom on April 24th.  Don't miss one of the most consistently evolving bands of the last decade in an already packed Spring concert season.




Brian Gorman