Showing posts with label young empires. Show all posts
Showing posts with label young empires. Show all posts


Tonight: Young Empires


Canada's Young Empires have only been together for less than four years but have already gained a huge following, and are one of the most critically acclaimed bands to come from up north in years. Their 2011 debut, Wake All My Youth, was a huge success, earning rave reviews and spawning three hit singles on the Canadian pop charts.

The band is already big in their homeland, and are now poised to take over the States. Tonight, they'll be playing at The Waiting Room (8pm, $14). If you've never heard the band before, this would be a great opportunity to do so. The sound is somewhere between The Zombies and Speaking In Tongues era Talking Heads. This maybe your last chance to see them before they breakthrough in America.


John Hugar


Tonight: Young Empires


2012 set a pretty high standard for live music in Buffalo, most notably represented by the hot streak of touring bands stopping through the Town Ballroom. The Ballroom looks to continue that streak in 2013 with tonight's Young Empires show. Formed in Toronto in 2009, the indie dance group's most recent stop in Buffalo was at Babeville's intimate Ninth Ward venue with Love Scenes back in April of 2011. Since then, the band has released the Wake All My Youth EP, co-produced by AL-P of MSTRKRFT, and signed with Pirates Blend Records. Tickets are still available for tonight's show for $14 at the door, which is a steal for a Ballroom show. Doors are at 7, with an opening set from Royal Teeth (check out our write up of them here). Blizzard schmizzard.



Brian Gorman


Know Your Opener: Royal Teeth

Hopefully you've been checking your email inbox and received the Town Ballroom's generous free ticket offer for tonight's show featuring Young Empires. I'm writing to inform you not to miss the opener! Sometimes I look back at shows I've been to and realize that the opening band is now headliners who don't stop in Buffalo and charge $50 a ticket..... and I would love to see them. Don't let this happen to you. Tonight's opener is Royal Teeth, a New Orleans (happy Carnival!) based indie band that has an electronica feel with pulsating drums and both male and female vocals. Their debut EP, Act Natually, was released last year and features five upbeat and danceable tracks that you will definitely hear tonight. One of the best things about new bands other than their overwhelming dedication to their new careers is FREE MUSIC!! You can grab a free download of their track "Wild" on their bandcamp page! yay! The Royal Teeth's presence in the music world seems to be on a giant incline and will only improve with their upcoming release of their full LP.  So don't be late tonight! Doors are at 7 pm, if you didn't receive the Town Ballroom's free ticket then you can buy one at the door for $14. See you there! 



Katie Africano


Picking up the Slack for MTV: Young Empires



It is amazing the lengths that some bands go to make a music video, especially when they make it interactive for fans. Many bands(Flaming Lips, My Morning Jacket, C-mon & Kypski) have had their fans submit pictures, smiles, body parts etc. to help build an amazing music video. Canadian rockers Young Empires, have brought their own take on interactive music videos in their new short film for the track "White Doves" off their EP Wake All My Youth. Simply by connecting with Facebook, users can then choose a friend to interact with and are then treated to a short film with both your pictures neatly inserted in to the movie. Click this link and you will be on your way! The non-interactive video can be seen below.





chris seymour


NXNE Explorations: Day 3 of 4

The collective mood of music lovers in Toronto was tempered yesterday with the tragic news of the stage collapsing and killing one man at Downsview Park where Radiohead had been scheduled to play the last show of their North American tour. Though the show was not part of the 2012 North By Northeast Conference it would be false to say that those unfortunate events did not have an effect on the rest of the festival. Mainly that those who traveled from far and wide across Canada and from the United States were left in Toronto saddened and soured by the fact that they could not see their favorite band last night. Good for NXNE, right? Well, sort of.

When we arrived at Younge and Dundas square last night to see the live acts, it quickly became apparent that much of the audience had been displaced from the canceled Radiohead concert. Most of the people I talked to were upset but rational, and others where inappropriately angered by the situation.    Brooklyn indie rock band Oberhofer was finishing up their set, and I felt very fortunate to arrive at this moment because I was happily surprised by their performance. Brad Oberhofer the frontman of this outfit is an prolific performer and their sound is really fresh. More to come on him later.

I was there to see Of Montreal. Though I've seen them and their stage performance before, they always seem to exceed expectations. Kevin Barnes took the stage and took two songs to really find his pace. Lately he's going with an even more ambiguous look, with a Skrillex like haircut, blurring the line between his masculinity and femininity. Nothing crazy. Their performance was solid, and they kind of played a quick hit list for the diehard fans, who were there, in hiding.
Next up was Alaskan transplants and talk of the music world Portugal. The Man. They took the stage with great energy, but unfortunately the sound mix was a little off. Now I'm sure that space has many strange sounding anomalies depending on where you're standing, so I made sure to move around a bit, and it was clear that the levels were not correct. But they played with great energy and a genuine respect to be playing at NXNE. The highlight of the set was their cover of the Beatles' "Helter Skelter," and teasing "Hey Jude" epically at the end of their set.
Then it was time for the Flaming Lips, who I intended to give every opportunity to woo me and win me over, and once again Wayne Coyne managed to piss me off. First they took forever to start playing (after they came out on stage) which was fine, I had hoped they were fixing the sound, but after saying they were ready several times, and were not, it became agitating. Finally they got underway. Confetti guns exploding, balloons bouncing, and the smile was plastered back on my face. The show was theatrically going swimmingly. Then after the first 3 or so songs, Mr. Coyne took to the mic to express his condolences to their friends and inspirations Radiohead in reference to the incident. They then played the Radiohead song "Knives Out" which is not a happy-go-lucky song and followed it with a piano ballad of their own that seemed to last forever, completely halting the performance and dampening the mood. And in typical fashion he began placating to the crowd and begging them for their affections in this a difficult time. It totally turned me off. And although it was of no fault to them, I have never seen that many kids pass out of "heat-exhaustion," not even at a Disco Biscuits show.
Needless to say we all needed a change of scenery. At that point I was ready to punch the next person that mentioned a "secret Radiohead show" or "Thom Yorke DJ set." We got the fuck out of there. Horseshoe Tavern was the next spot on our chain of events and it was absolutely overrun with people dying to see the Lumineers. We got the hint that every NXNE venue was going to be this packed for the rest of the night. Remaining there for only a portion of Young Empires set, it was either leave, or pass out in the bar.

Smartly we headed away from downtown to the Drake Underground. I needed to see some DJs spin. I was getting "banded-out." Luckily we skipped the block-long line and kind of persuaded ourselves in coyly. Treasure Fingers put on his headphones and began spinning the moment we walked in. Blissfully, we danced around to his blending of Hard French Nu-Disco music until we began to tucker out around 3:45AM. As we were leaving some of the members from Portugal. The Man were entering the premises, and there at the door getting denied entry was poor Brad Oberhofer, who later told me on the street how he hates nightclubs. I consoled him, and disagreed, but shared a token moment with him in commiseration of how the vibe of the city unfortunately changed over last night.


james wild