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Even if you only casually follow buffaBLOG, you probably know that The Malones were probably one of the bands we covered most this year, and for good reason. With a sound that mixes the best aspects of The Strokes and Hot Hot Heat, these veterans of the scene (including Steak & Cake records mastermind Brandon Schlia) released their debut EP this year, and it was excellent. We decided on “Clenched Fist” for our top 20. The song doesn’t even breach the two minute mark, but when singer Steven Floyd yelps that his “ears are tape recorders and his mouth is a microphone,” you can’t help but get riled up. Oh, and I won’t forget to mention the band's secret weapon - Elliott Douglas’ delicious Steak & Cake bass lines. - NAS
Jack Toft had an amazing 2013. Between his numerous music video appearances, collaborations with up-and-coming emcees, and dropping singles so fast that buffaBLOG just simply could not keep up, Toft found time to partner up with producer TEEN WOLF to make an exceptional full-length album, TEENWOLF AND JACK TOFT. “Jump Up and Down” is arguably the most listener friendly track on the an already very listenable album. The song is abstract rap-pop where Toft hypes the listener to, well, jump and down, while also incorporating his signature delivery of one-liners, Allentown observations, and dated cultural references. Toft's partnership with TEEN WOLF spurred Toft's momentum this year which is on course to translate well into 2014. "Jump Up and Down" makes you want freak out with your buds, jump uppin' down and bust your nuts. - MJM
Bryan Johnson & Family are Buffalo’s resident surf rockers. Despite Johnson's omnipresence in the Buffalo scene, he had yet to release a large batch of recordings of his songs until this year. BJ released “Mt. Vesuvius,” which might be one of the catchiest joints to come out of Buffalo in the history of time (perhaps even since the tragedy at Pompeii). With the surf rock tag, there are hints of Beach Fossils, Surfer Blood, and even a bit of Cloud Nothings. Regardless, BJ&FAM has perfected their surf rock sensibilities. Trust us when we say this is one of the best choruses of the year; 'I feel like, I feel just like Mt. Vesuvius' will be stuck in your head for days. - NAS
Indie rock veterans/mainstays Failures’ Union have always been known to deliver and definitely did not go against the grain with the lead single, “Between,” which is from their late 2013 full-length, Tethering. "Between" made its internet debut via music video in late August, resulting in the buffaBLOGGERS spending the tail end of the summer rocking out to heyday '90s indie rock. The video also sparked an internal blog debate as to whether or not Will Sasso makes a celebrity cameo at 1:00, but that's not very important. What is important is that Failures' Union is brash Americana for a blue collar city like Buffalo. They are the rust belt's Hold Steady and with age/experience, Failures' Union continue to become more refined. - MJM 
For a city that seems to be dominated by punk bands and the latest wave of emo rock, the emergence of the party pop group, Forealists, this past summer was just the right amount of fun for the fairly pessimistic city. The funk/R&B/soul, hell even a little boy band, flavored outfit's debut single, "Livin' It Up," surfaced this past August with quite a bit of local buzz. The relatively simple music video, which mixes in performance cuts and the band 'cruisin round town' in a convertible on a pleasant summer day, became equally addicting. Who the hell is that guy in the mask by the way? No matter. "Livin' It Up" is a blast because it doesn't take itself too seriously. Sunny synths, great harmonies, and some of the best bass work in town make it hard for even the most anti-pop of people (that would include yours truly) to hate one of the more surprise hits to come out of Buffalo this year. - MPM
Cinnamon Aluminum has always been an unpredictable enigma, both as performance artists and musicians. Sometimes their songs are surface level electronic tracks, while others are best described as upbeat acid/jamtronica fronted by a nun with a strap-on dildo. Regardless of your favorite flavor of Cinnamon Aluminum, it’s undeniable that this band has a gift for commanding attention. Knowing this, we were pleasantly surprised to find “Girls in Disguise,” nestled as track four off of the band’s farewell EP titled Guys, Warlords. Girls. “Girls in Disguise” is enchanting dance-punk track featuring front man Hurricane Relic mumbling/babbling about girls lying/wearing disguises accompanied with Kristachuwan’s smooth jazz saxophone and a !!!-like percussion backing provided by Kid on Purpose. If you told me that "Girls in Disguise," was from the latest batch of DFA signees or a James Murphy production, I would believe it. It's that good. - MJM
I noted earlier in this post that what I loved most about Forealists' "Livin' It Up" is that the song didn't take itself to seriously. It was a fun tune about, well, having fun. Now, take what I just said and throw that out when it comes to Marine Biologist. This post-rock four piece is dead serious and wants you to know it. Take the opening track to their devastatingly good EP New Works. Formally under the rather long working name of "WE'VE SEEN ALL OF THIS BEFORE. NOTHING IN THE WORLD IS NEW. IT'S ALL BEEN DONE," "Allegro" is a stirring call to arms with a slow building intro of muted riffs and big drums. Front man Aaron Folmsbee spends the first minute of vocals reminding us how fucking boring life can be: 'We've seen all of this before. Nothing in the world is new.' Hell yes we have! "Allegro," thematically, recalls the stuck-in-the-suburbs dread of Arcade Fire's Funeral or what many post-grads must be thinking after that first job honeymoon fizzles. Think the heavy emotions of the Antlers backed by post-rock heavy weights Mogwai or Explosions in the Sky, and you have yourself Marine Biologist. - MPM
Things have been a bit quiet on the Smart House front as of late, but earlier this year, the four piece electro pop act captured our attention with their incredible debut single "Car Ride." Led by the Ogadzhanov Brothers, Alek and Staz, Smart House recalls the sunny side of the Cure and just enough Wild Nothing to get you dancing. You can't listen to "Car Ride" and tell me you don't hear a lot of "Pictures of You" in that guitar or even a sans vocals "Boy's Don't Cry" in the song's first half. When we talked about this song at the year's half way point, nostalgia seemed to be the driving factor of our love for "Car Ride." For me, I am reminded of those endless nights as a teen in Amherst with nothing to do and nowhere to go, but everything still ahead of me. Those nights were perfect. I can almost pin it down to the exact second in song, right around that sun peaking through the haze moment at the 1:57 mark, where those feelings emerge. "Car Ride" reminds me of a time in my life when things were so much more simple, before bills and 9-5 jobs, before the thought of marriage and children were running through my mind, a time I still wish I could go back to every now and then. - MPM 
When we got hold of the pre-release zip file of JOHNS’ House of Wrongheads, there was an instant excitement that 2013 was going to be a great year for Buffalo music. “Worm Wall” is the first track on House of Wrongheads, and is a droning, dissonant work of beauty with an eerie sense of urgency. From lead singer Johnny Toohill’s ghoulish 'ooo' ing introduction, to the band’s one-chord jam session breaking out at the two minute mark, and ending with drummer Ryan McMullen’s tribal drum outro, this haunted-garage rock five-piece has made one of the best songs we’ve heard in years. - MJM
Well, it’s unanimous. Del Paxton captured our hearts this year with Worst. Summer. Ever., a six song EP of perfect emo-meets-math-rock masterpieces. It was hard to pick only one, but in “Motion Sick,” Del Paxton gradually crescendos out of their soaring, angular indie rock into a blissful, reserved sing-along, complete with jazzy drums and far-off harmonies. This EP perfectly encapsulates where the emo genre was headed before it was bastardized – Del Paxton is able to be introspective without being sad. The blend of emotion, complexity, intelligence, and just the right amount of pop sensibility helps this album appeal to almost anyone you can think of. Emo enthusiasts, fussy musicians, gear nerds… even punks. I think we can all agree on one thing, Del Paxton brought it home this year. This is music that makes you want to fall in love. - NAS
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