Showing posts with label justin a. Show all posts
Showing posts with label justin a. Show all posts


The Tracks Debut Spring Demos


Demos are always an interesting entity. A demo is its own animal, and can do one of three things: it can represent your band perfectly, it can misrepresent you entirely, or it can over represent you in a way that you will never be able deliver on. 

With that being said, rust belters, The Tracks have just released their demo, minimally titled Spring 2014 Demos. The demo consist of two tracks, “Laurel Go Marching” and “My Friend,” and the two songs could not be further apart. “Laurel Go Marching” consist of ghostly guitars, over dubs and layers galore, synthesizers, percussion, and just production in general. Then there’s “My Friend,” which makes you feel like you’re stuck in some late 80’s high school tragedy movie starring Christian Slater. The common attribute that both songs share are manipulated audio, causing both music and vocals to fade in and out as well as change in pitch and tone. The words I would use to describe this demo would be “an interesting entity,” besides I would never judge a band solely on their demo, that would be like voting for a politician based on promises.






Buffalo Trio Sexist Drops Early Tracks


So a few things happened this weekend. Louis CK hosted Saturday Night Live and Major League Baseball started its new season, but more importantly, the Buffalo band Sexist released two new songs. 

The all-girl trio, Sexist, released “Product” a raw fifty three second teaser of a song, as well as “Bad Feelings.” Comprised of Natalie (bass/vocals) Jamie (guitar/vocals) and Gabby (drums/vocals), Sexist brings, for a lack of a better term, the riot girrrl theme to Buffalo. Both “Product” and “Bad Feelings” scream Bikini Kill and Le Tigre, or pretty much anything Kathleen Hanna has ever touched. “Bad Feelings” is equal parts punk rock and 60’s pop, full of hooks and class accompanied by vocal harmonies. 

Sexist has been together for nearly two years and will be releasing their demo on cassette this Record Store Day (April 19th), in addition to an in-store set at Spiral Scratch. 






buffaBLOG 4th Birthday Party Artist Spotlight: Harmonica Lewinski


As much as we here at buffaBLOG love to write about bands from the Queen City; every once in a while we do take time out of our hectic schedules from dropping obscure references, and shotgunning PBR’s to talk about bands from Rochester. Today is one of those days, and Harmonica Lewinski is one of those bands. Chocked full of fuzz, distortion, ghostly guitar riffs, and echoed vocals, Lewinski’s latest release, Twerk Jerky, is a must have for any garage band enthusiast. They manage to channel Link Wray and the Sonics with true garage-punk elements. Afterall, how can you not love a band with members who go by handles like Captain Trash, Wild Hanes Stains Richards, Hooter McTooter, The Musical Linn Linn, Harold "Docks" (raw dawg n' it) Jenkins, and Dirty Sanchez? Then again what would you expect from a band who met “in the basement of a gay club, in Rochester, NY loaded with pussy, ass, drugs and alcohol?” This is according to bassist Jeremiah Richards (who we can assume is also Wild Hanes Stains Richards).  

The garage punk band from Rochester with the clever name will be playing buffaBLOG’s 4th Birthday Party at Duke’s Bohemian Grove Bar on Saturday, March 29th. Richards commented on the show saying, “We’re excited to play in Buffalo for the first time at the buffaBLOG birthday party! I guess we’re a party band so maybe that's why they asked us. It's at DBGB's, that's all we know.”  Also on the bill will be Mr. Boneless, Alex Berkley & The Atlanta Falcons, Real People, and Chauncey Tails. Show starts at 10pm. $5 at the door. 






Album Review: Ringo Deathstarr - God's Dream



Have you ever wondered what it would sound like if Thurston Moore and Wayne Coyne had a rapturous alien love child, that saves all humanity from the zombie-robot apocalypse? Well, wonder no longer, because that said love child is here and it are alive and well, and it goes by the name of Ringo Deathstarr.


God’s Dream marks the sixth release from the Austin, Texas trio. In addition to the CD release (which comes out today), RD will also be releasing a swanky 100 copies of colorized vinyl of the record, available through Neon Sigh and Noyes Records. The colorized vinyls will be hand-numbered and pressed in a mint/magenta split color. An additional 400 records will be pressed in a transparent coke bottle coloring.  


God’s Dream is the perfect departure from RD’s 2012 release Mauve. Where Mauve was latent with aggressive guitars, heart thumping drum lines, God’s Dream supplies us with haunting ghostly guitar hooks and drawn out sympathies. God’s Dream is chocked full of distortion and fuzz and is absent of vocals. The vocals are there but they're more like an accent. They are the barrel aged Grappa which accompanies the bacon gelato. The vocals are just there not taking away or adding to the gelato (the music). From the opening track, the ghosty dreamscape that is “Bong Load,” you can tell you are in for a wild ride. You could listen to this record and play ‘name that influence,’ it’d be easy. There’s some Sonic Youth in there, some Flaming Lips (during their psychedelic punk phase), some My Bloody Valentine, and there’s also some Smashing Pumpkins, especially on the songs “Chainsaw” and “Nowhere.”

Instead, let’s talk about what this record is not. This record is not generic, it is not choiceless, and it is not fruitless. God’s Dream is everything that is right with music, and America for that matter. It is genuine. This record screams at you ‘Hello, we are Ringo Deathstarr, this is who we are.’ RD made very deliberate choices on this record as well. You want vocals? Too fucking bad! Go fuck yourself! You want vocals, go make your own record! This is our record! This is our art! This is the kind of record that compels awkward teenagers to pick up guitars.      

The real gem on God’s Dream is the face melting “Flower Power.” “Flower Power” stays true to the shoegaze fashion bu starting with an ambitious, energetic, and distorted crescendo guitar riff that builds until your head feels like it’s going to explode. Just when you think you cannot take anymore, they hit us with a sweet, sweet interlude that transports us into a dreamscape wonderland (this is where you find your power animal). By the time you realize that you are listening to the same song, your face has completely melted off your skull piece.   


“Flower Power” comes across as two songs in one, something that isn’t inconceivable or unacceptable in the shoegaze genre. Shoegaze is essentially a licence to kill, you get to do whatever the fuck you want and ask for forgiveness later. The real truth is that either you can pull it off or you can’t, and well Ringo Deathstarr pulls it off, and how! 

Grade: A 






Tonight: Bearchild, Cross Stitch, Brimstone Blondes, and Creation Xtinction


If you haven’t been to Black Dots record shop, I just have one question for you...what have you been doing with your life? Located at 223 Lafayette Avenue (on the corner of Lafayette and Grant Street) the basement record shop has all of your obscure and hard to find punk rock records and even a few oldie goldies (Engelbert Humperdinck anyone?) as well those cassettes you’ve been searching for. On top of the wide selection of cassettes and vinyls, Black Dots also puts on shows from time to time, and tonight is one of those times. 

Tonight Black Dots will be hosting four Buffalo bands. On the bill this evening will be the love me tender indie rockers Bearchild, the Buffalonian babes of Cross Stitch will be making a rare appearance, as well as the bouncy garage rockers of Brimstone Blondes, and the acoustic punk outfit Creation Xtinction will round out the bill. That’s right a show in a record shop, what could be better? Maybe a gold plated toilet, but lets be honest, it’s just not in the cards, so in the meantime why not settle for a show at Black Dots. 

Black Dots 
223 Lafayette Avenue 
Doors at 6pm 
Music at 7pm 
$6






R.I.P. Stooges' Scott Asheton


Raw Power is the first record I ruined. I played that thing literally until it was a broken record. Immediately I wanted to be Iggy Pop, no shirt, no shame and raw power. It wasn’t until later did I discover The Stooges heavier self titled debut. “I Wanna Be Your Dog” is my graceland. It’s heavy, not loud. Queens of the Stone Age are heavy and loud (the loudest band I’ve ever heard), but the Stooges are heavy, in more ways than one, and it was all thanks Scott Asheton.


It wasn’t until much later I got into Iggy’s solo records. Those records never got ruined. They’re still kicking around in my apartment somewhere. Some of them I’m sure are door stops. All of those records are missing something for me, even the ones that were produced by Bowie. Don’t get me wrong they are all great albums. Trust me I’m not bad mouthing the king of rock and roll (and we all know Iggy is the king). All of Iggy’s solo records are fine and dandy, it’s just that they are missing something; they just don’t have that... umpth, that snarl, they don't have piss and vinegar; but most of all they don’t have Scott Asheton. .


Scott Asheton the drummer for The Stooges was found dead Sunday, due to an undisclosed illness, he was 64 years old. He was diagnosed with an undisclosed illness in 2011. The details of his death have not yet been released. However Iggy did released a statement via his facebook page.


“"My dear friend Scott Asheton passed away last night," Iggy posted on Sunday. "Scott was a great artist, I have never heard anyone play the drums with more meaning than Scott Asheton. He was like my brother. He and [late brother and Stooges guitarist] Ron have left a huge legacy to the world. The Ashetons have always been and continue to be a second family to me."

Born August 16, 1949 in Washington DC, at the age of 14 Asheton and his family moved to Ann Arbor, Michigan. Within three years Asheton would go on to form The Stooges (1967) with his brother Ron (who died in 2009), Iggy and Dave Alexander. The Stooges would go on to pioneer what would become punk rock. Asheton’s raw drumming style had as much to do with The Stooges sound as Iggy’s snarl. The Stooges disbanded in 1973. After the Stooges Asheton went on to play drums with bands including, Sonic’s Rendezvous Band. The Stooges reunited in the late 2000’s to release two albums, The Weirdness (2007) and Ready to Die (2013). Asheton is survived by his wife, Elizabeth, his daughter Leanna and his sister Kathleen Asheton. 



~ Photo by Ethan Miller



Brother Keep Releases New Music Video From Upcoming EP


Brother Keep is more than a name for a Buffalo band, it’s also a philosophy of said Buffalo band. Coincidentally brothers Nick Sessanna (guitar/ vocals) and Jake Sessanna (drums) are the only two uninterrupted members of the indie act’s line up, since their conception in 2010. They give a new definition to the phrase brotherly love, well they are at least more loving than the Gallagher brothers of Oasis (I know that’s not saying too much).

This morning Brother Keep has released the video for “F(r)iend” the first single from their new EP, To You and Yours (due out in April).  To You and Yours and the video for “F(r)iend)” were produced and directed by Brian Russo. “F(r)iend” is a nice departure from the atmospheric indie rock, that Brother Keep fans have come acquainted with. “F(r)iend” finds Brother Keep leaving the synths and Brand New comparisons at home. Hypersonic and to the point, “F(r)iend” tells the story of the worse person that you have ever known.

Brother Keep take a straight up rock approach approach on this one, leaving all of ghostly driven guitars in their cases in the loft. On “F(r)iend” Brother Keep digs up a time capsule from circa 2005 when Emo was on the outs with bands like Taking Back Sunday leading the decline. However thankfully Brother Keep decides to leave out the over ambitious harmonies.





Head North Goes Down South


It’s always depressing when your favorite local band goes on tour. It’s kind of like being blind sided by a breakup. You are left feeling lost and confused, wandering in the dark, lonely and cold. You begin asking yourself questions like, what did I do? Did I love too much?Did I push too hard? Was I too clingy? Did I smother them? The good news is that your favorite band always come back to town. And when they do come back, they are happy to see you, unlike your ex, who can be found hiding in the frozen food section of the grocery store, until you pass by. 

The latest member of this temporary abandonment game is Buffalo’s own pop/ punk outfit Head North. Head North, comprised of Brent Martone (guitar/ vocals),  Nick Iacuzzo (guitar) Alex Matos (bass), and Boon Lieber (drums), will be heading out on a 23 date East Coast tour. The tour will be taking the rust belter’s as far south as Orlando, Florida (lucky them). Staying true to it’s DIY ethics, HN's Martone booked the tour himself saying “I'm so stoked man. We're hitting up a bunch of cities we haven't hit since last summer. It's going to be a good time.” The tour is in celebration and support of the band’s second EP release Scrapbook Minds. “The recording process was my favorite we've had,” explains Martone, “Boon, Alex and Nick are such competent players it opened up time to experiment sonically.” 

Scrapbook Minds, the debut EP from the current lineup (who have been together since October) of Head North, is chocked full of coming of age tales from the post adolescent heart. Power chords and throaty vocals make this record go ‘round. However not all of the songs are amped up pop/punk anthems.They slow it down with the acoustic, “Brooklyn’s Burning” and “Jake’s Apartment.”  

While the EP is technically the second release from Head North, Martone doesn’t see it that way. “Arrows (the first EP), we did it with our old lineup. It doesn't sound anything like the new record. I wrote the words still, but we had a different singer and it was essentially a different band.” Martone explains. 

Head North will be kicking off the tour with a show at the Waiting Room this Friday March 7th, along with The Traditional and many more.






buffaBLOG's Guide to Mardi Gras


Mardi Gras, which if my research has misled me, correctly translates to the festival of beads and breasts. The whole shebang gets kicked off with Fat Tuesday, which is the day before Ash Wednesday (the goofy christian thing involving ashes and foreheads). Let’s face it: Fat Tuesday is a day that rightfully should have been dreamed up in a Buffalo dive bar. It’s an evening chocked full of breasts, beads, and regretful decisions fueled by liquid courage (which comes in a variety of flavors). That’s just a Tuesday to us Buffalonians. Aside from being a day full of DBB (drinking, beads and breasts), there happens to be some pretty awesome local music going on at all of your favorite rust belt haunts. 
   
Nietzsche's
248 Allen Street
Nietzsche’s has built themselves the reputation of being thee Buffalo Fat Tuesday destination, and this year is no different. Starting at 6pm, the line up includes 12/8 Path Band, The Steam Monkeys, and The Albrights, as well as The Stripteasers and The Chevon Davis Drag Show.   


Gypsy Parlor
376 Grant Street
New to the scene, Grant Street’s Gypsy Parlor will be offering some of their own Mardi Gras entertainment with the bluesy Americana rockabilly band Folk Faces, Kresten, Fleuron Rouge Belly Dancers, and The Gypsy Drag Queens.
Duke Bohemian Grove Bar
253 Allen Street
The Duke Bohemian Grove Bar (DBGB’s) will be bringing the “phattest Tuesday” with Lee Ron Zydeco & The Hot Tamales, and The Foxy Diamondz Burelesque Dancers along with a five DJ lineup which will include: Loppro, Darringer, Charlie the Butcher, Big Basha and Warpid.


The Bend
256 Allen Street
Starting with Nerds Gone Wild, who will be playing your favorite and forgotten 80’s and New Wave hits. Nerds Gone Wild be followed by DJ Drop D.
Club Marcella
622 Main Street
Club Marcella will have arguably the best drag show in Buffalo tonight; the cast of Life’s a Drag will be hosting to be accompanied by DJ Charles Masters.


Hardware
245 Allen Street  
The Allentown staple, Hardware, will be keeping it low key this year (if that’s even possible) with a single performance by the self proclaimed “scumbag Americana,” Pine Fever.  






Tonight: Sleepy Hahas, Bearhunter, and more


Saturday night is alright for fighting, as long as you’re names are either Sir Elton John or Floyd Mayweather (however if you’re reading this I’m assuming you're not one of these men) other than that you best put the gloves away. However Saturday night isn’t only for prizefighters and grammy winners, oh no, there’s a little fun in store for all of us. 

For the general non trophy/ title holding population, Saturday night is perfect for cutting loose and checking out some local bands. It’s not every weekend you get a show like this waving its ass in your face begging for you to give it firm slap. The Sleepy Hahas, Bearhunter, Johnny Nobody, and Wonder & Fury will be taking the stage at Mr. Goodbar this fine evening, and hey mother nature is supposed to grace us with some double digit temperatures too. The Sleepy Hahas will be bringing the ‘chain smoking, bird flippin, wife stealin’ neo grease rock n roll’ along with fellow rust belters Bearhunter, Johnny Nobody and Philadelphia's Wonder & Fury.  Besides, what else are you going to do, stay home and watch the cast of Saturday Night Live “try.”  

The show kicks off at 9pm at Mr. Goodbar (upstairs) 1110 Elmwood Avenue. Five bucks at the door.




Album Review: The Grahams - Riverman's Daughter


The Grahams debut release, Riverman’s Daughter, has literally been a lifetime in the making. The duo, comprised of Alyssa and Doug Graham, initially met in a first grade classroom, and later fell in love as teenagers in New York City. You could say that their entire lives have led up to this release. On February 4th, The Grahams reintroduced their January debut with a deluxe edition, adding six new songs to the original release. Among the new songs are live acoustic versions, of “If You’re in New York” and  “Good Man,” as well as a cover of Neil Young’s “Down by the River” and “Springfield ‘61,” which brings the duo together with The North Mississippi Allstars. 

Riverman’s Daughter is a well orchestrated riverboat ride down the Mississippi. They take us on a field trip through the deep south with haunting american gothic songs, like “Riverman’s Daughter” and “Cathedral Pines.” The album isn’t all doom and gloom though it is also chocked full of love songs, such as “Carrying the Torch”, “Good Man” and “If You’re in New York.” The Grahams naturally chemistry vividly comes through vividly on these tracks. The real surprise in the new songs featured on the deluxe edition is the cover of Young’s “Down by the River” (one of the only songs featuring Doug Graham on lead vocals). They don’t compromise the guitar or the vocal style of the song, but just add a little bit of twang to make it their own. Still the real gem on this album is the Patsy “Clined” “You Made Me Love You.” It takes us back to a time when country music was king of the radio airwaves. 

This is a country record in every sense of the word. Now I know that “country music” is a figurative four letter word. However, when I say “country” record, I mean  in the vein of Alison Krauss and Lucinda Williams, and not in the vein of Toby Keith and Carrie Underwood. Riverman’s Daughter takes us “true” country music fans back to a time before the big country radio crossover into the mainstream. When names like Dwight Yokum, Rodney Crowell, Trisha Yearwood and Pam Tillis ruled the video waves of CMT. When you could still hear the influences and tip of the hats to the greats like Johnny Cash, Waylon Jennings, Tammy Wynette and George Jones. Riverman’s Daughter lives in a time capsule before country music was full of song references to rednecks, and sexy tractors. It takes us back to a time when country music had sustenance.  
Grade: A





Just Announced: POLIÇA


It’s no secret that Buffalo gets passed over from time to time for shows, for a more populated northern city with a more theatrical mayor as well as a better hockey team. Come on somebody had to say it! No offence Byron Brown or Ryan Miller. However, we Buffalonians get lucky from time to time. Today is one of those days. The Tralf theatre has just announced that they will be bringing in the Minneapolis synth-pop duo POLIÇA for their Buffalo debut on Monday June 2nd.

POLIÇA brings together former Gayngs (a 25 member musical collective) members Ryan Olson (production) and Channy Leaneagh. POLIÇA isn’t in reference to the Spanish word for police, that is policia. POLIÇA translates in Polish to policy, which according vocalist Channy Leaneagh is more than just a band name. She sees the group’s name as a reference to an unwritten code that guides the members when they play together. 

Last fall, POLIÇA released their sophomore effort, Shulamith, a title which was inspired by the radical feminist with the same name Shulamith Firestone.

Tickets go on sale this Friday February 28th at noon for $14/$16 day of. 





Tonight: Bear Hands


Wesleyan University is a private liberal arts college located in Middletown, Connecticut. As well as being one of the only baccalaureate colleges in the United States that prioritizes undergraduate disciplines in arts and sciences, Wesleyan has also churned out some of the best indie ‘buzz’ bands of the 2000’s, such as Boy Crisis, Amazing Baby, MGMT and Bear Hands. Buffalo’s alternative radio station WLKK 107.7 and After Dark Entertainment brings the latter to Buffalo tonight ($5, 6pm) for the latest installment of their ‘You Saw Them First Series.’

The Brooklyn based band will be playing a fresh set from their new album, Distraction (released February 18th), the sophomore follow up to their 2010 debut, Burning Bush Supper Club. This time around, Bear Hands decided to do things a little differently, setting up camp in guitarist Ted Feldman’s parent’s house. They recorded the basic tracks in a week, with Feldman taking the helm from the producers chair. I spoke with vocalist Dylan Rau about this decision via phone interview. “It was great, we all trust Ted, he has a huge wealth of knowledge about music. It definitely felt relaxed, we didn’t feel like we were on ‘the clock’. We think it was a great move.” Rau said. This is not to say that Bear Hands will never use an outside producer again,“It would definitely be exciting to work with certain producers in the future.” Rau added. 

Distraction’s second single “Agora” is all about being agoraphobic, a feeling that Rau understands, “I’ve never been diagnosed with Agoraphobia or anything, I don’t know if I actually have it or not, it’s all tied up with a couple other mental health issues I have, but I certainly empathize  with it, and I think I understand the feeling.”  Distraction maybe a more polished effort with a focus on song structure, however don’t expected a muted show tonight. Bear Hands who are known for their vivacious, energetic live performances will in every term of the word be “bringing it”, agoraphobic tenadacies and all. Also on the bill tonight will be Buffalo’s Made Violent, Rochester’s The Demos, and Inlite who are from Buffalo as well.


~ Photo by Mark Loper



The Architects Get Filthy With Episode One


While everyone else was paying attention to Justin Bieber’s ‘bad boy’ antics, and Miley Cyrus’ attempts to twerk ‘what her mama gave her’ (I’ve seen more voluptuous flap jacks), Kansas City’s Architects flew right under the radar with their latest endeavor Border Wars. Border Wars is a five part EP/ graphic novel series that pairs the Missouri veterans with illustrator, Mallory Dorn. Tongue firmly placed in cheek vocalist Brandon Phillips has said, about the project, "We’re doing this, in the first place, because we’re jealous of Green Day and we’re jealous of the Foo Fighters and we’re jealous of Queen and The Who, because they are all able to give their fans an experience that cuts deeper than a catchy single, an album concept or a flashy stage show.” The more sincere guitarist Kennan Nichols recently spoke on the project as well, saying “Being able to hold, touch and read the liner notes that’s a lost beauty. I always remember that from being a kid and getting into music and the fact that its going away blows.”


Episode One takes off like a rocket to Mars fueled by adrenaline and whiskey, it gets you out of the atmosphere in a hurry. You aren’t sure where you are going, and you don’t care. You’re just glad to be off the ground and away from all of the degenerates that you discover in Episode One.  The Architects get filthy on this one, and it’s just the crystal meth flavored  coffee enema that the doctor ordered. On the opening track “Peter Fonda,” a trailblazer shot straight from the hip, vocalist Brandon Phillips  screams “I’m Steve McQueen” and we yell yeah fucking right you are. Along the way, The Architects drive fast and take chances, pulling out all the stops with guitar solos, which in any other setting they would come off as pretentious and fascist, but they pull it off with sincerity on the Springsteen-esque radio friendly diddies “I Chose Wrong”  and “Heartbreaker.”  


Episode One lands as vigorously as it launches with the song “Shivers,” a stripped down, heart thumping rock and roll song. Phillips hits us with the lyrics like “give me the shivers/give me the shakes/give me the goddamn creeps/I’ll take all I can take,”  with the eerie closing track. Episode One takes us back to a time when rock and roll was sweaty and nasty. When tour buses smelled like an iceless fish market in July (they still smell like that, but we are just so detached from it now). Episode One is a filthy, grimy, drugged out, whiskey dicked, rock and roll record in its purest form.

Listen to "Peter Fonda" here.